To me, this movie is perfection.

Fresh and Exciting

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

For Dorothy Burgess fans (hopefully, I'm first in line here), Out of Singapore (1932) (available on a very good Alpha DVD) is an absolute must-see. Although she makes a late entrance, Dorothy does a dance number that will knock your socks off. And Miriam Seegar is no slouch in the beauty department either. Alas, Wallace Beery plays the villain with such patent wickedness, we wonder how the "good" boys, and most particularly Miss Seegar, could possibly be taken in by him. I also thought that Jimmy Aubrey way overdid the "comic" relief, even though his actions do enable Fred "Snowflake" Toones to get his teeth into a first-class dramatic role as a particularly vicious cook. Indeed the movie is overloaded with evil characters. We haven't even mentioned Montagu Love and Leon Wong (who escapes retribution, would you believe?), but the film is directed with such a sure hand by 1920's serial king, Charles Hutchison, that these quibbles only surface after "The End" is flashed on the screen

The film begins with a ship's captain agreeing to take on Woolf Barstow as his first mate. This is unusual because Barstow has a horrible reputation as ship after ship on which he served sank! However, the captain seems to think that perhaps it's all just due to bad luck. However, through the course of the film you see that Barstow is indeed an evil man--a guy who isn't above murdering his crew in order to commit insurance fraud! Nice guy, huh? However, his lady friend (Dorothy Burgess) is intent on stopping him one way or another--and WOW does she pick an unusual way to do this!! In many ways, watching Noah Beery (brother of Wallace Beery, by the way) is a lot like watching a live action version of Bluto from the Popeye cartoons. His voice is nearly the same and he behaves much like Bluto would--with the over-active libido, streak of violence and the like! Because of this, it's really hard to take the film very seriously. The same could also be said for the ending--though it's very, very exciting to watch. Additionally, viewers might be surprised and enjoy watching the Pre-Code aspects of the film--such as the very seductive dancing of Burgess (such dancing would have probably not been allowed post-1934 when the new Production Code was enacted).

This film is short and sweet, and Top stars Noah Beery as a baddie. Dorothy Burgess is fiery and sensuous, and Miriam Seegar fine as the "good" girl. Typical entertaining low-budget programmer probably played small houses or the second half of double bills, but today is an painless way to spend an hour seeing some stars from the early sound era who are all but totally forgotten today. (The poverty row studios seemed to specialize in offering decent parts to players whose luster had dimmed a bit after the initial boom of the first talkies). I find more and more films from poverty row which are entertaining, even some with production values which are pretty good considering their low budgets. That so many have survived at all is amazing since these were made by companies that long ago went out of business and the films were thought to have no value beyond their initial releases. There is a satisfying ending to this film. I won't spoil it for you, but try to see this when you can't decide on anything else to watch. I think you'll like it.

Noah Beery once again plays the heavy, this time a sailing officer who is also a ship wrecker. And he has his eye on the captain's pretty daughter Mary played by blonde Miriam Seegar. His course is complicated by his former girlfriend, the half-caste Concha, played to the hilt by Dorothy Burgess in what may be her ripping-est role ever. The darkly beautiful Miss Burgess is mesmerizing as she determines to hold on to her man or make him pay. George Walsh is rather wooden as the hero. Jimmy Aubrey gives a great impression as the lovable drunk. The characters reflect many degrees of morality. For some, it will be fatal. The great thing about these old films is that they sometimes give us a look at things as they once were. This story rings true enough and much of what you see in characters and scenery is probably much like it was.