I like the storyline of this show,it attract me so much

Fresh and Exciting

Awesome Movie

The acting is good, and the firecracker script has some excellent ideas.

This time, Charlie Chaplin plays a drunk who has to spend some time in a health spa. Sure enough, he creates chaos everywhere he goes! "The Cure" was also one of Edna Purviance's early roles. The two of them have a couple of scenes together. But above all, this is an excuse for Chaplin to strut his stuff, and boy does he! It must have been weird for Chaplin, going as he did from being a poor boy in England to being an international superstar. Nonetheless, he gave us some of the greatest comedies of all time. That makes it all the more disgraceful that the US government - mired in McCarthyism - wouldn't let him reenter the country in 1952, forcing him to spend the rest of his life in exile. Fortunately, Chaplin got the last laugh: he won an Academy Award for lifetime achievement in 1972, and he remains one of the most beloved entertainers ever.

THE CURE (Mutual Studios, 1917), Written, directed and starring Charlie Chaplin, his tenth comedy short (20 minutes) for the Mutual studio, is one of his all time greats. For a title that indicates one to be set in a hospital with Charlie as an unruly patient who flirts with the nurses and drives his doctors crazy, in essence, it takes place in a sanitarium that wherever Charlie goes, trouble follows. For THE CURE, Chaplin breaks away from his traditional tramp character with derby and cane for straw hat, white suit and cane retained, stirring as much trouble as he can, intentionally or not, to those around him.The story opens at a resort with an assortment of female gossips gathered together seated around the health spring where enters the new resident, the drunken Charlie (Charlie Chaplin), arriving for a rest cure, to nearly fall into the water well on the ground. After being escorted to his room by a frail and thin bellboy, Charlie opens his crate that reveals an assortment of liquor bottles. Once the bottles are discovered with the bearded bellboy found drunk in Charlie's room, the superintendent (Frank J. Coleman) orders the bottles thrown out. The attendant (Albert Austin) takes him literally and throws the bottles out the window where they end up inside the water spring below. In the meantime, Charlie makes his rounds about the resort, encountering an attractive woman (Edna Purviance) being annoyed by the burly gout (Eric Campbell), thus, saving the day by becoming a big annoyance for the big man and hero to the girl. Later at the massage parlor, Charlie begins to have second thoughts of treatment when witnessing how the sadistic masseur (Henry Bergman) works on one of his customers. Following a series of unforeseen circumstances, Edna, whose about to meet with Charlie, discovers, to her disbelief, the refined residents and attendants having way too much fun for themselves in the lobby without knowing the reason why. And if that isn't enough!!!While there's not much plot nor character background development to go around, THE CURE is non-stop comedy, pure and simple. The carefully planned-out gags are enough to guarantee solid laughs with Chaplin stock character types in their proper roles for background support. As much as Chaplin is the sole attraction when it comes to both character and gags, Eric Campbell should not go unnoticed for his achievement in villainous comedy. Campbell, better known in later years as "Chaplin's Goliath," partakes in some of the greatest sight gags imaginable, including the revolving door, his reaction towards Charlie's misconducts involving his bandaged foot, his involvement with Charlie in both lobby and massage parlor, his trip down the stairs in a wheelchair, among others. Aside from Edna Purviance as Chaplin's frequent female co-star, other members of the cast include James T. Kelly, John Rand, Janet Miller Sully and Loyal Underwood.In the well documented three-part 1983 documentary, "Unknown Chaplin," there are some detailed moments capturing behind the scenes preparation for THE CURE, with Chaplin directing various sequences that were rehearsed and filmed, but not making it to the final print, and how changes to THE CURE developed into what has become one of Chaplin's finest gems, especially when properly scored on the musical soundtrack.When presented on public television in the sixties and seventies, this and other Chaplin's Mutual comedies (1916-17) were broadcast with sound effects and musical score taken from 1930s reissue prints. For THE CURE, underscoring consisted of current hit tunes of the day ranging from "Happy Feet" to "Happy Days Are Here Again." These reissue prints later became part of the Blackhawk/ Republic Home Video package dating back to the 1980s. In latter years, Chaplin's Mutual comedies were restored to accurate silent projection speed (25 minutes) with new orchestral score from KINO Video, the prints that have played on Turner Classic Movies (TCM premiere: December 6, 1999). After listening to different scores from various distributors, nothing comes off better than those orchestrated ones from Blackhawk for that bad scoring takes away the impact for such a fine comedy, considering how these twelve Chaplin shorts for Mutual are simply the cure for what ales you. (****)

This is one of the more dated of Chaplin's short comedies, but it still has some funny parts. A great deal of the humor comes from elements that either do not seem quite as funny today (habitual drunkenness) or that are not as familiar today (gout, "taking the cure"), but there are other parts that demonstrate Chaplin's usual comic genius. Charlie is a rich idler who is at a spa to "take the cure", but he is most reluctant to give up his dissolute ways. The best moments are probably the scenes with a wobbly Charlie and a gouty Eric Campbell trying to negotiate a revolving door - they get a lot of laughs out of a simple gag.While dated, there are still enough very funny parts to make "The Cure" worth a look.

Out of all of Chaplin's short films, this is the one I could watch over and over again. Chaplin is at his absolute best as a reluctant guest at a spa. His daring escape from a massage, and the funniest use I have ever seen of an escalator are the highlights of this gem.