Seven lost children wander the night streets while their mothers await their return home.
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Very best movie i ever watch
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Australian films are often criticised for their bleakness, too often exploring dark material – but when a bleak film is as moving and effective as 'Blessed' you have to question what people are complaining about. Set in two parts, the film follows a group of displaced youth and then their mothers, who wait anxiously for their return. Confronting and powerful, this is a poignant examination of relationships - delving into communication, intimacy, sexuality, survival and maternal instincts. Following a complex set of characters, the various narrative threads are interwoven with skill. What could have been disjointed flows and peaks perfectly. Performances are tops – although, as with a lot of Australian films, it is obvious that many of the actors are trained in theatre and over articulate their lines. Whilst this is distracting early on, it isn't a bad thing for the overall intensity of the piece. The camera is kept very close to the actors (unflattering so), capturing something human in each and every one of them. The visuals in the film are brash, but mesmerising – and combined with a memorable and subtly moving score 'Blessed' a resonant piece of art. The final shot of the film was one of the most haunting I've ever seen, packing a huge emotional punch. I've always been a fan of Francis O'Connor (Artificial Intelligence, Mansfield Park), but her portrayal of a chain-smoking, seemingly cold mother was a breakthrough. Likewise, Miranda Otto (The Lord of the Rings, War of the Worlds) was completely believable and compelling. 'Blessed' tackles its themes with a real, unrelenting brutality, making it a jarring experience initially, but it soon evolves into a thoroughly gripping, gut-wrenching, tightly wound drama that captures genuine pain.
I have to agree with the Sydney Morning Herald blogger, Giles Hardie, who today put "Blessed" in his "10 Turkeys of 2009" list - in direct contradiction to his SMH Film Reviewer (the beyond middle aged Sandra Hall) who gave it 4 stars. Hardie nails it between the eyes and is worth quoting in full : "In a year of prolific Australian film making, it takes a stand out effort to make the worst film. Congratulations to the team behind Blessed who mistook melodrama for content, predictability for pathos, tokenism for meaning. The names behind this film were stellar, and that only made their fall from grace harder to bear." My only question is ..."what is it with Melbourne film-makers?" Do they have their own funding channel ... is it a Paul Cox thing ? Why do they continue to keep funding failed directors? Ana Kokkinos should have been sent back to screen writing 101 after "the Book Of Revelation" ... yet Film Victoria handsomely funded this overblown (& expensive) turgid soap opera. I don't get it. I think it's box office says it all - it appealed to no-one ! Ye Gods. 2 hours of my life I'll never get back.
Ana Kokkinos believes in socking it to the audience, as she has done in "Head On" and The Book of Revelation". This movie, based on Andrew Bovell's play "Who's Afraid of the Working Class?" is a stark study of parent-child or rather mother-child relationships in conditions that are almost bound to make them dysfunctional, the working class north-western suburbs of Melbourne. It is neatly constructed with the events of a couple of days being seen Rashomon-like, first from the children's' viewpoints, and then from the parents'. The different strands of the story are artfully interweaved and easy to follow.Teenager Daniel (Harrison Gilbertson), wrongly accused of stealing the mortgage money from his parents, Tanya (Deborra Lee Furness) and father Peter played by William McInnes, goes off to do some real burglary. Stacey (Eva Larazza), who must be 13 or so, and a bit simple, has left home to join her protective older brother Orton on the streets (they doss down in a charity clothing bin). Their mother Rhonda (Frances O'Connor) already has one other child in a foster home and is a textbook welfare case, pregnant again. Meanwhile two schoolgirls Katrina (Sophie Lowe) and Tricia (Ana Baboussoras) have wagged school to do a bit of shoplifting. Katrina's mother Bianca (Miranda Otto) is off indulging her pokies habit while Trisha's seamstress mother Gina (Victoria Haralabidou) has managed to drive her son Roo (Eamon Farren) on to the streets as well, where he is soon picked up by a porno film maker. One more child is involved, an adult James (Wayne Blair), who has issues about his relationship with his mother (Monica Maughan) as well.I suppose it says something for the mothers that despite the neglect, they rush into action when something goes wrong, because deep down, they all care – the mothering instinct should not be underestimated. Not all of the stories are happily resolved but at least some relationships are restored.Visually this film is very close-up and personal, and a challenge for the actors, who rise to it pretty well. Frances O'Connor is so good as the twitchy tattooed chain-smoking Rhonda I almost forgot it wasn't a documentary. Miranda Otto as Bianca shone also, and all the kids were good. Perhaps this film is light on entertainment value but it is absorbing as human interest – enthralling even. A much better film than "The Book of Revelation'.
I attended the International Premiere of "Blessed" at the 2009 Toronto International Film Festival. Many of my favorite films have come from Australia, so I had high hopes going into "Blessed," and was not disappointed. This is just the kind of film I look for -- a sweet little gem that will make you laugh and cry."Blessed" follows five mothers and seven kids -- three boys and four girls -- aged 14-18, as they wander the streets after having run away or been abandoned by their parents. Left to fend for themselves, each teen's plight is poignantly portrayed by a talented young group of Australian actors culled from thousands. Mostly unknowns, I did recognize the terrific Harrison Gilbertson as Daniel, who starred in "Accidents Happen," one of favorites from this year's Tribeca Film Festival. The mothers are appropriately anguished at the apparent loss of their loved ones, not knowing whether or not they'll ever come home. The vulnerable teens fall prey to their own as well as others' desires, and there are enough twists and turns to add additional layers to an already compelling set of stories. "Blessed" left me with a smile on my face and a tear in my eye. It's a superb character-driven study of the bond between mothers and children.