This movie was so-so. It had it's moments, but wasn't the greatest.

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Forget Me Not is a low budget independent romantic drama with an edge with a lot of walking and talking plus a picturesque setting in London.Tobias Menzies is Will and Genevieve O'Reilly as Eve who give understated performances. At first I was convinced that it was Menzies who was also singing the songs but most of them were sung by the writer of the film, Mark Underwood.Will is a singer in a club who meets Eve, a barmaid as he comes to her rescue as she is being hassled by a drunk. They accompany each other as they walk through London and fall for each other. They meet up again the next day as Eve goes to see her grandmother in a home.However the title of the film is no accident. Will in the last act mentions his troubled past and even troubling future. Until he met Eve he saw no purpose in his life and the viewer will feel an emotional impact with his revelation.The film is enhanced with the location shooting in London and it is a good starring role for Tobias Menzies who seems to have carved a niche as the guy who always appears in spy dramas. The actors have a good chemistry with each other, it is a little rough and ready as a low budget film that presumably was filmed quickly, it therefore feels flat in places and even a bit pedestrian.

A romantic drama by Alexander Holt, "Forget Me Not" stars Tobias Menzies and Genevieve O'Really as a couple who spend several hours roaming the streets of London. They chat, laugh, gaze longingly into each other's eyes and then, finally, share shocking secrets.Wholly clichéd, "Forget Me Not" plays like an amalgamation of "Remember Sunday", "Away From Her", "50 First Dates", "Memento", "Once" and Richard Linklater's "Before Sunrise". Elsewhere Holt's attempts at photographing London are mostly inept, the director ignoring London's more interesting nooks and crannies in favour for unimaginative locations deemed "romantic" and "iconic" by tasteless tourist agencies.5/10 – Worth one viewing.

A ill conceived and misguided make a film by numbers and quite a while since i had to sit through something quite this poor. Not a single original idea has made its way into this enterprise. Originality isn't everything, but here everything is hammed up. There is nothing to like. A real must to be held up in film schools as precisely what not to do. I need to make this into ten lines in order to be heard But its difficult...ten good lines is almost the length of this script. The whole is an anagram of a film, it has ingredients but they are put together In an offensively superficial manner. It has everything we don't need. I guess there is an audience if the other reviews are to be believed but i have to say its hard to believe as the film is truly truly one to forget.Wow..

This film has a lot of potential. The cast, particularly the two leads, are great. The premise - two strangers meet and spend one long night falling in love - is perhaps a little predictable, but still holds charm. The setting - London city at night - is picturesque. However, the script fails to deliver and our two star-crossed lovers spend far too much of the film skimming the surface of well-worn conversation topics, trapped in cliché scenarios.Lingering looks? Check. Conversations about God and the meaning of life? Check. Rain-soaked embraces? Check. Guy giving up his jacket? You bet. Bittersweet ending? Of course. Piano playing, swapping of embarrassing childhood stories, walks along rivers, revelations of painful pasts, spontaneous musical interludes - this film has it all.That's not to say the film doesn't have its charms. There are some interesting twists in the conversation, and there are moments towards the end where the characters manage to break free, however temporarily, from their cookie-cut roles of Tortured Artist and Manic Pixie Dream Girl. The problem is that the formula has been done so often, and so much better. See: Before Sunrise (1995), Once (2006), Breakfast Club (1985). This film is by no means terrible, but with so many other good films available to watch, why waste your time?