Absolutely the worst movie.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I loved community and Dan Harmon before watching this.. and don't take my rating the wrong way i loved this documentary but Dan Harmon i just a whiny bitch, this documentary shows how he creates all of his own problems and whines about them..and the people that look up to him are people with real problems. I don't see how any network would ever work with him again after seeing this.. what a sad waste of a brilliant mind.. he could do a lot of good for a lot of people that look up to him.. but i think its evident he's too narcissistic and selfish to ever be someone who really makes people happy like he says in this documentary.. it fells more like the tour is for himself not the fans..

You may have to already be invested in Dan Harmon before approaching his documentary Harmontown. I discovered his NBC show Community during the season 3 hiatus and fell head over heels for it watching it about 3 times in a row. Since then I've been in for the ride, if sporadically during seasons 4 and 5. If you're not in the know, Dan Harmon created Community in 2009, a satirical and zany sitcom, and was the showrunner through seasons 1 to 3. He was fired for season 4 while being replaced by the showrunners of Happy Endings, which resulted in a mediocre season, reviled by many fans. It was a messy departure, particularly with spats between Harmon and star Chevy Chase who subsequently left the show.In the meanwhile as a form of productive therapy, Harmon created a weekly live show called Harmontown, recorded as a podcast with his friend Jeff B. Davis, a familiar face from Whose Line Is It Anyway. Part standup, part improv (they never prepare, relying on refreshing spontaneity), part chat show, they begin every podcast with saying that they don't know what it is. They don't want any form of structure and each show is unique to its audience. The result is often a reflection upon his own style; gooey, yet raw, juvenile, yet meaningful. He also helped kickstart a new Charlie Kaufman stop motion film Anomalisa, of which I contributed to and am still waiting for. Even though I haven't listened to Harmontown just yet, I'm certainly invested in Harmon's endeavours. Fortunately he was rehired to run Community for season 5 and will do for season 6, though they're moving from NBC to Yahoo.Just like with the podcast, the documentary begins by saying that it doesn't know what it wants to be. Harmon and director Neil Berkeley chase the story as it comes. If anything, it wants to make you smile. Harmon says this repeatedly, he wants to make people happy and wants to be the reason that people are entertained. Even so, he is not a happy man. Disheartened by having to be torn apart from his passion project (the documentary is set before his return, 3 weeks in 2012 during a rare U.S. tour) and under pressure from networks to write various pilots. As envious and admirable he is, I am glad I'm not him. Subsequently his Harmontown shows are centred around his creative self-deprecation, albeit while surrounded by adoring fans, or nerds as he puts it. That's what Community is and that's what Harmontown is – a gathering of nerds and outcasts opening up where they feel accepted and loved. It's truly cathartic for everyone involved. Not just a therapy for Harmon, but for the audience too and it rubs off.Between traditional documenting techniques, the film can't resist 'meta' moments as Community frequently indulges in. It doesn't try to hide the moments that are staged for the camera and they usually leave the outtakes in because they're much more charming. It's more honest to just be honest about the fake parts and that's exactly what Harmon's work tries to point out. There's also lots of candid moments where you can see the crew or the cameraman is getting himself ready during the shot, but it doesn't matter. The documentary does reflect back on Harmon's pre-Community career and has interviews with familiar faces, though they're fleeting. This very loose and aimless style does initially lead to a clumsy feeling doc with an indulgent topic that's difficult to see justified. But it does win you over. It's all about the atmosphere of an affectionate unit trying to figure it all out while giving something back.This is best demonstrated by the addition of Spencer Crittenden, a one-time audience member and now frequent contributor and close friend to Dan Harmon. It's a rags-to-the- coat-tails-of-semi-fame story, but a very endearing one, and he's now a fan favourite. Reportedly, there's a cut of the film that's entirely about Spencer. He's a 23 year-old Dungeons and Dragons master with a bone-dry sense of humour. He always gets cheers from the crowd whenever he's brought to the stage and he's a joy to watch being brought into this world so lovingly. Also on the journey is Harmon's girlfriend Erin McGathy, who although a wonderful and cheery person, their relationship suffers under close quarters. The tension in their relationship is explored in an emotionally draining portion of the film, hitting us in the guts right after some of the most uplifting moments.The documentary eventually and organically finds its way, even though there's inherently not much at stake. As with most stories, it's about the journey and not the destination. It's an honest representation of a man whose achievements and narcissism are in constant flux with his self-loathing and consequences of his selfishness. Fortunately, the comedy of the Harmontown shows shine through too and it has a delightful irreverence to the humour. Even so, it never shies away from a lot of deep and raw aspects of the human condition and that's what makes it so rewarding. The content does outshine the filmmaking quality here, though it's still quite good. Ultimately, it left me with the same warm fuzzy feelings I get in my belly as when I watch the highs of Community as you watch people here truly connect with each other. Harmon seems to be infectious. A rich, referential and simple storyteller that's never quite finished nor wants to be. Both sweet and sour, Harmontown is the feel good documentary of the year.8/10

