Thanks for the memories!

Sorry, this movie sucks

A different way of telling a story

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Well you know the story don't you. The pedicurist (Michael Palin) and his social climbing wife (Maggie Smith) live with her mother (Liz Smith) and a pig they've stolen. The pig's smell, naturally, permeates the entire house. When people come in, that's the first thing they notice, the smell and Maggie Smith justifies it by saying "My mother, she's seventy four" I laughed so hard that I had tears running down my face. It's not the line per se the cause of it but its delivery and the faces, the faces of Maggie and Liz Smith. I've been a ardent fan of Maggie Smith all my life and I had a unshakable memory of Liz Smith and Dora Bryan as the British spinsters of Apartment Zero. Here the two Smiths create a subliminal duo that is downright irresistible. Don't miss it.

I am clearly missing this great comedy that all the other reviewers have seen. I was quite looking forward to this movie and normally enjoy the quirky British comedies but this is a huge disappointment. The basic idea of a movie about the food rationing times in the period after World War 2 is good but it is steeply downhill from thereon. The movie has no real story going for it and it is simply not funny at all. The performances all round are pretty average. The only bright side I can think of about this movie is the mother in law. She is a brilliant character and very well played. But that doesn't make up for one of the most boring and pointless movies I have seen for a long time. How could this be nominated for a BAFTA for best movie??

The 1980s were dark days for the British film industry and productivity was at an unprecedented low. That doesn't mean that there weren't a number of very fine films made during this time. It does mean that they tend to be rather forgotten in what is often described as a period of wilderness for British cinema. This is rather unfair, as there are a number of fine films made during this decade that don't get the attention they should. A Private Function is a case in point.The cast assembled for the film is simply one of the best I have ever seen in one movie. Look at the cast today and you would say it was star-studded; actually, many of these actors were not especially famous at the time (only Michael Palin, Maggie Smith, Denholm Elliott and Alison Steadman were really famous actors). Most of the others (Richard Griffiths, Pete Postlethwaite, Jim Carter, Liz Smith, Bill Paterson, Tony Haygarth) have achieved more recognition since. Their obvious talent and future potential was clear to see in this movie. As the fortunes of British films have improved since, their careers have duly flourished.If the film has a weakness, it is that it is supposed to be a star vehicle for Michael Palin, and yet his character is utterly dull and boring. Palin has proved he is a very capable actor elsewhere and might have impressed more if the kind of effort Bennett put into developing the other characters had also been afforded to Palin's role. This is a minor point though, because the rest of the characters are so well scripted it doesn't seem to matter too much. Palin would probably be the first to admit that the film works because of the script's overall quality (Alan Bennett is simply one of Britain's most incisive comic minds) and because of the wonderful supporting cast, not because of the strength of his own character.A Private Function is a relatively low budget and uniquely British film. The writing and the acting represent the very best of British cinema. It's a shame it doesn't get more recognition but the gentle wit, eccentric characters and lack of glamour and romance, plus the state the British film industry was in at the time it was made, probably meant that it was never destined to be a blockbuster. It does remain a very funny and at times quite barbed portrait of a particular period in 20th century British history.

One of the funniest comedies to come across the Atlantic in a long, long time. Maggie is magnificent. This movie will go right over the heads of teenie booopers with less than a high school education, but for the enlightened world this is a gem.