International terrorists attempt to kidnap a wealthy couple's child. Their plan comes unstuck when a deadly Black Mamba, sent by mistake instead of a harmless snake, escapes and the terrorists and several hostages are trapped in the boy's London home.
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Reviews
Good movie, but best of all time? Hardly . . .
A lot more amusing than I thought it would be.
While it doesn't offer any answers, it both thrills and makes you think.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Not to be confused with Spasms, another early-'80s Oliver Reed snake-themed horror movie, Venom sees a kidnapping go awry when a deadly black mamba escapes into the house where the villains are holding ten-year-old Philip (Lance Holcomb) and his grandfather Howard (Sterling Hayden) hostage.Reed is chauffeur Dave, who, along with sexy maid Louise (Susan George) and German terrorist Jacmel (Klaus Kinski), find themselves cornered by police Commander William Bulloch (Nicol Williamson) and his men (after a shotgun toting Dave gets trigger happy with a cop) and menaced by the highly venomous and very aggressive reptile, the result of a mix-up of orders at a pet shop.Despite a top-notch cast (which includes Sarah Miles as toxicologist Dr. Marion Stowe, and Michael Gough as a snake expert), director Piers Haggard (The Blood on Satan's Claw) is unable to elevate his film from mediocrity thanks to a pedestrian script that is a little light on the snake action and a touch too heavy on police procedure, delivering not nearly enough suspense or horror. Kinski is as slimy and menacing as always, Ollie turns to the booze when the pressure is on (no surprises there), and George strips to her underwear (no surprises there either!).5.5 out of 6, rounded up to 6 for IMDb.
It s a pity that Tobe Hooper stopped working on the film. The beginning is perfect. So rare to see two euro horror stars in the same movie as Klaus Kinski and Oliver Reed. Good English characters,very true impulsive, nervous. It looks like Hammer in some places, but it is bit long. We enjoyed the ending where Klaus is attacked by venom and trying to strike back in agony. Klaus played really cool in this movies, and he actually does every time We see him in horrors. The screenplay has some real discoveries , but That should have been Tobe Hooper to work them out. He always makes even cheap films look stylish and suspensive. Good example of euro-horror attempts.
Menacing, but not in an over the top psychotic way, Klaus Kinski delivers a very believable performance. He is more calculating than usual, and has no problem outsmarting the British police, who seem more interested in drinking coffee than anything else. What ever happened to tea? Klaus easily steals this movie from the remaining likable cast. The snake has it's own point of view, which works quite effectively. The story plays out with a couple tense moments,and at least one major surprise, that is unfortunately revealed in the trailer, so I recommend skipping watching the extra's until after the feature. Overall, one of Kinski's best, and he has ample screen time, for you to enjoy this wonderful actor. - MERK
By all accounts this is basically a formulaic kidnapping flick that would be standard B-movie fare. Having a poisonous snake thrown into the mix only adds to the B-movie feel.However, it is saved by its A-cast. Klaus Kinski, Oliver Reed, and Nicol Williamson all chew the scenery as only they can (though one has to pity the director, who had to work with the 3 most ornery actors alive at the time). The only disappointment was that Sterling Hayden didn't get more material to work with for what would be his last movie.The other highlight is the fact that they used a real and professionally handled black mamba in most of the scenes. In most movies of this type, they would just throw in a harmless rat snake or something and hope that nobody would notice the difference.