How sad is this?

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Don't be fooled into expecting some high budget end-of-the-world epic like Romero's DAY OF THE DEAD or otherwise, as THE AFTERMATH is strictly an amateur production (good production values and editing, but amateur nonetheless), with the same guy, Steve Barkett, directing, writing, and acting all at the same time. Strictly, this should be a rubbish movie, as it's packed with cheap effects and poor acting. Yet somehow, everything gels together and this actually becomes very good towards the end. So good that I've found myself going back to it over and over again, and enjoying it more and more each time (even if there are a number of dropouts in the tape I have and last night I was finally forced to put it in the dustbin). Yes, it's amateur trash, but it's a trashy gem made by people who love the genre and who know what elements to include.Things start off poorly, with a space shuttle flying through space. Obviously they couldn't afford anything like STAR WARS had, so instead we are left with a tacky-looking model jerking through the air. It crash lands into a fish tank, or what is supposed to be the ocean. Then the fun really begins, as the next half an hour consists of our heroes exploring the desolate world and trying to create new lives for themselves, discovering all manner of rotted and mangled corpses as they do so. I just like the concept. After this initial setup, the film deviates and becomes more of a human drama, as a number of characters are introduced, as well as an evil gang of rapists and murders lead by the psychotic Cutter (played by veteran Sid Haig). Our hero rescues a number of prisoners, who are massacred in revenge when he's not around. The finale is of the standard revenge one-man-mission as Barkett enters the enemy camp and single-handedly eliminates the entire gang. Accompanying this is a stirring soundtrack of what I guess to be library music, sounding suspiciously like the stuff in NIGHT OF THE LIVING DEAD.The acting is of strictly an amateurish level, especially from Barkett. You wouldn't really imagine this middle-aged guy with a moustache to be a hero in a film like this, but I liked him in a strange kind of way. He's adequate, if not particularly inspired. If Barkett is just okay, then the rest of the cast are pretty awful. At least Barkett gamely plays along, delivering his lines in a solemn yet campy kind of way (you can tell this is doing wonders for his ego). The female lead is particularly awful, picked for her looks rather than her acting skill. Sid Haig is the only other good actor, making the most of his comic-book villain as he slaughters his way through innocent victims and growls evil dialogue. A surprising amount of genre veterans turn up now and then, from Jim Danforth (a special effects artist) as an astronaut, to Forrest J. Ackerman as a curator of the last museum on earth, to Dick Miller as a voice-over on a cassette tape.There are quite a lot of special effects involved in this film, all done admirably on the low budget. From the many desiccated corpses to the scenes of an LA reduced to rubble, this impressed me a lot. There are also some really ugly mutants hanging around too. The film is very gory and violent in places, with a victim getting his head shot gunned off, a little girl getting brutally murdered and a baddie getting a knife through his chest and into his eye. The final twenty minutes is made up of all-out action, with Barkett bloodily dispatching about a hundred bad guys with his pistol and rifle, while lots of things explode. This is what all action films should be like! I also rather liked the twist ending, which puts things in a whole new perspective. Sadly, this didn't get released until years after it had been made, but thank goodness they did bring it out in the end. THE AFTERMATH is a fast-moving, action-packed, end-of-the-world epic done on a shoestring budget by real fans. A classic! AddendumRecently I was browsing through a car boot sale when I came upon a different copy of this movie - this time, the pre-certificate release on the World of Video 2000 video, titled simply AFTERMATH. I instantly bought the video and settled down to watch it, and discovered a bizarre number of minor differences in the movie. A snippet showing the ship crashing into the sea at the beginning of the film has been cut out (maybe the distributor didn't care for the effects either), and then bizarrely a whole sequence in which Newman discovers fried corpses on the beach has been eliminated, thus throwing into confusion how he actually gets hold of the satchel which he carries during the cliff-top climb. The chilling "beach" sequence is the first inkling that something is wrong and one of the most atmospheric shots in the film, so why it was cut I have no idea. This version also has a considerably longer death for the Mexican villain, who now gets a knife slowly slid into his chest in graphic detail before getting stabbed in the eyeball - this bloody sequence was extensively cut, for obvious reasons, in the 18 certificate version.

As a very early entry into the post-nuke game, this one was kind of a genre-defining film for what would follow. Yes, it was insanely low budget, and corny at times, but what really makes it work is Steve Barkett. You know he wasn't a pro, but his amount of enthusiasm for the project more than made up for his lack of skills. He's rolling, jumping, kicking, driving, shooting; no stuntmen here! Flicks like this probably inspired others to get into movie making. It just looks like they had a hell of a lot of fun doing it. This was a movie with a lot of spirit- something the 150 million dollar pictures can't say.A group of astronauts is in space when WWIII goes down, and they return to earth of find a burnt-out, zombie-infested, wasteland. Criminals run loose, raping and pillaging at will. This film was blatantly copied by Def Con 4 several years later, which was good also. Sid Haig is great as Cutter, the ruthless leader of the filthbags. There is a good amount of decent gore and some nudity to keep you going, but the main plot is the good vs. evil and the battle with Cutter and his band of evil-doers. One thing: this movie will be hard to find. It took me a couple years to find it. UPDATE: I just saw that they have now released this on DVD as Zombie Aftermath! I need to go upgrade my old VHS copy at once!! If you like B-movies and the post-nuke genre, you will not be disappointed. You may even want to go out and try to make you own movie! This one is a slice of tasty cheese. Recommended. Also, check out Survival Zone (another rare bird).

If you pick this up to watch a serious movie about life after a nuclear war, you'll give up on this in about 5 minutes. But if you like watching a movie that you can make fun of and groan at, then this is the movie for you.As I was watching this I was thinking just how bad this movie was, but I kept watching to see what goof, inconsistency, bad line, etc. would come up next. And I was not disappointed.You've got stupid people running around in the desert and guns that never run out (almost never) of ammunition. You've also got the chance of running into a radioactive rain storm, but only drive cars with no roofs. And much, much more.This is a prime example that if you make the movie bad enough, but still entertaining, it will hang around for a long time.

I remember seeing this low quality cheese production several years ago. It was repackaged in the UK as 'Zombie Aftermath', but 10 minutes into this extravaganza, it became apparent that the only zombie on view would be 'versatile' 'actor' Steve Barkett.Steve's the kind of guy who was always picked last in a line up to play school sports, an out-of-shape middle aged trainspotter who you would certainly not cast as the lead. At first you wonder how he landed this role, until a cursory glance at the video box reveals that he wrote and directed it.There certainly are some laughs to be had, as Steve comes to terms with the horror of a post apolcalyptic Earth (and viewers come to terms with the horror Steve's limited abilities, both in front of and behind the camera) and if you're prepared to pan a river of boredom in search of a piece of cheese gold (as I always am) then get prospecting.