On holiday with their mother in the Lake District in 1929 four children are allowed to sail over to the nearby island in their boat Swallow and set up camp for a few days. They soon realise this has been the territory of two other girls who sail the Amazon, and the scene is set for serious rivalry.
Similar titles
Reviews
Pretty Good
A waste of 90 minutes of my life
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
The best films of this genre always show a path and provide a takeaway for being a better person.
Arthur Ransome's much loved children's' book is brought to the screen in this faithful, albeit rather inconsequential, film from Claude Whatham. The book is a gentle tale about vacationing children in 1920s Lake District who make camp on an island in the lake beside their holiday home, and spend the entire summer getting in and out of adventures along the water. The biggest drawback in the book is the lack of real conflict among the characters. Everyone gets along absurdly well, Coral Island-style, and the book cries out for some fire and spice to stir things up a bit. However, Ransome overcomes this problem with his engaging writing style and his loving attention to local detail. The same cannot be said of the film which, stripped of Ransome's evocative prose, ends up being merely pleasant and genteel for its entire duration. Not that it's unwatchable or anything, and there are definitely sufficient points of interest to warrant a look.Four young children – John (Simon West), Susan (Suzanna Hamilton), Titty (Sophie Neville) and Roger (Stephen Grendon) – arrive in the Lake District with their mother (Virginia McKenna) for a summer break. Their father, a sea captain, is away on a voyage at the other side of the world. Their holiday home is right beside a long lake and the children immediately find their attention drawn to a large uninhabited island in the middle. They are allowed to use a small wooden sailing boat, the Swallow, to explore the lake and the island, and soon they come up with the idea of setting up a camp on the island. Two other girls, Peggy (Lesley Bennett) and Nancy (Kit Seymour) – a.k.a The Amazons – arrive on the scene and challenge the Swallows to a test of courage and cunning to decide the true masters of the lake.Swallows And Amazons, like any family film peopled by kiddie characters, relies on its child cast to hold things together. In this case, most of the children are rather wooden and struggle to create convincing characters. Grendon as Roger is particularly weak and turns one of the best characters from the book into an irritating buffoon, while Seymour is far too old and far too girly for the part of Nancy. There's not enough help from the adults either, with Ronald Fraser embarrassing himself quite dreadfully as Captain Flint. On a positive note, the film manages to capture the spirit of adventure and exploration rather nicely, and is a treat to look at throughout. Individual scenes work quite well, such as the bit with the charcoal burners, and the night-time sortie in which the Swallows attempt to steal the Amazons' boat. Overall, this is a fair-to-middling adaptation of the book – a nice, undemanding 92 minutes if you're in the right frame of mind.
A classic childhood adventure set in English Lake District in 1929. Four pre-teens travel by train with their mother for a weeks holiday in the Lake District. The children spend their time exploring in a rowing boat & camping on a small island. They befriend two sisters & become involved in an intrigue with their uncle; having adopted a pirates view of their world. The children enter a world of magic & adventure, where their freedom & imagination are the special effects. A charming tale, with exquisitely rendered period detail in a timeless landscape that will have you aching for a simpler age. Do not miss - your inner child will thank you for it.
When this arrived, I'd finished reading all the Swallows and Amazons novels just a few months before. I'd also just seen the TV productions of the two Coots books (click on my name for that review) and read Roger Wardale's "In Search of Swallows & Amazons" which interpolates a fair amount of biographical data into a photographic search for the real Lakeland sites in which the fictions take place.Much about this 1974 theatrical film is right, and two things -- both casting issues -- grievously wrong. Judging from Wardale's photos and Ransome's descriptions, the lake lands, Wildcat and Comorant Islands, and especially the two landing sites on Wildcat look perfect or nearly. Also right: the two boats of the title swishing across the lake with the camera set low so that the distances and land masses appear as they might in a child's eye. I like that tacking, so important throughout the series, happens clearly and instructively without anyone ever stopping to explain it, whether Roger running otherwise bizarre switchbacks up a lazily sloping lawn, or John doing a hundred-count to tack in the dark. (Believe me it's clear when you see, especially if you know any of the books.) John and Susan, the one groping toward becoming a natural leader, the other painstakingly matronly yet able to break in an instant into a child's sprint, seem well cast and anchor the group. Able seaman Titty's the best cast. She has the most active imagination in the group, always seems more actively and willingly to believe, while the two older children have to work just a little at pretending. Roger, to me, looks a little two Alfred E. Newman, but does no real harm to the film.The most horribly miscast is Nancy, the older Amazon. Though a bare year older in the books, here she towers over the others. I think she's at least as tall as the other miscast character, her uncle "Captain Flint," and even has a figure with which she could pass for eighteen or twenty. But worse than that, she's not wild enough. Not until the very end does she utter a single grudgingly weak "Shiver me timbers," or if she did before they were too limp to notice. She seems nearly as "native" as the Swallow's mother, while she should have been a driving force, the most vivid pretender, or equal at least to Titty. I'm not sure how to describe to who haven't read. Maybe the closest I can come is Charles Shultz's Peppermint Patty but with a lot more confidence. Reading, I always heard Nancy's "Shiver me timbers" as raucous as a parrot's cry.Bird-faced actor Ronald Fraser's Uncle Jim, or "Captain Flint," looks like a fifty-year-old petty magistrate. He could never sincerely belong with these kids against the Natives. He IS a native, irredeemably. (Natives are adults, shore people, or in general anyone not in on the frame of mind out of which the term Native comes.) Ransome's Captain Flint is fat and knowledgeable, playful but seldom or never silly. Ronald Fraser condescends in a way that's anathema not just to the real fictional Flint but to Ransome.But please take the good of all I've said, and do see this film.
Although no one would accuse this film of being great art, it is a delightful, wholesome and reasonably accurate (albeit simplified) rendition of Arthur Ransome's wonderful book. It is nearly impossible these days to find any movies where the children are kind to one another, the parents are loving and the adventures are free of violence. If you love sailing, old boats, and a pleasant easygoing story, Swallows and Amazons isn't a bad choice. It is one of our family favorites.