I like the storyline of this show,it attract me so much

Perfect cast and a good story

Fresh and Exciting

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

NOTES: A vaudeville episode, "The Language Scene", with Lou Costello and Sid Fields, was shot but deleted from the movie before release. Because of Universal's practice of splitting receipts (the movie was invariably double-billed), In Society does not figure on any champion money-making lists, even though it was a tremendous success in America and Australia, earning a fortune for the studio. The title is sometimes erroneously cited as Abbott and Costello in Society, or even Bud Abbott and Lou Costello in Society. PRINCIPAL MIRACLE: Abbott and Costello rated 8th place in the annual poll of top money-making stars for 1944, voted by circuit and independent exhibitors throughout the United States. COMMENT: One of the most enjoyable of the Abbott and Costello series. Some genuinely funny sequences and routines are given a lift by an excellent support cast, and are leavened with some really attractive musical interludes. Marion Hutton makes a bright, bouncy heroine, Ann Gillis has a sexy song, and it's always a pleasure to see Arthur Treacher. And by the humble standards of Jean Yarbrough, the direction even has a modicum of pace, polish and style.OTHER VIEWS: Both Abbott and Costello are in fine form, taking full advantage of some superior material, much of it deriving from classic burlesque, such as the Floogle Street (here called "Bagel Street") routine involving the infamous Susquehanna Hat Company. The various strands of humor plus the song breaks have been put together with professional precision. The movie is always attractive to look at - and I don't mean just because of all the girls - and, as said above, it boasts a most appealing lead in Marion Hutton. - G.A.

