Don't listen to the negative reviews

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is a gorgeous movie made by a gorgeous spirit.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

It's cheap and cheesy genre time with the no-talent independent filmmaker, who stumbles his way through this supposed "Blade Runner" riff. In the "future", mutant cyborgs are being injected with a special drug by evil, world domination minded scientist Z (Bill Peterson). The only man who can even try to put an end to Z's diabolical plan is mercenary / mutant hunter for hire Matt Riker (Rick Gianasi). Of course, Matt will get by with a little help from his friends, Johnny Felix (Ron Reynaldi) and Elaine Eliot (Taunie Vrenon).The special effects and makeup are, surprisingly, not that bad, all things considered. Ed French created a puppet cyborg head that is pretty cool - and which does give the best performance in the movie! Everyone else is varying degrees of dull. Thankfully, the attractive female cast makes things worth enduring, especially Ms. Vrenon, who has an alternate job as an exotic dancer. The insistent pop music score helps to move things along adequately, no matter if the bulk of this production is inept from beginning to end. The fight scenes are somewhat less than exciting, and not exactly directed with much zeal. Kincaids' script is talky and inane.Of course, who chooses to watch something titled "Mutant Hunt" and expects anything different? Truth be told, this viewer would still rather watch stuff like this than a lot of the mega budget crud churned out by Hollywood. At only 74 minutes long, this harmless bit of nonsense goes on no longer than it should.Five out of 10.

The film was created on next to no budget by an infamous director/writer/producer of adult pornography. Watching the fashion and mustaches on the male cast that last thing might not be that much of a surprise but what surprises me the most is the ego of the production team. If you have no money and hardly any skills in filmmaking then you might get away with creating a sleazy slasher at most. This film takes it inspiration from epic films like Bladerunner but fails fails in nearly every department, fails HARD. Awful settings, uninspired wardrobes (except for Domina's), no logical plot, weird fight scenes, laughable "inventions" and utterly useless cyborgs that look like failed EBM musicians and act like stiff zombies.Bladerunner had its following of low-budget cyberpunk copycats and a lot of them actually succeeded with delivering a somewhat engaging story (Robotrix for instance) so this film can't really get away with it just because of finances. If I were to cut it some slacks then it has to be the effect and gore. I am especially thinking about the decaying cyborgs that are skillfully done with both stop-motion and makeup.

Some claim this is a BLADE RUNNER ripoff but I know the truth. In the distant future, failed filmmaker Ridley Scott built a time machine and decided to go back in time to film MUTANT HUNT, what many in this future consider the greatest film of all-time, before it is actually made. His plan worked and BLADE RUNNER hit in 82 while MUTANT HUNT's legacy was muted because it was seen a ripoff.Seriously, what can one say about this classic? It is indicative of a cinematic time long gone, the era of cheapo sci-fi flicks shot in abandoned warehouses (the future!) on a 5-day shooting schedule (see also: Ray, Fred Olen). I'm glad to know that in the future cyborgs will be modeled after the band Devo. Tim Kincaid directs this as flatly as possible. I love the fight in Riker's apartment where the girls just sit and stand there. I also love the bit where the robot begins to severe its left hand. When the filmmakers cut to the hand hanging in the cuff, it is a right hand! And who can ever forget the couple making out in the alley? Awesome. To the film's credit, Ed French's cyborg puppet head is pretty impressive and actually emotes better than 3/4 of the cast. After watching this 75 minute insanity fest, the only natural thing to ask is, "What Kincaid film should I watch next?"

Presented by Tim Kincaid, a pornographer and director of the anticlassic ROBOT HOLOCAUST, so be ready for sub-zero quality garbage without any production values. In this story, a number of cyborgs have been introduced to some sort of narcotic which turns them into unstoppable machines of destruction. Our hero, Ryker(a name obviously selected from the nomenclature of action heroes and gay porn actors), must hunt them down before they wreck every cheap Styrofoam and cardboard prop in their path. This flick borrows many ideas from BLADE RUNNER, but don't even attempt quality comparisons...this is easily among the weakest sci-fi efforts of the 1980s(even though ROBOT HOLOCAUST is, in fact, worse, improvements made in this mess are as observable as a contact lens dropped in the middle of the Altlantic Ocean). Cosmically bad in every direction, therefor recommended to masochistic types. 3/10