Not wanting the same fate as befell her sisters, Sona Mishra re-locates to Mumbai to try to make a living making movies, but she soon finds that the path she has chosen is not an easy one.
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That was an excellent one.
Save your money for something good and enjoyable
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
A satire about Bollywood, and the struggle that young talent has in a nepotistic world, certainly sounds intriguing. But when the talent is mainly defined by beauty and ambition, it's hard to feel too sympathetic, particularly over the full course of what is a decidedly long film. In fact, satire is too strong a word here: although the inanity of Bollywood plots are gently ridiculed, the movie includes some song and dance sequences of its own (disguised as belonging to films within the film); and the eventual ending celebrates a character who fails to become a star, but nonetheless enjoys success as a leading television actress. Fundamentally, this not a story about real failure at any level, not one character is poor and not one young character is ugly, or indeed, even ordinary looking. A harsher, funnier tale might have been told.
There is a fleeting scene in Zoya Akhtar's remarkable new film Luck By Chance where an aspiring, struggling young actor Vikram (Farhan Akhtar) nervously enters a big budget movie premiere party. His friend who is an assistant director in Mahesh Bhatt studio has taken him along as return of a favor. Place is bustling with actors, directors, writers, big shots, and crackerjacks of film industry we reckon. He starts walking the noisy venue. Camera starts following him in commotion and calms down somehow, now fluidly capturing Vikram's point of view which is nothing less than surreal. He seems gliding though the glamorous starry room checking artists, celebrities in flesh chatting, giving interviews, drinking, cracking up from touching distance. There is something deliberately dreamy about this shot. Director has given the protagonist his moment. This is what he is aiming at.
sometimes bollywood movies are lost in the complicated story plots or the same generic themes or the stereotypes .... no over drama in terms of presentation ..each and every character were well portrayed in a simple and honest fashion .. talking about fashion ...since "fashion" this is another award deserving performance (for konkana) ...well for fashion priyanaka and kangana both deserved awards ... i can see the potential here ...all depends on the movies to come this year ... but the simplicity of the characters are really creditable i hope juries recognizes that ... the point being is it does not have to be a strong character that actor can ply but the sincerity in which role the actor plays ... so kudos to farhan and konkana ... u rock babe!!!
Ever wondered about the heroine's dead-sister's friend? Well, Luck by Chance makes you.This is a film about those tens of thousands of people who light up the screen momentarily if only to take the story forward. They are the clogs that make the wheels of Indian cinema turn; the unsung heroes (and heroines) of 'the Hindi Film Industry' who don't quite make it big. Mostly because- as this film tells us- they aren't born into Filmdom's Royalty: the progeny- sons, daughters, nephews and nieces- of the Bollywood elite. The only non-entrenched non-filmi people who do make it big are those who do movies filmi-children wouldn't want to touch with a pole. Think SRK in Baazigar; or the Big B in Zanjeer. Farhan Akhtar's character is one such struggling actor who gets his break starring in a movie the Superstar walks out of. He superbly- and subtly- portrays the self-centered moral dilemma of success, torn as he is between keeping his old set of not-so-lucky friends and the new glamorous lifestyle that comes with stardom- a world in which the former have little or no place except perhaps as cronies and hangers-on. Mr. Akhtar is in fact fast transforming into India's quintessential Thinking Man's Actor. Konkana Sen is particularly moving as Farhan's much-victimized girlfriend from his days of struggle and Hritik Roshan shines as the Superstar, replete with the insecurities that come with that job.This is a very good if somewhat longish film. But we owe it to the countless could-have- beens of Bollywood to go see it. The Curtains come off quite nicely.