Admirable film.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

The film never slows down or bores, plunging from one harrowing sequence to the next.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This cartoon had a very negative view on how I felt about cellulite. As a child, I struggled when I heard the word fat, feeling like there was nothing good about it.From the age of 5 till about 10, I had seen quite a few things about weight portrayed in a horrible light. This cartoon did not help that image.There were several scenes from this short that stuck with me. Goofy deflating the car tires, grounding the elevator, and his stomach growling like a dog. He tightens his belt to suppress his hunger, only to watch in horror as it busts lose, his gut now whimpering like a frightened pup.The harshest thing about this was the fact that Goofy's reflection talked negatively to him instead of giving him encouragement. I believe this may well be Goofy's conscious telling him to improve his lifestyle. However, it doesn't seem to work very well and at the end of the cartoon. Goofy's reflection has now eaten all the food. So if this is indeed Goof's conscious, he has taken a turn for the worse and will continue his gluttonous ways.This cartoon would probably be more funny to me now than a while back. Some of the scenes are just overblown. I will come back later to clean up my review and give a final score for this.

Goofy seems to have a lot of these stories where the plot in his cartoons are experimental. In this case, Goofy, identified as a character named George Geef, goes through overweight challenges, as highlighted in a somewhat hilarious way in this cartoon (which would not be very PC nowadays).This cartoon is more like a mini-documentary than an animated story. Not much laughs in this one and Goofy does not speak in his iconic voice. It's not an awful cartoon, just a little mediocre.Grade C+

MUCH LIKE ALL of the other GOOFY Cartoons of the period, this one really hits the target. Anyone who has had the temerity to call himself heavyset, husky/stocky or (our personnel favourite) "big boned" as euphemisms for their own overweight condition, will surely see more than just a little bit of himself in this cartoon.WE BELIEVE THAT so much of the success of one reeler cartoon shorts like this one is due to Director Jack Kinney. Having screened so many of these Disney theatricals lately, we seem to have been able to isolate and instantly identify one of his pictures by his distinctive style.OUR STORY: THE Picture opens up with Goofy's raiding the old ice box; embarking on a culinary marathon of binging on whatever tidbits of leftovers that can be procured at that time. True to real life, Goofy dispatches those various items with post haste, breakneck velocity. In short, he's become a rapid-fire eating machine.EMPLOYED AS THE central dramatic device of the story is the gimmick of having Goofy's conscience addressing his gargantuan gourmet weaknesses through the implementation of an independent minded reflection in his bedroom's vanity mirror. It this inner alter-ego who finally dares to unveil that Goofy does indeed have a problem with his excessive weight. As we all know, the first step in solving a problem is recognizing that one exists.THIS SOLITARY CONFINEMENT action is followed with a litany of gags involving many different characters' daring to call Goofy that one word that no obesitarian* wants to hear. That would be referring to our hapless hero as "Fat" by given name.WE MUST CONFESS that we saw more than a little bit of our self on the screen in this one. Although this both has been and is a touchy and highly sensitive area for this writer, we found that the humor generated in this by Mr. Disney, Jack Kinney and their production team helped to bring about a newfound determination to address the situation and get our own personal "borders" under control.BUT WE UNDERSTAND if you don't think that we'll start on a program; let alone succeed. As a matter of fact we could just hear what you'd probably be saying right about now.IT'D GO SOMETHING like: "Fat Chance, Ryan!"NOTE: * We just made that one up! We're lobbying to get this one into the dictionary this year!

A Walt Disney GOOFY Cartoon.The difficulties with weight gain and dieting are humorously depicted.Millions of viewers will sympathize with the Goof as he attempts to remove several pounds of avoirdupois and refrain from eating the goodies in the refrigerator. Clever usage is made of eight actual pages - not animated - from a Betty Crocker-like cookbook from the era.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.