IN SOCIETY (Universal, 1944), directed by Jean Yarbrough, stars the popular comedy team of Bud Abbott and Lou Costello in another one of their top comedies. Having been in movies since 1940, it would be a while before the team would tackle burlesque routines to certain background stories into such surefire comedy settings as in this case, high society. There's no Grace Kelly here to supply beauty and class but another blonde with the same mannerisms and singing style of Paramount's own, Betty Hutton, mainly because the down-to-earth style female co-star is played by Betty's real life sister, Marion, who's likable and pleasing personality, as with Betty, enlightens the film. With Bud and Lou crashing society, and how they do it results to a very funny story. The narrative opens at a costume ball function hosted by Mrs. Van Cleave (Nella Walker). Her husband, Henry (Thurston Hall), returns home exhausted and would like nothing more than get a good night's sleep. After heading to his bedroom to retire for the night, there's a leak in the faucet that's keeping him awake. After going through the telephone directory, the butler (Charles Coleman) telephones for plumbers at the Ajax Plumbing Company, who, in turn happen to be non-other than Eddie Harrington (Bud Abbott) and his helper ("but no help") Albert Mansfield (Lou Costello). Accepting thejob at $4 an hour, the plumbers are driven to the lavish Long Island estate by Albert's love interest, Elsie Hammerdingle (Marion Hutton), a lady taxi driver working for the Baker Cab Company. Because the Van Cleave function happens to be a costume party, Elsie is mistaken for one of the guests, especially by Peter Evans (Kirby Grant), the richest bachelor who happens to arrive dressed as a taxi driver. In the meantime, the plumbers typically do more harm than good with the leak, causing Mrs. Van Cleave, the following morning, to write them a letter of complaint to them. However, she unwittingly places a weekend invitation to a charity function at the Briarwood estate in the envelope instead, where the hapless plumbers received and accept the invitation as good business relations for their company.  Also attending the Briarwood function are Peter and Elsie, much to the dismay of Gloria (Anne Gillis), Peter's jealous debutante girlfriend. With the weekend function hosted by Mrs. Roger Winthrop (Margaret Irving), she collects donations  for the upcoming unveiling of "The Plunger," a valuable painting worth $150,000. Also attending the function is Drezel (Thomas Gomez), a loan shark who earlier offered Eddie and Albert a $1,000 loan for their plumbing business, along with Marlowe (Murray Leonard), chauffeur for Mrs. Winthrop (and professional knife thrower), plotting to steal the valuable painting, and attempt to convince the plumbing stooges to assist them with their theft.A fast-moving 75 minutes comedy loaded with worthwhile Abbott and Costello comedy material from start to finish. The most famous of their routines turns out to be "additional comedy material" credited to Sidney Fields (Landlord Mr. Fields from television's "The Abbott and Costello Show" (1952-1954)) for the one called "Bagle Street," where the plumbers try to deliver box full of hats for their friend at the Susquehanna Hat Company. There's also another routine borrowed from BUCK PRIVATES (1941), which changes Costello's situation from Army Sergeant to policeman (Edgar Dearing). Another classic routine involving Costello with Arthur Treacher (naturally playing the society butler named Biffs) is also priceless, as is Costello's take in the fox hunt. "Remarkable!" The scene involving Bud and Lou on a runaway sofa down the road is one that usually not included on New York City's WPIX, Channel 11, where IN SOCIETY and other Abbott and Costello comedies aired Sunday mornings from 1971 to 1990. Others in the cast include George Dolenz (Baron Sergel) and Steven Geray (Count Alexis), a couple of Briarwood guests whose suits and clothing get mixed with Bud and Lou's. Don Barclay is also amusing in his bit as the drowning drunk who gives Lou a hard time for saving him. If the climatic fire engine chase looks familiar, some of it was lifted from an earlier comedy classic starring WC Fields in NEVER GIVE A SUCKER AN EVEN BREAK (Universal, 1941).A reflection or movie comedies of the time, there's musical numbers to such tuneful melodies to help balance the story, including "No Doubt About It, I'm in Love With You" (sung by Marion Hutton); "Rehearsing" (sung by Anne Gillis, and the Three Sisters, Bea, Margie and Gerri by poolside, conducted by Will Osborne and his Orchestra); "My Dreams Are Getting Better All the Time" (sung by Marion Hutton); and "What a Change in the Weather" (sung by Kirby Grant to Marion Hutton on boat ride). With the exception of Kirby Grant's interlude, which is slow in tempo, all the other songs are lively, pleasant and somewhat memorable.Last seen on cable television's American Movie Classics in 2001 (AMC premiere January 1, 2001, as part of Abbott and Costello's "Who's on the First" movie marathon), IN SOCIETY, distributed on video cassette in the 1990s and later DVD format, is no disappointment for many. The team is not only in fine form here, but supporting players handle their roles in the manner as they are played. Though Margaret Irving is quite good as the society hostess, it's a wonder had another Margaret that of Margaret Dumont, the famous dowager type of serve Marx Brothers comedies, might have made the movie even funnier. Be sure not to miss the finish! (**1/2 plungers)

"In Society" presents Abbott and Costello as a pair of inept plumbers who manage to get themselves invited to an upper class weekend party, where they get to hob nob with the hoi polloi and solve a mystery in their usual frantic manner. There's some fairly standard fare here, including the Bagel Street/Susquehanna Hat routine, while the romantic chores are handled by future TV Sky King, Kirby Grant wooing the lovely Marion Hutton, who goes by the unlikely name of Elsie Hammerdingle. Her character is a female taxi driver, and along with the boys, rides out this comedy in a case of mistaken identity.When an expensive painting depicting "The Plunger" winds up missing at the society affair, the boys become likely suspects when their plumber identities become known. The painting is recovered following a well choreographed chase scene in which Bud and Lou hop aboard a conveniently placed hook and ladder rig. There's some innovative stunt driving featuring a handful of near misses with oncoming traffic. When it's all over, the weekend hostess quite proudly proclaims - "You may be plumbers, but you're wonderful plumbers!"

IN SOCIETY (1944)*** One of Abbott and Costello's finest and funniest comedies with the boys as bumbling plumbers hobnobbing with the hoi palloi with some amusing moments in one of the first snob/slob comedies. Best bit: "Bagel Street" bit with poor Lou being abused while trying to run an errand for a friend.