Purely Joyful Movie!

Absolutely Fantastic

It's an amazing and heartbreaking story.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Some films just go nowhere. They start in the middle of nowhere, continue down a road towards nowhere, and eventually end up.. guess where? Nowhere. There's no structure, no beats, little to no stakes, it's just people hanging about in a non-story. Now, this can either make for a boring film stuck in doldrums of its own making, or it can somehow oddly just.. work. Matt Dillon's City Of Ghosts falls in the latter category, lucky him. This was Dillon's writing and directing debut, with him front and centre as the lead, which is a lot of pressure, but he's crafted a meandering little exercise in mood that, although providing nothing groundbreaking or all that memorable, is a great time to watch in the dreamy AM hours when you just need something vague and atmospheric to fill the space. Matt plays a professional con artist who is forced to voyage from the US to find his boss and mentor (James Caan), last seen in Cambodia. That sounds like a setup ripe for intrigue and double crosses, right? Not so much. Once he's there, things congeal into a smoky, languishing chamber piece that sees Dillon just wandering from one exotic locale to the next with a troupe of fellow travellers, and eventually the James Caan character, a fairly eccentric and charismatic fellow. There's a vague love interest (the ever beautiful Natasha McElhone, always terrific), a jovial innkeeper (Gerard Depardieu) and other wayward souls who flit in and out of the proceedings, all amidst this authentic South Pacific setting (Dillon filmed on location in Cambodia, which does wonders for atmosphere). Stellan Skarsgard is in it too, a hoot as some associate of Caan's, a mopey, Eeyore-esque pessimist who sits about, smokes, mumbles despairing platitudes and does not much else. Beginning to see the picture? It goes nowhere, and by the end the characters seem to have gotten sidetracked fifty times over, never really achieving goals or making bank like they do in noir such as this. It's neat though, if you're in the right frame of mind, and have shelved both expectations and adrenal glands. This is a burnished, dreamy, laconic little piece that I rather enjoyed at the hypnotic hour of 2am on some random TV channel in the triple digits.

First, to our reviewer popkiss66 from Chicago, just how seriously can we take your "review" when you mention that it was "filmed on location (why spend the extra cash!?) in like kathmandu or something". It was filmed on location in CAMBODIA, which isn't even close to Kathmandu...or something.Now, back to our film: This is not a great film, but it brought something to my mind. While I've ever been a fan, I'm realizing that Matt Dillon is a rather dependable actor, and has been now for a good many years. Although he's not top rank, he also hasn't been a one hit wonder. I may need to reassess his status in American cinema.I have spent several years in Thailand, first visiting often and then living there, as well as some time in Burma, Malaysia, Singapore, and Jakarta. I've never been to Cambodia, but the depiction of the criminal element in Southeast Asia rings true. And that really is the basis of the plot in this story. You have the Westerners (here exemplified by James Caan's character) who think they are smarter than the natives, but end up living a cesspool life. And you have the natives who think they're smarter than the Westerners, not even realizing they are living a cesspool life. There are no winners, only different types of losers. Rather pathetic actually. And it is real.This is not a perfect film, by any means. There are some loose ends as the story unfolds. Some situations that don't quite work. But overall, it's a pretty good story, albeit imperfect. Dillon wrote it, so I give some credit to him.Matt Dillon's acting is dependable (as I mentioned earlier). His characterization is believable. I've always disliked James Caan as an actor, but he is satisfactory here as the main Westerner-crook. Natascha McElhone as the love interest is also acceptable. Gérard Depardieu as a bar owner is interesting, but I fail to see the brilliance alluded to by some reviewers. Kem Sereyvuth does nicely as the Cambodian companion to Dillon's character. Perhaps the best acting is done by Stellan Skarsgård, here another crook.Will I want to watch this again? No. But it is a decent film, and Matt Dillon deserves some kudos for his project.

Matt Dillon's feature directorial debut left me disappointed. While the cinematography was good and the landscapes were interesting, I did not get the feeling that many of the actors were very connected to what they were doing. Matt Dillon did not show a very strong personal connection to James Caan (nor Caan to him)-a man he traveled halfway around the world to find, essentially to tell him that he no longer desired the life he was leading. Natascha McElhone's character seemed to fall for him very suddenly, and the whole relationship seemed as though it were added just to pass some time while plot unfolded, not as a very integral part of the plot. The only real interesting character in the film was the belligerent bartender, played by Gerard Depardieu.The movie becomes somewhat complex, but they give you few hints to sort out the facts as you go along, and you get the feeling that everyone is lying to everyone else, which simply gets annoying. I would have liked to see this drive Matt Dillon's character as crazy as it did me, but instead he keeps it pretty monotone throughout the entire film, never showing any extreme emotion despite the extreme situations he finds himself in. The result is a movie that you lose interest in before it reaches it's climax, so that when the truth is finally revealed, you no longer care.

I have to admit, I was in many ways positively surprised by this film. In particular by Matt Dillon. I've always felt Dillon is a good actor, maybe even an underrated one at that. But to read on the cover of City Of Ghosts that he not only has the lead role in this film, but that he's also co-written and directed it, kind of made me weary.But it turns out that this film really exceeds my expectations! It is acted and directed very well throughout. The tempo is kind of slow, but that is clearly intentional, and CRITICAL for the mood of the story. The story is subtle and, to me, original. And with well written (and well portrayed) characters. Though the somewhat cliché-like plot twist at the end could have easily spoiled the film for me; somehow it didn't. Much credit for the feel of the film goes to the sets and location, AND, surprisingly, the Cambodian actors, who all performed really authentic.I saw 'Crash' a few nights ago, and I was impressed by Dillon's performance. Having seen City Of Ghosts, my respect for Dillon has grown even more. I'm really looking forward to his future work in acting, directing and (co-)writing. Good stuff Matt, keep it up!!Greetings, Stephan Lodewijks from The Netherlands