This is a weird one... I haven't written many IMDb reviews but felt compelled to have a go for this one, which I suppose says something good about this movie (I wouldn't feel compelled by a generic YA sci-fi flick or cliché-driven rom-com).The short version is that there are brief hints of something really interesting here, but for the most part, it's pretty flat.The main problem, I think, is that the tour and podcast (the plot is Harmon going on tour cross-country to record episodes of his podcast, Harmontown) aren't what's interesting about Harmon. This guy 1) made the most expensive pilot in TV history which didn't get picked up but has a cult following 2) got fired from the Sarah Silverman Show for saying horrible things to her and 3) created a network sitcom, got fired from it and then re-hired back to it a year later. All of these things are really intriguing and would make pretty fascinating documentary material. Unfortunately, they're only touched on here for about 2-3 minutes each.Instead this doc is all about his podcast. To the point where this film feels like more of a promotional advertisement for that rather than a straight-forward documentary. And considering Harmon and his production company produced and released this doc, there's probably a high degree of truth to that. The words "creative" and "genius" get thrown around a lot, and they really play up the gushing fans.In fact, that's the other off-putting thing about this doc. The running theme here is that Harmon created a sitcom about "misfits" and now these "social outcasts" and "nerds" (the film's terms, used repeatedly throughout) are all brought together by Harmon. They just keep returning to this same point. Harmon often says it himself, directly to the camera. The film presents it all like this amazing, touching cultural phenomena where Harmon unites a generation and brings these people hope. They keep cutting to still shots of the fans' faces (who he even calls "Har-minions") as if this is really profound. It's really forced, and some heavy-handed piano cues laid over otherwise utterly unaffecting moments certainly don't help. Plus, if I were one of those fans, I think I'd find the portrayal insulting. Maybe they don't all see themselves as desperate weirdos in need of an idol, but functional adults who just thought his show would be funny?The one other thing this film tries to force is the idea that the "real hero" of this documentary is the Dungeons and Dragons fan they have on tour with them. He's a 20-something guy who showed up ("out of his mom's basement") to one of their shows. He loved D&D so much, they brought him along on the tour so they could play; and his story is clearly meant to mirror the fans'; he's a social misfit outcast who comes to the show and is given hope and meaning. He's presented as the lovable darling of the film (he's the only person in this doc where we also see his home life, etc), but really you just want to cut away from this kid and get back to the star, Harmon, who's funny (when he's not incoherently drunk), tragic, and has the good stories.And when they do get back to Harmon, there are interesting moments. Besides the missed opportunities mentioned above, there are scenes where he fights with his girlfriend (who would've made a much better "heart" of the film than that D&D guy), an inside glimpse of editing the podcast to remove the "shame-based" moments, or phone calls with network executives about script rewrites, all of which will make you sit up and pay attention again. More of that! But there's actually very little.It's like Wild Man Blues. Remember that documentary about Woody Allen made in the 90s - but he would only consent to the documentary if it was exclusively about his music? So they never talk about his films or his fascinating career. They don't dare bring up his controversial relationships with Mia Farrow, her adopted daughter or the abuse charges against him. They just follow him around on his tour, filming him play clarinet with his buddies. The whole movie is this bizarre "elephant in the room" scenario where no one is allowed to discuss any of what everyone really cares about. ...Eventually, years later, a "real" documentary of Woody Allen and his works was released, and now Wild Man Blues is just an obscure little footnote (it's never even been released on DVD), strangled at birth by the subjects' controlling ego.I think this film is a similar footnote. It's 90 minutes of "subscribe to my podcast; I'm king of the nerds!" and frustrating cutaways from the few real moments. Maybe ten years later, a production company that isn't owned by Harmon will come along and make a second film of the interesting stuff. Or not. I mean, I've seen a couple episodes of Community and his shelved pilot (the novelty of the premise is amusing at first but wears off long before it's over - can't imagine how he thought it could last for a whole series). This guy isn't on the level of Woody Allen. He is a watchable person, and I'd return for a film about his bouncing around LA, hired and fired from various TV shows, and how that effects his personal life. But I can't really recommend Harmontown unless you have the patience to sift through a lot of marketing propaganda for a few tiny morsels. I mean, I don't know - how did you feel about Wild Man Blues?P.s. - All the big name stars you see on the poster, like Jack Black and Ben Stiller? They're all in this for about 30 seconds apiece. So if you're watching this for them, you're going to be disappointed.

I adore director Neil Berkeley's previous documentary, 'Beauty is Embarrassing', as much for its subject (artist Wayne White) as for its casual style. It's uncanny that his subject in 'Harmontown', Dan Harmon (creator of TV's 'Community' and writer of Oscar-nominated 'Monster House') is almost, physically and intellectually, Wayne White's Doppelgänger. I'm sorry to say that I largely 'missed the boat' with Harmon's body of work: 'The Sarah Silverman Show' definitely struck me as irreverent and funny but 'Community' always seemed a bit mediocre which, in Harmon's defense, when graded on the network-sitcom curve, I do consider completely watchable and good for a giggle.It wasn't until Harmon's erratic work ethic got him fired from both of those creations that he found his own form of therapy in podcasting an unconventional stand-up show containing no jokes, no preparation, and the occasional Dungeon & Dragon session. The documentary follows the show's tour across the US with his cohorts, Spencer Crittenden (the awkward 'Dungeon Master' plucked from the original Los Angeles audience), Jeff Bryan Davis (comedian and TV personality), and, his girlfriend, Erin McGathy (well-known podcaster). Despite his narcissism (which is balanced by a heaping side of self-loathing) and notorious tendencies to sociopathically manipulate those around him, there is a sense from his audience that he is the Jesus of well-intentioned nerdom. I won't say that I'm a complete convert but I will absolutely subscribe to his podcast (also called 'Harmontown'); like the film, it's honest, raw, and pretty darn hilarious.