I like the storyline of this show,it attract me so much

After playing with our expectations, this turns out to be a very different sort of film.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

This is another pretty good Abbott and Costello movie. Two tenderfoot's stumble into the western town of Wagon Gap, a very lawless town. Carrying guns for the first times in their lives they try and emulate the locals who are riding and shooting all over the place. Firing into the air a man's body drops to the street from above. For reasons unknow the local gang boss sides with the law and order crowd in wanting a trial, oops a lynching. Saved by state statutes the accused , gee it's Lou, go figure, is sentenced to taking care of the man's widow and kids. The widow Hawkins has a whole bevy of kids and is also pretty mean and kind of ugly. The humor is of course standard A & B and is still very funny. Lou is made sheriff because who ever kills him must take over the widow and her family. Every one is afraid of him until the news gets out that the railroad will be coming through the widow's property. So the movie ends with every one shooting at him so they can get the loot, the widow gets a proposal from the judge which she accepts,law and order is restored, and Bud and Lou continue on their journey to California.

A pretty fair romp of a comedy western, "The Wistful Widow Of Wagon Gap" showcases the veteran comedy team of Bud Abbott and Lou Costello to winning effect. While the dialogue could be sharper, the boys make the most of a cleverer-than-usual plot where the hangman's rope and the killer's gun mean nothing next to the protection of a formidable widow.Chester Wooley (Lou) and Duke Eagan (Bud) are travelling salesmen in the Old West who wander into Montana's most lawless community, Wagon Gap. A lucky (or unlucky) shot makes Chester the killer of one of its toughest citizens - and inheritor of his even tougher widow and seven bumptious children. Widow Hawkins (Marjorie Main) gives Chester an ultimatum: Marry her or be her slave. It's a job no sane man would want. Once Chester figures this out, he becomes not only sheriff of Wagon Gap but pretty much untouchable.Abbott & Costello were still box-office draws in 1947, but their standard formula was getting stale and their odd detours into sentiment - including the under-appreciated "The Time Of Their Lives" - were draining their stature. "Wagon Gap" is a return to their comedy-first form, but like plantonrules points out in a 2009 review here, a decided change-up from prior, routine-laden outings.You do get some bits recognizable from prior movies. In one, Chester battles a persistent frog in his soup much like the oyster routine he did in "Here Come The Co-Eds." Another is a rehash of the dice-shooting scene from "Buck Privates," except this time the game is poker and Main's the one who knows more than she lets on.Most of the laughter this time rides on the situation itself, as well as some fresh exchanges of illogic between Duke and Chester, like when Chester discovers Duke is packing a pistol with a longer barrel."Yours is much longer than mine," Chester whines."So what?" Duke replies. "All you have to do is stand closer to whoever's shooting at you."While A&C at this time are often described by film historians as waiting for the green arms of Frankenstein to raise them out of the ruts, Main provides a decided lift. Baleful yet somehow endearing, she's every bit as formidable as Bela Lugosi would be, especially when putting the moves on her unwilling beau."I'm not a forward woman," she explains. "All my life I've been shy and bashful. Just a rosebud, afraid to bloom. But now, I'm takin' the bull by the horns!" She does, too, alternately threatening and cajoling Chester with the help of a dog who not only can stop a getaway, but spell it, too.There's also Duke to contend with, true to form resting on a hammock and letting his buddy do all the work. Watching Lou turn the tables on Bud is one of the most satisfying parts of this satisfying film. Bud and Lou may have been having their behind-the-scenes problems, but here they work in tandem quite well, whether Lou is being taken advantage of or else lording it over Bud.Director Charles Barton knew well the core of what made Bud & Lou funny, and he seems to have fun with the writers (also experienced A&C hands including John Grant, who is usually blamed for pushing too many of the team's standard routines into their films) in exploiting this to novel effect. No time-killing musical numbers this time, and the romantic subplot with the secondary players is kept to a bare minimum, which are welcome reliefs.Yet I don't think "Wagon Gap" makes the greatest Bud & Lou showcase. At its best, it's more amusing than the kind of laugh-fest you wish it would become, too often leaving it to Lou to make cute faces at the camera in lieu of a good exit line. The ending leaves too many loose plot strands unwrapped for a lame payoff shot.Still, any fair-minded viewer will see much to smile at, and hardcore Abbott & Costello fans like me will relish the way "Wagon Gap" tinkers with the formula while keeping its central elements intact and sometimes quite fresh. There was still life in these guys six years after their first giant splash on screen, even before they had their famous "comeback."

This Abbott & Costello outing is definitely a very much formula Comedy Western done in the late 1940's when all the movies were pretty much formula. Director Charles Barton who worked with the boys more than any other director does pretty well here. Barton never became a household name as a director but anyone who is a fan of the team knows his name was the most frequent one with them.The best thing about this film is Marjorie Main. She is a major addition to a cast which includes Gordon Jones. Marjorie does comedy well including her Ma Kettle films but in this one she plays off and supports A&C just fine. She is the Widow here and as in the case of the Kettles has a big household of young ones. This is very much in her element of comedy.While Abbott & Costello do not get a lot of verbal comedy in this, there is enough of them for their fans. Some of the special effects used we OK then but look dated now. At least there is not a lot of musical interruptions to annoy the viewer in this one. Overall, this one is much better than their worst outings.

Abbott and Costello managed to wreak havoc in virtually every type of movie genre, and the Western was no exception. They did it the first time in 1942's "Ride 'Em Cowboy", and came back once more in "The Wistful Widow of Wagon Gap". The boys are traveling salesmen for all of about five minutes in the film's introduction, before Lou's character Chester Wooley fires a gun into the air, claiming a victim by the name of Hawkins. When members of a hastily called jury arrive with nooses to determine his fate, Wooley is saved by a Montana law that requires the victor in a duel to provide for the departed's widow and family. In this case the widow Hawkins is Marjorie Main, not terribly upset by her new unmarried status, but determined to wed once again.Perennial Costello foil Gordon Jones is on hand here as outlaw gang leader Jake Frame, and as usual is largely ineffective in reigning in his nemesis. Eventually Chester is appointed sheriff to clean up Frame and his gang, on the assumption that no one will shoot him because then the wife and child support duties will in turn fall to them. Chester plays it to the hilt with a picture of Mrs. Hawkins and her brood close to his heart, or in his back pocket as it were, lending formidable support to his cause.If you've seen much of Abbott and Costello in other films, you'll sense something missing here. Their early films tended to include a host of musical numbers, and physical comedy punctuated by at least three or four well choreographed routines. The finale usually turned into a frenetic thrill ride on some appropriately misguided missile appropriate to the movie's theme, in "Ride 'Em Cowboy" it was a stampeding bronco. In this movie you find yourself leaning forward for the payoffs, but they're fewer and further between. The frog in the soup routine is the one recognizable bit, and he comes back for a quick cameo later on.Besides Marjorie Main, there's not much of a supporting cast here either. "Ride 'Em Cowboy" featured a pair of legitimate "B" Western movie stars in Johnny Mack Brown and Dick Foran. The best this film can do is give us a glimpse of gang members Glenn Strange and Rex Lease, with George Cleveland as Judge Benbow who by film's end winds up with the widow's hand in a Bud Abbott film flam that turns out to be real.Don't be put off by my lukewarm recommendation here, "The Wistful Widow of Wagon Gap" is an enjoyable vehicle for A&C fans, but they've been better in other vehicles. So was the frog.