Hollow Triumph

August. 18,1948      NR
Rating:
6.7
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Rent / Buy
Rent / Buy
Trailer Synopsis Cast

Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.

Paul Henreid as  John Muller / Dr. Bartok
Joan Bennett as  Evelyn Hahn
Eduard Franz as  Frederick Muller
Leslie Brooks as  Virginia Taylor
John Qualen as  Swangron
Mabel Paige as  Charwoman
Herbert Rudley as  Marcy
Charles Arnt as  Coblenz
George Chandler as  Aubrey - Assistant
Sid Tomack as  Artell - Manager

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Reviews

Sexyloutak
1948/08/18

Absolutely the worst movie.

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MusicChat
1948/08/19

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

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Janae Milner
1948/08/20

Easily the biggest piece of Right wing non sense propaganda I ever saw.

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Kayden
1948/08/21

This is a dark and sometimes deeply uncomfortable drama

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Claudio Carvalho
1948/08/22

The educated criminal John Muller (Paul Henreid) is released from prison and reunites his gang. He plots a scheme to heist the casino owned by the dangerous and powerful mobster Rocky Stansyck, but the holdup goes wrong. Two thieves are captured by the Stansyck's gangsters and they disclose the identities of Muller and his partner Marcy (Herbert Rudley) before being murdered. Marcy travels to Mexico and Muller hides in a city. Soon Marcy is killed in Mexico and Muller is jumpy. One day he is followed by a man and he learns that the man is the dentist Dr. Swangron (John Qualen) that tells that Muller is the doppelganger of hie neighbor, the psychoanalyst Dr. Bartok, and the only difference is a scar on the face of Bartok. Muller visit's Bartok 's office and meets his secretary, Evelyn Hahn (Joan Bennett). He also studies and prepares to impersonate Dr. Bartok. Will his plan work?"Hollow Triumph" is a great film-noir with an ironical story of an intelligent gangster that decides to pose of psychoanalyst ans assume the identity of a man that is identical to him. He succeeds but he does not know who he is impersonating and he will find in the end. My vote is eight.Title (Brazil): "A Cicatriz" ("The Scar")

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JohnHowardReid
1948/08/23

Always specify John Alton if you want moody, inventive lighting, and this movie highlights Alton at his best. What Alton can do to an empty movie sound stage has to be seen to be believed. But even when used on actual locations, his camera-work is just as startling. It's hard to believe the director is Steve Sekely, but maybe the old Hollywood adage that even the lesser directors had at least one good movie in them, is true. Of course, the acting is really memorable too. Paul Henreid does most capable work with his dual role, and even lesser lights like Mabel Paige have their memorable moments. In fact, the movie is chock-a-block full of fascinating character vignettes. I could list them all here, but why not just make your way back to the credits!

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seymourblack-1
1948/08/24

"Hollow Triumph" (aka "The Scar") is a dark thriller about a conceited criminal, a bungled heist and an incredible sequence of events that lead to an extremely ironic conclusion. The moral of the story is that no-one can deny their fate and that any attempts to do so will inevitably prove to be futile. This is a movie that's thoroughly absorbing and enjoyable to watch but one that also contains its share of bitterness and tragedy.John Muller (Paul Henreid) is a college educated con-man who, in the past, studied at a medical school and for some time after practised without a licence as a psychiatrist. When he's released from a prison sentence, the warden arranges for him to be given an office job at a medical supply company in L.A. in the hope that it will encourage him to settle down to an ordinary life and go straight. John has no such intentions and before taking up his job reconvenes his old gang and convinces them to take part in a high-value casino heist.The heist doesn't go according to plan and only John and his old friend Marcy (Herbert Rudley) escape. Marcy is terrified because casino owner Rocky Stansyck (Robert Browne Henry) is a vicious gangster with a reputation for hunting down anyone who crosses him. After the two men share their stolen money, Marcy heads off to Mexico and John leaves to take up his job in L.A.Shortly after beginning his new job, John discovers that he has a double called Dr Victor Bartok who's a successful psychologist and learns that the only obvious distinction between them is that Bartok has a prominent facial scar. John goes to Bartok's office where he meets the doctor's secretary, Evelyn Hahn (Joan Bennett). Although she's involved in a relationship with Bartok, Evelyn also strikes up a friendship with John which he uses to gain access to a number of Bartok's documents.John gets fired from his office job and then goes on to make a scar on his own face before murdering Dr Bartok and assuming his identity. Despite cutting the wrong cheek, no-one seems to notice and John seems to have made himself safe from being killed by Stansyk's men.Paul Henreid is extremely good as Muller and Bartok and convincingly conveys Muller's over-confidence and his disdain for anyone who sees any merit in being employed in a routine job. Joan Bennett is also excellent as Evelyn whose experiences with love have left her terribly disillusioned and the extinguishing of her last hope of happiness is a particularly poignant moment.Despite its lack of box office success, "Hollow Triumph" is a very well written movie with some memorable lines and also John Alton's wonderful cinematography.

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mbanak
1948/08/25

This is now my 5th Noir, in a self-managed course in Film Noir. It is just dandy to understand this gig. Yet another fool on the planet weaves a web of deception so hair-raising, that he becomes at once pathetic and almost unbelievable. There comes a point when you are nearly certain what the ending will be. The actual finale was totally unexpected, and I wish I was at the theatre long ago, just to hear the audience gasp.I see Noir characters like to philosophize. I am afraid they say things that we are all thinking, but haven't the courage to say ourselves. The Dr's secretary has complicated needs. Don't we all? I just wonder if there are any Noir films where doing the right thing crosses their minds, as it would save everyone a lot of trouble. "Impact" comes to mind, but that's another story.Grab a bowl of popcorn, (popped in olive oil), a beer and enjoy this sleeper gem

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