Just perfect...

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The film may be flawed, but its message is not.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Kenny Doughty and Caroline Carver play the title role of a pair of gentile house servants to a wealthy Jewish couple, Martin Landau and Judy Parfitt. Landau is some concern to the Third Reich which is now both at war with the world and just getting into the business of exterminating Jews. But this particular Jew has a large industrial concern that he built, but the firm's liquid assets are in banks quite beyond the control of the Reich. The Nazi dilemma is to get them to hand over control and maybe let them live, emigrate to Palestine as part of the bargain.Danny Webb plays Heinrich Himmler and he'd love to get control of the industrial concern for the S.S. and get to be number two in the regime maybe displace rivals, Borrman, Goebbels, Speer, and Goering. And Landau's got an art collection and if Himmler gets a hold of that, he'll have one to rival the one Goering is looting from France. So what's wrong with having dinner, breaking bread even if it is with Jews.The fly in the ointment is The Aryan Couple who turn out to be both resistance fighters and Jews. It certainly did look strange that in those times gentiles would be working for Jews when that was expressly forbidden by the Nuremberg laws. They certainly raise a few eyebrows at S.S. headquarters.The cast performs well enough, but on the whole I found the story to be bizarre at best. And it might have worked well with just Landau as the industrialist matching wits with Himmler over dinner and drinks. The Aryan Couple of the title really contributes nothing to the essential part of the story.

None of the film's creators seemingly bothered to check on WHICH side of Jews' (under the Nazi Germans) clothing the Star of David was demanded! It was the RIGHT side, NOT the left! With the THOROUGH search ordered of the Krausenberg palace it is not credible that the radio transmitter/receiver and its large antenna were not discovered by the SS. Additionaally, such a rig would have been swiftly detected and localized by Radio Direction Finding (RDF) equipment. All underground radio transmitter operations had to be moved from one place to another as swiftly as possible to avoid detection by RDF.The suggestion that Heinrich Himmler had a sense of honor and therefore kept his word to Krausenberg is not only beyond ridiculous but it also attempts at a saving grace to a completely dishonorable and without scruples man. As it turned out in the end, he didn't even keep his word to his divine Adolf Hitler! Ex "native" of the Lodz Ghetto, Auschwitz and Dachau

Despite the fact that there have been many good films about the Holocaust, the Nazi manipulated genocide of the Jews in World War II, there is enough room for a new perspective to that hideous period in history to make THE COUPLE a welcome addition to the repertoire. Written by Director John Daly based on a story by Kendrew Lascelles this film reveals a little known bit of history that shows that the Nazis allowed the wealthy Jews to 'buy their freedom and lives' at enormous losses. And the key Nazi, at least in this story, is none other than Himmler.Joseph Krauzenberg (Martin Landau) is a very wealthy German Jewish industrial tycoon whose fortune is mirrored in his palaces that are more like museums of great art. But in the year 1944 his important steel mills and other major industries are needed by the Nazis and so a plan is hatched to offer Krauzenberg, his wife Rachel (Judy Parfitt) and his considerable family the opportunity to escape death by allowing them to leave Germany for Switzerland and ultimately for Palestine. The only servants the Krauzenbergs maintain are the Vassmans - Ingrid (Caroline Carver) and Hans (Kenny Doughty) - an Aryan couple who in reality work for the Underground and are actually Jews under strong cover.Eichmann (Steven Mackintosh) and Himmler (Danny Webb) are perpetrating the plan to gain all of the wealth and lands and homes and art of the Krauzenbergs and they attend a dinner party at the Krauzenberg palace to sign the final papers. One of the other officers Edelhein (Christopher Fulford) is the most repulsive of the group and despite the fact that Ingrid Vassman is pregnant, Edelhein pursues her as a perfect foil for implanting his precious seed in the 'Aryan beauty' to populate the new Germany. As the night of transaction occurs Krauzenberg visits his large family being held by Eichmann in the Gestapo and reassures them that all will be safe. The Vassmans love the Krauzenbergs and ultimately confess that they are Jewish and wish to escape to Palestine with the Krauzenbergs. In a fast paced finale the trials and tribulations of the final plan are worked through in a somewhat surprising way.THE COUPLE is beautifully photographed (the film was shot in Poland despite the fact that the Krauzenberg estates were in Hungary) and the mood of evil is always present in the night scenes with the requisite searchlights penetrating the darkness. Laudau and Parfitt are strong as are Webb, Mackintosh and Fulford. Neither Caroline Carver nor Kenny Doughty is up to the task of making the Couple credible. But the overall impact of the film is the focus of the evil that drove the Nazi machine, even with this slight bit of human kindness that was bestowed on the Krauzenberg family at such an awful cost. Grady Harp

The script was incredible.The story was extremely engaging.The actors did wonderful, in-depth jobs.The editing ruined it all. You could literally see the microphone above the main characters during the last 30 minutes of this movie. It was a huge distraction to everyone in the theater. Also, the actor's mouths were cut off in most of the last half of the movie. This is by far the worst editing that I have ever seen in any movie, low-budget to big budget. How could they not notice the bobbing microphone in those last scenes? How could they justify only seeing the cheekbones and foreheads of the characters? For all producers out there, do not ever, ever, ever hire the people that created this film. They completely ruined a film that had Oscar-worthy written all over it.