To me, this movie is perfection.

Memorable, crazy movie

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

This movie feels like it was made purely to piss off people who want good shows

What's impressive about "The Brink's Job" is that it's a true story that also manages to be a lighthearted comedy. I had never heard of the Great Brink's Robbery until watching this movie, but William Friedkin managed to turn it into a fun story. Peter Falk, Peter Boyle, Warren Oates, Gena Rowlands, Paul Sorvino, Sheldon Leonard* and the rest of the cast turn in fine performances. It was a pleasant surprise to see Malachy McCourt (the brother of "Angela's Ashes" author Frank McCourt) in a supporting role. It so happened that I had watched this just a few hours after watching the horror-fantasy flick "Q", which also featured him in a supporting role. It was a pure coincidence that I rented two movies that happened to star him.All in all, a good movie. I suspect that they had fun filming it. Really different turn for Friedkin after "The French Connection" and "The Exorcist".*Put another way, the movie stars Columbo, Frankenstein's monster, one of the Wild Bunch, the woman under the influence, Henry Kissinger and the producer of several TV shows (and namesake of the main characters on "The Big Bang Theory").

In 1938 Boston, petty criminal Tony Pino (Peter Falk) and his robbery gang get caught. In 1944, his friend Joe McGinnis (Peter Boyle) picks him up after getting released from prison. He rejoins wife Mary (Gena Rowlands). He gets a new crew which includes idiot brother-in-law Vinnie (Allen Garfield), disturbed war veteran Specs O'Keefe (Warren Oates), and Jazz Maffie (Paul Sorvino). The bumbling crew struggles to rob a candy factory. Tony passes by Brink's and is enticed by the cash. He talks into the warehouse and copies a key. The crew starts stealing from the trucks but no one seems to catch on. They realize the careless security and robs the vault for $1 million. The large amount and notoriety draws in J. Edgar Hoover (Sheldon Leonard).It's a fine period heist movie from William Friedkin. There's a bit of fun. This is not a high functioning crew. It could easily turn into a more slapstick comedy than it already is. There are some great idiocy like Specs suggesting blasting the vault with a bazooka. There are bits and pieces of goodness but I'm less enamored with the last section. It becomes a muddle as the crew is gathered up. The action is lost and I can't figure out each character. Normally, the action would go bigger into the climax. I do have respect for going the other way including Mary casually making dinner for the cops.

Words almost fail me in talking about how much I love this film, this very funny, very stylish portrayal of what was considered the robbery of the last century.First of all it could never have been done earlier. J. Edgar Hoover was not a figure to be satirized before May of 1972 when he breathed his last. Sheldon Leonard who plays him here and has him get it all wrong about who pulled the Brink's Armored Car Robbery, would not have taken the role, neither would any other actor. No one wanted to be on that man's bad side. Hoover was not quite the figure you see Leonard play here, though Leonard is fine in the part. Books and films subsequent to his death still really haven't got it quite right about him.For all of J. Edgar's fulminations about the great Communist conspiracy at work in the Brink's job, the whole point of The Brink's Job is who actually did it. Six very ordinary street criminals, none of them violent felons in any way and one fence who declared himself in on the job.The group is headed by Peter Falk who should have been Oscar nominated for his portrayal of Tony Pino, the group's leader and planner. You see The Brink's Job, Peter Falk will remain with you forever. A man without complications and hangups, he's a thief because it's his profession. He does have pride in how good he is though.Some of Falk's best scenes are with his wife Gena Rowlands. She too is a woman who stands by her man. No doubt they came from the same hardscrabble background in Boston's Italian North End and she's completely supportive of him and his work. In particular I love the scene where she's bidding him off to work just like any other wife who's husband had a night job. Don't forget your screwdriver, here's a sandwich in case you get hungry, the scene is priceless.I also love the scene in the restaurant where he takes her after a nice score. Falk is at the height of his considerable talents as he tells Rowlands of his plans for the Brink's Armored Car Company.What everyone will love when they see this film is how comparatively easy it was for these knockabout guys from Boston to accomplish stealing over 4 million dollars. This score was so big, it HAD to be the work of a master criminal mind. The thing is it was, the mind was just not in a body where you would expect it to be found.The others in the mob are Paul Sorvino, Kevin O'Connor, Warren Oates, Gerard Murphy and Peter Boyle who plays the fence. But my favorite in the mob and in the film is Allen Garfield who plays Falk's brother-in-law and sidekick who Falk keeps around for laughs. They have an Abbott&Costello like relationship with everything Garfield touches turning to waste product. My favorite scene in the whole film is when they decide to rob a gum factory payroll. Poor Garfield accidentally presses the wrong switch and he's awash in gumballs. Falk's and Sorvino's differing reactions are priceless.A lot of the film was shot in Boston which in many ways is a city that tries more than most to keep it's traditional look. I haven't been in that city in about five years, but I daresay you could remake The Brink's Job today in the same area.But if you did it wouldn't be as good, that isn't possible.

As far as HEIST movies go, this one is pretty weak. Continuity is pretty lousy, there isn't enough character continuity to really feel like you understand any of the characters. Peter Falk is great, and he is one of the reasons its worth watching. Falk has some great lines, like "he'll be right back, he goin' buy to some saugages" or something like that... there are a few nice scenes, although they are entirely due to the efforts of the actors. Direction, script, and editing is pretty lousy.