As Good As It Gets

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

just a delicious entertaining story! i really didn't get the 'depressed' description of the main character Solo. he is way too active to be depressed. but that issue is not a problem.the plot line and story are what keeps this film smoothly moving and charming from start to finish.if you are just looking for a simple story of human interaction and how a dog lives and is affected by humans this is your movie. solo and the dog have a wonderful relationship and is a perfect look at how pets depend on their owners and how the owner of a pet must operate his life around it.the characters are fun - not necessarily believable, but fun to watch.

Let me start by saying I don't recall laughing once during this comedy. From the opening scene, our protagonist Solo (Giovanni Ribisi) shows himself to be a self-absorbed, feeble, and neurotic loser completely unable to cope with the smallest responsibilities such as balancing a checkbook, keeping his word, or forming a coherent thought. I guess we're supposed to be drawn to his fragile vulnerability and cheer him on through the process of clawing his way out of a deep depression. I guess we're supposed to sympathize as he stumbles through a series of misadventures seemingly triggered by his purchase of a dog, but in reality brought on by his own contemptible nature. I didn't get the slightest hint at any point that Solo ever possessed any redeeming character, which became disturbingly apparent when he failed to feed his dog for a few days. No spark of humanity or glimmer of conscience gave me hope that he would ever realize his life is so utterly miserable because he's a self- absorbed, self-pitying lowlife. I didn't develop any connection with this character. He didn't seem to care, and so neither did I. I actually wanted him to get his kneecaps busted at one point.The dog was not a character in the film. It was simply a prop to be used, neglected, scorned, abused, coveted and disposed of on a whim. So be warned. Even though "dog" is in the title, this film is not a romantic comedy for dog lovers.Scott Caan's role is amusing and believable as the oversexed best friend/cad. Don Cheadle is sincere and magnetic - I always want to see more of him on screen. Mena Suvari was delightfully repellent. Lynn Collins role of a "stripper with a heart" was well acted, but the character was simultaneously absurd and clichéd, not to mention there was zero chemistry between her and Ribisi.Romantic? Hardly. Comedy? If you say so.

I've always felt that Giovanni Ribisi is the most underused (along with Chiwetel Ejiofor and Zooey Deschanel) and one of the most talented actors working today. Further proof of that is his fantastic performance in this light-hearted, mediocre independent comedy directed and written by Scott Caan. The film centers around a broke, self-centered and hopelessly depressed writer named Solo (Giovanni) who after a year of seeing a therapist (Don Cheadle) five days a week decides to get a dog. Getting this dog begins a wild adventure that involves his best friend (played by Caan), a stripper whom he grows a strong affection for (Lynn Collins), her friend (the criminally underused Sarah Shahi), a gangster whom he owes money to (Kevin Corrigan) and a spoiled rich girl straight out of My Super Sweet 16 (Mena Suvari).It's a fun film about the true wealth of finding love with some genuinely hilarious scenes scattered throughout. I've never liked Scott Caan as an actor; I always find him playing the same arrogant, dirtbag character and I really don't like his sense of humor so that didn't help me in trying to enjoy the film. Also, while the subplots with the gangster (who we never find out how he got connected to Solo or why Solo owes him money) and the spoiled girl offer some great opportunities for Giovanni to show off his comedic talent, their appearance in the film ultimately feels like pointless filler. But the film manages to succeed due to the great work by the always underrated Giovanni Ribisi who adds so much charm, quirk and hilarity to every film he's in that it's impossible not to love him and it is pretty entertaining throughout.

If I had kept the reviews and comments in mind, I would've never rented this film, but I went with my gut and the fact that Ribisi is amazing and am so impressed with this movie. I loved this movie so much I'm bothering to leave a comment which in itself, for me, is unusual.This sweet, poignant, simple, and heartbreakingly realistic movie is about a man who buys a dog at the advice of a therapist to improve his life. That's the straight-forward surface story. But as the story progresses, you really start to realize and appreciate the massive similarities between the dog and the main character, and the plight the dog and the emotional growth of the man. No matter what the movie is about or how far-out it is, it should connect with the viewer emotionally, be so realistic to everyday feelings it's scary, make you view you own personal life in a more open-minded revelatory way, and make you consider what life is all about. This is definitely one of those movies.Based on other reviews and comments, this movie isn't for everyone's tastes. But to me, this is the kind of movie that makes the hundred other semi-interesting but ultimately disappointing movies viewed before it pale in comparison. It's a gem that makes you happy you saw it. It was absolutely brilliant and I loved it.