Nothing
September. 09,2003 RThe film tells the story of two good friends who live together, Andrew, an agoraphobic travel agent who works from his home, and Dave, a loser who works in an office where he is treated with contempt. Just when it seems things can't get any worse for the two, the entire world outside of their house disappears and is replaced with an endless white void.
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People are voting emotionally.
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
The biggest flaw is that the film takes a comic approach to things, rather than putting 'real' characters and events into the film. Even in the film's first 20 minutes, in the 'real' world, we get nothing even resembling reality- from bad computer effects and animation to absurdly written minor characters and situations. Comedy, by its nature, divorces empathy from a viewer. Laughter AT a character is always more satisfying for most viewers than laughing with a character; but this necessarily dehumanizes the character, making empathy near impossible, and sans empathy, a whole horde of tools that an artist has, to manipulate a viewer intellectually and emotionally is gone. On the plus side, actors Hewlett (who looks like a younger Jon Lindstrom- actor of soap opera fame) and Miller, do well with the mediocre stuff they are given. Miller's transformation from obsequious nerd to insensitive boob is funny, but Hewlett's is the better character, and the only one to evince any form of empathy, in the scene where Andrew tricks Dave into thinking he committed suicide.Nothing is one of those films that will stick with a viewer for a while, if only because it will leave scenarios open to be 'reworked' in each viewer's mind. But, given the title and the tone and arc of the film, its ending is all too predictable, in the worst sense of the term. Yet, given how little thought is given to most films these days- Hollywood, independent, foreign, or domestic, I guess one should be grateful for what little is received, especially coming from a film that only promises Nothing.
As a fantasy, it's great. Apart from an original imaginative world, it gives a new supernatural power : The oblivion (forget the thing, anything, and in no time it'll disappear forever), inviting us to forget what we hate. But what if you hated everything and everyone, including yourself ?! Artistically it's fine too. The direction, the music, the cinematography, the acting, the set and oh yes, the CGI, all of that looked terrific. The script has many good lines and situations. It creates so fresh atmosphere, while leading the pace in such a thrilling way. And no doubt it is one unpredictable movie where you're dared to know what is going to happen later. So, where is the problem? I know. It's in that very script. Deeply in the feeling that moves it.Let's see. At first you may think that it's about facing a mega-cruel world, with a real horrific intro by the way. Then, after a while, you may think that it's about hatred, and how forgetting, wise one, can solve a lot, making the peace with one's self on one hand, and one's self with the world on the other hand. But it isn't about this or that. It is simply about friendship. Originally it doesn't focus on the outward world, since the goal is deep down inside the human. It's about the comprehension of the importance of not forgetting the friend, the love. The movie tries to assure that changed yourself or not, in your world or out of it, at any cost you have to have a friend, with arguments and problems, but not hate. Because when you don't have one, then you have nothing. Yet, that freaky ending degrades in a way the cuteness of the mix, saying that moral shockingly !I felt disappointed eventually, simply due to the tragic sense of it; whereas the 2 leads knew the truth about the greatness of "being together" while "admitting the love", and "being honest" however after totally destroying everything and everyone including themselves. So it confirms the constructive power of love, yet adversely; by confirming the devastative power of hate. Yes, we're accustomed to have these sweet meanings about love sweetly from Hollywood, and now this is the nightmarish way for it. But in fact what really disappoints is that while the movie cautions about hatred, it hated its 2 character's dumbness so powerfully !It's one of the best movies ever made about friendship. It mixes pretty well delightful infancy with black comedy, fantasy with psychoanalysis. You just have to know well what it talks about to understand and enjoy it. And be ready for its much hatred to its leads who hated, especially each other, much !
Make the World go away. Get it off my shoulder. Say the things you used to say, and make the World go away.Well, Dave (David Hewlett) and Andrew (Andrew Miller) were in a pickle, one for embezzlement, and the other for kissing a child. Neither was guilty, but faced with charges and their house about to be torn down, they ended up in, well, nothing. The whole World, except for their house went away.It is kind of weird, but funny, too. Just what would you do if you were all alone in the world? The two friends just enjoy each other's company, and do what they want. But, that gets old fast, it seems.Then they start to improve their live by hating away memories. The sound effects during this were great.Things really got weird at the end. This film was the product of a great imagination, and written and directed by Vincenzo Natali, with help from the two stars. It just has to be seen.
Well, "Cube" (1997), Vincenzo's first movie, was one of the most interesting and tricky ideas that I've ever seen when talking about movies. They had just one scenery, a bunch of actors and a plot. So, what made it so special were all the effective direction, great dialogs and a bizarre condition that characters had to deal like rats in a labyrinth. His second movie, "Cypher" (2002), was all about its story, but it wasn't so good as "Cube" but here are the characters being tested like rats again."Nothing" is something very interesting and gets Vincenzo coming back to his 'Cube days', locking the characters once again in a very different space with no time once more playing with the characters like playing with rats in an experience room. But instead of a thriller sci-fi (even some of the promotional teasers and trailers erroneous seemed like that), "Nothing" is a loose and light comedy that for sure can be called a modern satire about our society and also about the intolerant world we're living. Once again Vicenzo amaze us with a great idea into a so small kind of thing. 2 actors and a blinding white scenario, that's all you got most part of time and you don't need more than that. While "Cube" is a claustrophobic experience and "Cypher" confusing, "Nothing" is completely the opposite but at the same time also desperate.This movie proves once again that a smart idea means much more than just a millionaire budget. Of course that the movie fails sometimes, but its prime idea means a lot and offsets any flaws. There's nothing more to be said about this movie because everything is a brilliant surprise and a totally different experience that I had in movies since "Cube".