A neglected daughter becomes a possessive mother in an emotional journey into the heart and mind of a woman who loved too much.
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Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
It’s sentimental, ridiculously long and only occasionally funny
One writer wrote that Sedgwick and Bacon "show both heart and tenacity, and as a result this misguided person rated the film a 10. But a 10 means SUPERB, Outstanding, out of this world, a one in a million, no, in 10 million. But this film isn't any good at all, it barely rates a 2. It fails to entertain, it fails to make sense, it fails to even interest us. Less than 60% of the viewers could even stand the movie or the review of it. A score of 10 is worse than ridiculous.There were several writers who liked the movie, in varying degrees. I didn't. It was missing on a number of points. The writing was terrible, the story didn't speak to me. What person could possibly treat their son, their own flesh and blood that way? I suppose that I should treat the woman Emily as th pitiful character she plays. But the huge disconnect is too great. I cannot make the jump because NO human could possibly be as bad off as Sedgwick. The boy child has 100 times more maturity than the Sedgwick character. How could anyone believe any part of this story.In summary, the movie left me worse than flat, worse than before I began watching it, sorry that I wasted my time on this. THAT is why this movie is NOT a 10. I was generous in giving it a rating 2, but I felt that as 1 would not be fair, because 1 needs to be reserved for a really horrendous movie. This was just bad, not horrendous.
I am sure that Loverboy was a well-meaning film, but it seemed like a vanity production in which Mr. Bacon asked all his friends to appear in it for nothing. While Kyra is a wonderful actress and never looked better, who cared what she wanted or even understood it? This script was so maudlin and confusing that I totally lost interest after 40 minutes and fast-forwarded to the last scene, which seemed to have nothing to do with anything I had seen, suggesting they didn't even get to the story until sometime long after I had given up. Mr. Bacon is a great actor but if he's going to attempt directing he should find a better script.
Kevin Bacon directs this bizarre story adapted by Hannah Shakespeare from Victoria Redel's novel about maternal obsession providing his wife Kyra Sedgwick with a role to spotlight just how fine an actress she truly is. The story is disturbing but vitally interesting. There are problems with the film, the most annoying one being that the dialogue is practically inaudible due to the miking and, more so, due to the musical score which covers all the lines to the point of making the movie seem like a silent movie with music from the pit! Such a shame, because it SEEMS like this is a good script with a lot to say.Emily (Kyra Sedgwick) is damaged goods, a woman neglected as a child who is determined to have a baby and raise it on her own, lavishing the child with all the affection and attention she desperately missed. After numerous attempts to get pregnant from any available man, she finally succeeds impregnation with Campbell Scott and gives birth to Paul (Dominic Scott Kay) who becomes her entire reason for living. She sequesters Paul form the world, gives him everything a child could want - except association with peers. Her obsession grows to the point of mental illness and the results are devastating. Along the way Emily and Paul encounter people who seek to intervene in their lives: these people are played with great style by cameo roles of Sandra Bullock, Oliver Platt, Kevin Bacon, Marisa Tomei, Matt Dillon, Blair Brown and even some of the Bacon's own children! It is a star cast obviously committed to Kevin Bacon's vision of this star vehicle for Sedgwick.The pacing, cinematography, and acting are all first rate. If only the ugly and senseless music hadn't submerged the dialogue (oddly enough the score was written by Michael Bacon!), this would be an Oscar contender.
This is not an every day movie. It shows that Kevin Bacon has imaginative and creative talent as a director. I certainly think that he should continue directing movies, despite the fact that this movie is far from a successful or great one.I already thought that Kyra Sedgwick was a great underrated actress but I don't think I have ever seen a movie in which she played the main character. It was however no surprise to see that she pulled this of excellently. She manages to carry the entire movie almost on her own, even though her character is far from perfect.Because you know that what the Sedgwick character does and wants is wrong and not always the best for her child's development and psychical state. So how could you feel for the main character and agree with the action she takes? The movie does try to explain this but not good enough to justify it- or satisfy me completely. therefor I also can't regard this movie is a good or successful one, even though its definitely well and professionally made.Needless to say that the screenplay felt very flawed to me. When you already can't always feel or understand the main character, that is never a good sign for a movie. The sort of character and story could had worked and it has worked in previous movies but the story simply is not interesting or compelling enough to make it work.The fact that the movie is told non-linear also doesn't make the movie any easier or better to watch. I liked the flashback sequences, especially with the Kevin Bacon and Marisa Tomei character because both go deliciously over-the-top in their roles but it also does make the movie an off-beat and not consistent enough one to watch. It tries to be more than it really is.The movie is also really lacking in its editing at times, which is simply poor at moments. Also the musical score by Michael Bacon (yes, Kevin Bacon's brother) is way too simple. It's the sort of stuff you would expect to hear in an average TV-series episode.The movie is filled with some cameos of famous and respected actors. It certainly does uplifts the movie but it's not quite good enough to completely save it as well.An interesting but not completely successful attempt.5/10http://bobafett1138.blogspot.com/