One of my all time favorites.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

This story has more twists and turns than a second-rate soap opera.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Brutishly interrogated by seven bullying detectives, beautiful Evelyn Brent (as Rose Manning) claims she knows nothing about a recent cop killing. Informed her racketeering father was also shot to death during the incident, Ms. Brent vows revenge against police inspector William Holden (as "Butch" McArthur) and the other "coppers" responsible. Five years later, Brent runs a nightclub casino popular with underworld types. Brent attracts many men, ranging from manicured bootlegger Ralf Harolde (as Chuck Gaines) to innocent youngish Regis Toomey (as Jimmy). The latter man has a secret which tests Brent's resolve...This run-of-the-mill melodrama is enjoyably for the dramatics and great beauty provided by Brent. She proved to be as good in "all-talking" pictures as she was in "silent" movies, but the parts she received were getting worse. Her "Framed" role calls for obvious melodramatics, but Brent manages to get in some subtle moments. William Holden is not the 1950s super-star. Having a lot of fun with their characters are villainous Mr. Harolde and henchman Maurice Black (as "Bing" Murdock). The former keeps his fingernails clean; the latter helps Brent and director George Archainbaud make the apartment confrontation a highlight.***** Framed (3/16/30) George Archainbaud ~ Evelyn Brent, Regis Toomey, Ralf Harolde, William Holden

Creaky, but Sometimes Clever, this Early Talkie was Headlined by Evelyn Brent, Hardly a Household Name. But Her Acting Ability, Especially Making the Transition from the Silents, is Obvious and She Shines in this Male Oriented Gangster Film.Regis Toomey, in an Early Role, is Underused and Bland, but as Brent Carries the Film it Plods Along with the Expected Datedness that Plagued the Era from 1927-to about 1933. Hollywood's Transition from Silents to Talkies was, Like All Births, Painful at Times.This One Fares Pretty Good, but Cannot Escapes the Confines of its Playdate. Worth a Watch to See the Unknown Brent and as a Bridge Roughly Traveled as Filmdom was Finding its Feet with New Technology. The Opening and Closing are Stylistic and Connected, the Middle Meanders a bit, but Manages to be Entertaining Enough to Recommend.Note...There is very little Pre-Code Inclusions worth noting and the Film would have passed the Censors with no problem.

The cop's son, as correctly identified in the cast list, is played by Regis Toomey, not by "a very young William Holden" as stated by another viewer.William Holden (I) (1918-1981) did not enter films until 1938.The William Holden (II) in this film (1862-1932) is a much older character actor, who plays Inspector McArthur, and who is no relation to his better known latter day namesake.Considering the six year gap between their two careers, there is really no reason to confuse the two actors.For further information on Regis Toomey, consult his webpage.

The career of Evelyn Brent probably peaked in the end of the silent era. She made three pics with von Sternberg (Underworld; Last Command; and The Dragnet) and a solid effort with William Wellman (Woman Trap) and did make the jump to talkies, but none of HER pics were successful. This one is mostly straight revenge, taking out her emotions through the cop's son, played by a very young William Holden. Brent has an undisputable presence, and an intriguing nose, and her gowns and dresses are frequently revealing...one or two are cut so low in the back that they would be fashionable and mildly daring today. Fans of early talkies will love this!