A Brilliant Conflict

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

It is both painfully honest and laugh-out-loud funny at the same time.

After reading the novel this film was based on, I thought: "No way! There is absolutely no way they can portray these raw emotions on film!" But that's exactly what the amazing actors do! The three women are as different as they could be, but each character is spot-on. Between these 3 women (Lena Olin, Anjelica Houston and Margaret Sophie Stein) is Ron Silver, whose character's emotions are clearly displayed on his face - I don't know if he is the anchor in the movie, because at times he is overshadowed by his female co-stars, but he makes me sympathize with him.The "old" feel of the movie is great, and I do believe that it's a realistic image of New York in the late '40s.It might be a bit depressing, but it should be seen if not only for the acting - trust me, it's fantastic!

I once read about how Paul Mazursky's career as a director has gravitated between very well done ("Bob and Carol and Ted and Alice", "Moscow on the Hudson") and what-was-he-thinking?! ("Scenes from a Mall", "The Flying Pickle"). Well, I can say with certainty that "Enemies: A Love Story" is one of his good ones. Portraying Holocaust survivor Herman Broder (Ron Silver) living in New York in 1949 and suddenly surrounded by three women (his current wife, another married woman, and his first wife whom he believed to be dead), the movie presents an eye-opening situation. It's like a slice-of-life story taken one step further. As the three women, Margaret Sophie Stein, Lena Olin, and Anjelica Huston do a very good job. Definitely worth seeing.

When comedian Alan King passed away last year, I thought of his sweet performance in this should-be classic. One would not expect comedy to come from a story about Holocaust survivors, but this film takes the quirks of human behavior in the wake of tragedy and puts them on display, warts and all. I haven't read Nobel Prize winner Isaac Bashevis Singer's novel, but I can't imagine him not being pleased with Paul Mazursky's winning adaptation. Poor Ron Silver though, he finally gets a lead role, and almost every scene of his is stolen by one of his three outstanding female co-stars.Lena Olin has the showiest part as a fiery concentration camp survivor. Full of passion, bitterness, and paranoia all at the same time, she puts sex back into an era normally depicted as colorless and empty. I don't want to say too much about Anjelica Huston's role for fear of spoiling the intrigue each revelation about her character brings. She pulls off several humorous moments as well. But the real revelation is Margaret Sophie Stein. As Silver's wife whom he married out of gratitude, she is not as naive as she seems, and her performance anchors the film.This movie snuck in under the wire at the tail end of the 'eighties, and seemed to have gotten lost in the shuffle of high caliber end-of-the-year movies all seeking Oscar consideration. Some feel that its Best Picture nomination was stolen by Dead Poets Society. I am one of those people. But keep in mind that this was the year that Do the Right Thing was ignored in favor of more sentimental fare like Field of Dreams. Olin and Huston were nominated for their roles, but they lost to Brenda Fricker's tour de force performance as Christy Brown's mother in My Left Foot.It bothers me that this film doesn't have more votes. Rent it, people!!! (Or better yet, buy a copy. When you see it, you'll want to.) You'll love the characters, and it's a great film to watch after you've seen something like Life is Beautiful. It is an unusual tale, but one I am glad someone thought to tell.

It's one of those stories that may be better in print or would have more impact on the stage, however this works suprisingly well on film. The superb acting allows it to be both effective as a drama and comedy.For those familiar with NYC in the late 40's, the setting is most believable.It's far from boring, but one must adapt to the slow pace of the movie, which in fact, proves to be an asset.All 'n all; well done. 7/10