Wonderful character development!

Surprisingly incoherent and boring

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

I think I know my "Benson(and Holt etc)".I watched this entertaining contemporary take on Lucia's progress with great interest.Longitudinally,Mapp is Lucia's nemesis.What ever is going on in Lucia's busy social life there is always an awful possibility Mapp will pop up.She,well,is not a nice person.One thing I'd like to suggest to the makers of this current series,your production is absolutely sumptuous with fine views of Rye and environs,please don't truncate stories to fit time slots.Two tales ought never be abridged,"War and Peace" and "Mapp & Lucia". That said,there is now surely enough written material to make a longer series than "Downton Abbey"!

Set in the chocolate-box town of Rye in Sussex, this English comedy of manners was easily the best thing on British television this Christmas, as far as I am concerned. I just wish the BBC had produced more than three episodes of "Mapp and Lucia", although I have a sneaky suspicion there will be more in the pipeline.Based on a series of humorous novels written by EF Benson in the 1920s and 1930s, series one begins with the pretentious Lucia arriving to spend the summer in Tilling (Rye) with her effeminate male friend Georgie in tow. Lucia renews her acquaintance with bumptious Miss Mapp, the queen bee of Tilling (in her estimation anyway), and from there on in, the two ladies lock horns. "Mapp and Lucia" has a cast of the most eccentric characters, who create the most absurd situations. This could be dismissed as pure froth in pretty scenery, except the author has created (for me anyway), instantly recognisable people and written the most wonderful lines for them. English middle-class aspirations and affectations are ridiculed, as the protagonists compete socially, involving the hapless inhabitants of Tilling in their increasingly frenetic plots. The critics have compared this TV series unfavourably with an earlier one starring Prunella Scales and Geraldine McEwan. Having neither read the books or seen the 1980s version, I am not in the position to comment. However, I shall immediately be watching all three episodes again on BBC iPlayer, and ordering the DVD when they are out."Au Reservoir"Cheeseandchocolatemonster

It is perhaps a bit unfair to make direct comparisons between productions, but that is in fact what we tend do and what most experts do when reviewing food, music, and also films.I found this BBC production of Mapp and Lucia somewhat lacking especially when measured on my simple enjoyment scales. I am not the only one with that opinion.The BBC production has many very fine features. It is shot in HD with excellent camera work. It is quite lavish and sports excellent settings and attention to detail. The cast are a most capable bunch. So what can I blame for the lack of enjoyment when compared to the Channel 4 1980ies production? The fault may probably lie with the adaptation and the direction.There was more of a darker underside to the BBC adaptation, with a lot less of the lightness and comedy found in the Channel 4 production. The gossip and carry-on was portrayed as much more acidic, mean and destructive. The overall effect left a slightly bitter aftertaste, which for a comedy is not great in my book. I have watched the Channel 4 production at least four times over the years, and enjoyed it each and every time.I do not think that I will be able to say the same for this current BBC production.

Good script, fast paced. Altogether entertaining. Colour palette seems rather dark and sombre compared to the insouciant sweet lightness of the C4 original. Anna Chancellor: a bit too butch for the part, too threatening, a bit sour, missed a fragility and joyfulness that McEwan got. Actress portraying Irene (Gemma Whelan) was much better and more credible than the original actress. Miranda Richardson very good, copied some mannerisms of Prunella Scales interpretation I thought. Pemberton also very good, copied Hawthorne's mannerisms in places. Chemistry between Pemberton and Chancellor was not right or credible somehow. Frances Barber - hammy over the top but delightful. All other actors and actresses worked really well. The final shot of Pilsen and Irene apparently bonded surprised me.