Fast forgery without mistakes. Shoplifting under pressure. Effective body disposal. The ability to multitask various felonies. These are just a few of the "talents" that mother-and-son grifters Sante and Kenny Kimes possess. Based on shocking true events, this flick takes you into the dark, sordid world of this deadly duo, from their bizarre relationship to their heinous crimes. It's no surprise that two-time Emmy winner Judy Davis earned a nomination for this performance.
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You won't be disappointed!
Very very predictable, including the post credit scene !!!
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
This movie was really good. It's the best movie ever made about this case. I'm gonna read the book that it's based on. Great acting, costumes, production, set decoration, directing, photography, script, and portrayal of this real story and events.Spoilers Coming Up! Sante' Kimes was a spoiled brat who did whatever she wanted, whenever she wanted, hurt other people without a care in the world for their well being and best interest. She enslaved women and beat them with hot irons and other things. That's what sent her to prison with a five year sentence, (she only served three). But she didn't learn anything from it, because she began her felonious behavior again the minute she was released. She also lured her son Kenny in with her.The Kimes most certainly are guilty of killing Irene Silvermen and the two men. They can deny it all they want, but everyone else knows the truth. The book that the maid gave Kenny with the story "The Boy Who Cried Wolf" would have been good for Kenny, and I think things would have been different for him if he had been able to keep that book. She could also have used that story herself.I hope Sante and Kenny Kimes both have lives filled with misery. They should have been given the death penalty. Rot in prison both of you, ha-ha.I give this movie an 8/10 star rating.
This movie is absolutely hysterical!!!! An excellent film done in such a high camp style that you come away thinking that even if Sante Kimes is guilty, someone so FFAAAAAAABBULOUS doesn't deserve to rot in prison for the rest of her life.In fact, I have been searching the internet hoping to find a website devoted to their case, but there isn't one. Doesn't anyone ever entertain the possibility that they were innocent? It is possible. If it weren't, Sante wouldn't have lawyers willing to work on her appeals. In fact, I am a second year law student and want to volunteer to work on her appeals. It would be an amazing learning experience.And Judy Davis is simply incomparable!!! No Judy Davis movie is EVER a disappointment. She was amazing as Judy Garland and she embodied Sante Kimes in a such a believable yet completely entertaining way.
We're told that the Sante and Kenny Kimes is a true story. Not even Tennessee Williams would have dare to dream up a mother/son relationship like this one. Horribly funny. Monstruosly entertaining. Judy Davis is, quite simply, spectacular. Although Richard Benjamin (the director) seems to go for the campy aspects of this outrageous tale, Judy Davis keeps it rooted to some kind of illogical logic. Sante's madness is a first for the screen. Part Bette Davis, part Judy Garland but one hundred per cent Judy Davis. If that seems like an absurdity, look at the movie. Sante/Judy is in constant movement even when she's standing still. A fearless magnificent performance. If this little murder had been a big screen movie. Judy would, certainly, be nominated for an Oscar.
"A Little Thing Called Murder" is another TV movie about Sante and Kenny Kimes, the real-life mother and son con artist/murder team. The first film starred Mary Tyler Moore and focused mainly on the murder of Irene Silverman, the New York woman killed for her brownstone and whose body was never found. (Court TV also did a documentary on them.) In this version, the murder of Irene is at the end of the movie. Director Richard Benjamin takes us through the bizarre life of Sante, with each crime a new episode that begins with the title "A Little" - which is how Sante thought of her crimes - A Little Problem with the Maid (slavery), A Little Problem with the Check, etc.Now in prison, Sante Kimes must be in life as over the top as depicted by Mary Tyler Moore - and if you thought Moore was outrageous, wait until you see Judy Davis sink her teeth into Sante. The approach in this film is more of dark comedy, though much of it is quite shocking. Davis' performance can only be described as out there - and probably accurate. Sante thoroughly corrupts her young son, played here by adorable Jonathan Jackson, which makes his crimes and killings all the more horrible. She sets fire to the family home for insurance; she takes a test drive in a car and holds onto it for a year; her Mexican help are actually slaves; she shoplifts, and when caught, she hits her son and goes after the security guard; the two claim to the cops that the security guard slapped Kenny and leave; she hides her husband's death so she can clean out his Bahamian bank accounts; and finally, of course, the Silverman case. In real life, not shown here, Sante actually posed as Silverman, an 82-year-old, in order to sign some papers.Catch Davis performing "Santa Baby" with a boa and you'll know you've entered the twilight zone. She's a scream. The film is very well done, interesting, and intriguing. But don't look for motives or reasons. The writers deliberately didn't explore them. Sante is so nuts, though, one wonders if she hadn't lost sight of her original demons years earlier.