Good concept, poorly executed.

Simple and well acted, it has tension enough to knot the stomach.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

DCI Jane Tennison (Helen Mirren) breaks up with her boyfriend Jake Hunter. He's married and an author of a serial killer book. She's starting a new job and finds old nemesis Sgt. Bill Otley (Tom Bell). They investigate an arson-murder involving underage rent-boys and a cross-dressing cabaret. Thuggish James Jackson (David Thewlis) is the prime suspect. Edward Parker-Jones (Ciarán Hinds) is the club owner. The clientele and police involvement threaten to be a scandal.Helen Mirren is the lead. This show can never be bad with her driving the boat. This time Otley is back but he's somewhat domesticated. The vicious sexism is no longer there. The case is lascivious and dirty. This is solid TV police drama but nothing compared to series 1 part 1.

I'm running out of superlatives for the Prime Suspect series. Series 3 is another gripping crime drama, this time set against the background of the world of London rent boys. Despite it's lengthy we were tempted to watch in one sitting, though we didn't quite manage it! The highlights this time are long scenes showing DCI Tennison interviews witnesses and suspects. This shows Helen Mirren at her finest, portraying an intelligent police detective who knows exactly how to structure an interview to get the truth from people.The theme of police corruption also looms large right from the very start. Glimpses of Tennison's rather sad personal life are also shown.She's still off the ciggies though!

Everything everyone is saying about this one is true. One thing to add: it's a lot for a single sitting. It runs almost four hours. People couldn't have had an option when it was transmitted on telly - they had to wait for the subsequent episodes - but when you rent or purchase it now you can't be forced into that option - and you'll find it nigh on impossible to break things off at the hour or two hour mark - it's just too good as everyone says.Perhaps the best news is that Lynda La Plante is back. Episode two wasn't bad - but it wasn't La Plante's writing and it didn't have her magical hand on it. This one does. It's as if she took all the stuff she found out worked in the first episode, concentrated it, and flung it back. Everything is deeper, grittier, gorier.There are seven huge episodes in this opus, all told twenty two hours of viewing. So to single out any one episode and say it's 'best' is going to be difficult, but taking only the first three it's not hard to see which excel more than others, and this one has to rank right at the very top.

The director did a superb job pulling PS 3 together. There are many twists and turns and unexpected endings. This shows the fullness of human nature in graphic, dark but jarring peeks into a modern police investigation. It also is a thought provoking portrayal of how powerless we often are to bring about meaningful change in erasing the root causes of such crimes from our communities.The interjection of the investigation teams personal and sexual lives adds to the drama and richness of PS 3. The beginnings of life, childhood interrupted and the degradation of some of humanity is well portrayed. The dialogue is often excellent and you have to listen to some of the questioning sessions carefully to pick up nuances that become important later. The resolution is not as expected leaving the audience with a lot to think about about the rent boy issue today.Mirren again bucks the system and the old boy network. the crusty Sergeant Bill Otley also surprises -- sometimes hard and occasionally "soft" when faced with the grit and horror of the crimes they are investigating.There is no sugar coating hear. Highly recommended.