Live a Little, Love a Little

October. 23,1968      PG
Rating:
5.6
Trailer Synopsis Cast

Photographer Greg Nolan moonlights in two full-time jobs to pay the rent, but has trouble finding time to do them both without his bosses finding out.

Elvis Presley as  Greg Nolan
Michele Carey as  Bernice
Don Porter as  Mike Lansdown
Rudy Vallee as  Louis Penlow
Dick Sargent as  Harry
Sterling Holloway as  Milkman
Celeste Yarnall as  Ellen
Eddie Hodges as  Delivery Boy
Joan Shawlee as  Robbie's Mother
Mary Grover as  Miss Selfridge

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Reviews

Tedfoldol
1968/10/23

everything you have heard about this movie is true.

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Console
1968/10/24

best movie i've ever seen.

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Aiden Melton
1968/10/25

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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Deanna
1968/10/26

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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tilloscfc
1968/10/27

Cracking film from the end of the Elvis - Hollywood era. "Live a Little, Love a Little" is the most adult, modern movie that Elvis made and this one is hilarious with lots of great dialogue, particularly between Elvis, gorgeous co star Michele Carey, Dick Sargent...and, er "Albert" the Great Dane - who was actually Elvis' pet at the time, one of two Great Dane's he had at the time of the movie. Elvis plays Greg - a photographer - who's life is thrown into chaos when he meets stunning Michele Carey (who adopts a string of "different names for different moods" throughout the film). When she orders Albert to chase Greg into the sea, he keeps him in there for so long he catches pneumonia and after taking him back to her house on the beach to freshen up, apparently drugs him and he wakes up three days later, only to go to work and find out he's been fired. Then, inexplicably, two tough employees set about beating him up. They were actually Elvis' two chief bodyguards, cousins Red and Sonny West...but Elvis comes out on top thanks to his karate skills that came in handy in most of his movies. Elvis did become a black belt in the art and you can tell in his fight scenes in all his movies that he knows what he's doing and especially when fighting Red or Sonny (which he usually did) the fights always looked realistic.So after being fired, Greg returns to his apartment...only to find he's been moved out and another woman and her child have taken over the rent, with the landlady explaining that Greg's "sister" Michele has paid off the back rent.Obviously expecting him to come round to her house in a rage - which he does - Michele invites Greg to stay with her (and Albert) until he finds employment and a place to live. He subsequently lands TWO jobs as a photographer for two different photography firms in the same building - one a respectable firm that expects it's employees to be impeccably dressed at all times, the other a more laid back "Playboy-esque" magazine that insists it's photographers dress casual...thus leading to a few Mrs Doubtfire-like dashes from one place to the next in an attempt to be in two places at once... It's an enjoyable, funny, fast paced movie that you never know what is going to happen next due to Michele Carey's eccentricity. What is her name? What does she want? Who are all these men in her life? Is she really married to "Harry Baby" (Sargent) It's a far out removal from the stereotypical Elvis musical of the 60's. There's only four songs - all outstanding. Two of them "A Little Less Conversation" and "Edge of Reality" are both in my top 10 Elvis songs and both effectively come with fine "music videos" due to the scenes that accompany them. The Edge of Reality dream sequence in particular is superb, with Elvis producing some funky hip swivelling that reminds you of his early days and acts as bit of a light sampler for what was to come over the next 4 years starting with his "Comeback Special" which was filmed just a few weeks after "Live a Little, Love a Little" Another song, a ballad "Almost in Love" is also fantastic and again probably only just misses out on my "Top 10 Elvis songs" but I'd regard it as his best ballad. Great song, beautifully sung.

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rpm1950-631-966595
1968/10/28

Nothing about the movie plot here, just the music and the newly revived Elvis. His sideburns were back, his body was slender and more muscular, looking better than he had looked in a movie since "Blue Hawaii". Michelle Carey is his costar, a buxom slightly kooky girl full of energy. There are only about three songs in the movie, but all are first rate, beginning with "Edge of Reality", which came out on a single as the flip side of "If I Can Dream", the single that came from Elvis' 68 comeback TV special. "Edge" is a very good off beat song that to many fans was better than "Dream" and helped make the record a double sided hit. The next is "A Little Less Conversation", an up tempo number that, as you all know by now, was remixed and re-released a couple of years back and became Elvis' 31st number one hit. Then there is "Almost in Love", a great quirky love ballad that is one of his better songs ever. This is a highly enjoyable movie and better than many of his others. See it.

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copper1963
1968/10/29

I first saw this on the old "4:30 Movie" on Channel Seven in New York City. They were having an "Elvis Presley Week" for his January 8 birthday. I think this was as close as Elvis ever came to posting drug induced images on the big screen. The surreal "Edge of Reality" dream number reeks of acid tabs. Michele Carey's character gives the impression that she has dabbled in illegal pills of some kind. The milkman and "Harry Baby" are two stoned men in need of a good talking to. I could go on--but I won't. Rather, I will say there are four songs in the picture. They are all terrific. And who is that knockout Elvis sings and dances with in the party scene? She's gorgeous. Unfortunately, there is a long, vicious fight sequence in a newspaper plant when Elvis gets a pink slip. Elvis' huge dog, "Brutus," receives star treatment. The opening credits has Elvis, sans helmet, tooling around the California surf. Fans of Elvis will admire the cordial way he treats the bizarre Carey whenever she goes on one of her crazy rants. Always the gentleman, he even places a board between the amorous Carey and himself when they are forced to sleep together. Nice fellow, huh? The plot revolves around Elvis' need to find and keep two jobs as a photographer in the magazine world: one is with the conservative Rudy Valee, the other is with the swinging Don Porter, "Gidget's" dad. I like how Elvis' opening line to both of his potential bosses secretaries throws them off stride: "Tell Mister (fill in the blank) that Greg Nolan is here with the truth." Elvis your hired.

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moonspinner55
1968/10/30

A half-hearted attempt to bring Elvis Presley into the modern day, but despite a sexy little shower scene and a pseudo-Playboy magazine subplot, Presley is surrounded by the same old coy, winking clichés. A woman picks E.P. up on the beach and then proceeds to take over his life--and he doesn't seem to care! Dick Sargent is grueling in another sidebar, but Don Porter and Rudy Vallee (!) try hard as Elvis' two bosses (he's moonlighting, you see). Some of the songs are quite good, especially "Almost in Love", but if you want to see a looser, hipper, updated Elvis sex-comedy--look elsewhere. When Elvis and his Fatal Attraction get into bed together, there's actually a wooden board in between them! Get real. ** from ****

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