Too much of everything

Admirable film.

Absolutely the worst movie.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

One of 2 docs available. Very inspiring. Fashion needs more. I'd like to do one. Director was great. I liked seeing Anna Wintour in a new light. His sensibility is fantastic. They come together beautifully. The synopsis is very true and well written. It is a very courageous work. The architecture in it is fascinating. It is well shot. It is,well lit. The sound is great. The behind the scenes abroad is awesome. They clearly got a lot of footage. The special events highlighted were fantastic. I got a deep view in.

Dior and I was nothing short of a mesmerizing glimpse into the working of the worlds most celebrated fashion house. This documentary captured eloquently the working of an artists mind. It shows Raf Simmons take a plunge into the couture work.Simmons, a ready-to -wear designer struggles with the art of mastering a couture line; that to, in a short span of 8 weeks. It also shows the language barriers between him (Belgian) and the workers. The behind the scenes gives you a beautiful glimpse into the creation of couture. These are not just garments, but the evolution of thought, love and effort. It portrays the love a creator has for his creation. The last bit was definitely the most enticing of all- the final moments where everyone waited for the models to walk the ramp- with tense faces and bated breaths. If you have a heart for fashion, this is definitely a must watch!

This interesting documentary, directed by Frederic Tcheng (Diana Vreeland: The Eye Has To Travel), gives us a behind-the-scenes look inside the House of Dior, in Paris. It centers on the newly hired Creative Director Raf Simons, along with his right-hand man Pieter Mulier, as they prepare for Simons' first haute couture show, to be held in just 8 weeks.Normally, a show such as this would take 4 to 6 months to prepare, so we'll see first hand the stress and uncertainties Simons will face as he gets to know the staff and the operations of the company. As he faces this extreme deadline, we will even be privy to his own personal concerns, including references to what certainly seemed like possible anxiety attacks.The film is cleverly interspersed with old film clips of the founder of the company, the renowned designer Christian Dior, who died in 1957. Dior will also narrate these clips in a most haunting way, also exposing his personal doubts as he prepared for his first haute couture show many decades before.Overall, although I admittedly know nothing about haute couture, I still found this documentary to be most interesting, as we see how what seems to be chaos, deadlines , and frenzied work lead in the end to a most amazing finished product.

Like most people, my exposure to haute couture comes mostly from Vogue magazine and the "what are you wearing" interviews done on the red carpet. I expected this documentary to be a red carpet parade of elegant Dior couture, but instead saw a film that spends the majority of its time in the atelier (workroom) of the House of Dior to chronicle the less elegant process of creating a couture collection. The creative process takes us from Raf Simon's vision as the new artistic director for the House of Dior, to a complete couture collection, and it is a thrill ride. There is a necessary tension in Simon's need to be true to his own vision whilst being true to Dior and the film does a wonderful job of finding those synergies between Simon and Dior, both in their collections and as people. Layer that with a wonderful study in creative collaboration as the craftspeople who work at the atelier (some for 20 or 30+ years) meet and learn how to support Raf and his first ever couture collection. I have a new appreciation for the art of haute couture after seeing this film. If I only had the budget!