I don't have all the words right now but this film is a work of art.

hyped garbage

A Masterpiece!

An old-fashioned movie made with new-fashioned finesse.

The Combination was for me, a refreshing surprise of a flick, initially banned, I believe, which would of been such an injustice, as it would deprive movie goers of what is a first rate, independent flick, directed by acting great, Field. This film and it's ferocity, really surprised me, it was that engrossing. It's one film I just couldn't turn off, and finish watching the next day. Not many films focus on the Lebanese community, and here racism still runs high in the inner suburbs of Sydney. An older brother has just got out of the joint. There's much conflict between him and little brother (Firass Dirassi) who's heavily mixed up in crime, where he's heading in the same direction. Not only this, but he's clashing with another student, not Lebanese, at high school over a girl, where a small gang war breaks out. This movie is more take the gloves off high school flick, which can really show what happens with two cultures clash, and the tragic results can culminate. For me, Dirassi's fate was pretty mapped up, where I knew it wasn't gonna end well for him. There's many lessons illustrated in this film, where The Combination is one of the most impressive and searing Aussie films I've seen, and one that must be seen. The same can be said about explosive new talent, Dirassi. Thank you Mr Field, where you've now impressed me as a movie maker.

It's obvious the producers and director of the film were inspired by American History X, Boyz In the Hood, and other American movies which deal with multiculturalism, racism, and family. Unfortunately, inspiration alone does not meet the requirements when trying to produce a quality film. This film is a shining example of directors trying too hard to implement ideas from other movies into their films without building character structure, emotional investment, and atmosphere. The result of which is this film. The movie had so much more potential. The movie stars George Basha and Firass Dirani with supporting performances from Doris Younane and Clare Brown. The inexperience of the cast is made more obvious with each scene by director, David Field and this is not more obvious than in the melodramatic final scenes. The story revolves around Basha who plays John Markos, a Lebanese-Australian who has just been released from prison (we never know the reason or how long he has been in jail). On Johns return home, his mother, Mary, played by Doris Younane, greets him with open arms and is glad her son is home. He is also welcomed into his home by younger brother, Charlie, played by Firass Dirani (some Australians might remember him from the latest edition to the Underbelly series), who seems to have acquired some new friends since his brothers absence. The lack of a strong male presence in the household (their father died – don't know how, or when) seems to have had a dramatic effect on Charlie and John tries to steer his younger brother away from his new friends, guiding him, sometimes with brute force (not much of an example) towards a better future. Charlie has become more like his older brother and tries to make easy money because he doesn't want to work for a lousy three hundred dollars a week to clean toilets, especially if the owner of the place is Aboriginal. So, Charlie starts dealing drugs and is introduced to drug king pin Ibo, played by Michael Denkha who hires Charlie and his friend to run drugs for him. While this is going on, John tries to get his life in order by getting a job at the local gym and forming a relationship with Sydney, played by the beautiful Clare Brown. In spite of his older brother's best efforts, Charlie continues his path of self destruction. The rest of the movie deals with the consequences of being involved in gang activity and the growing relationship between John and Clare.The producer does not lack passion but rather direction and suffers from lack of subtlety. The writing is amateurish and this is can be seen in the outcome of the film, making the central performance of the piece somewhat insignificant and lacklustre. 2 stars of out 5.

I wanted to watch something boring. I chose to watch The Combination. The beginning didn't promise me much, I even had to check if this was an Australian film, and actually it was! I am neither Australian nor Lebanese, but I have met both cultures for at least a brief moment in my lifetime. So the question when watching a story of Lebanese in Australia was: are the facts just? Is this real? It is. Although people are depicted differently from those I have seen in the real world, parts of them that are true and up to a point are also shown.Is the material educative? Yes. You can remember your history lessons, fighting skills, and how to be romantic.Will you be bored? I was not.

This is a little Aussie movie that packs a punch. With a not particularly original storyline (older brother gets out of jail and tries to stop younger brother from going down the gangs - drugs – crime – jail path, a la "American History X"), the film puts the story in a Lebanese-Australian context. These Lebanese have a Christian background yet are still treated as aliens by the Anglos. Not surprisingly gangs form and are exploited by local criminals (the police, by the way, are pretty well on the sidelines).What gives the story its power is the mapping out of the relationship of the older brother, former pro boxer John (George Basha) with his errant sibling Charlie (Firasss Dirani), and the effect of external pressures on their bond. John also develops an emotional relationship with a beautiful Anglo girl, Sydney, (Clare Bowen) but this is mild compared for the feelings he has for his family. There is plenty of headline stuff here, knifings in the street, drive-by shootings, teenage drug-dealing (cocaine seems to be the drug of choice these days) set against TV footage of our very own race riots at Cronulla in 2005.The ending, however, is not quite the disaster one might have expected.One interesting question raised is: just what are Aussie values anyway? John as a migrant kid finds that his Lebanese relatives see him as an Australian, while fellow pupils see him as Lebanese. His Anglo girlfriend's father spouts the assimilationist line, but by the end Sydney seems to have gone over to the Lebanese side. Charlies' school is an ethnic battleground and relationships between the ethnic groups do not seem to be improving. John, however, shows every sign of climbing out of the mire and the film ends on a hopeful note.David Field, a veteran character actor who specializes in downtrodden ocker types, has as a first time director come up with the aid of George Basha's script with a colorful, noisy dramatic, and yet authentic, story. He is aided by some standout performances from his leads and from a goodly number of not well-known but talented and experienced actors in some of the key supporting roles roles,. Doris Younane as John and Charlies' widowed mum Mary, John Brumpton as Sydney's dad and Michael Denkha as the local crime boss are particularly good, and the cinema photography and editing are first rate, though as I saw it screened there was a peculiar flicker.The script is pretty crisp, but some of the characters could have done with a little more of their back story. How did Zeus the gang leader (the burly Ali Haidler, very convincing) get to be such a menace, for instance? What happened to John and Charlie's dad? There was also a surprising gap in the storyline when, about a third of the way through the gang is involved in the knifing of another student. They flee the scene but are arrested by the cops at gunpoint. In the next scene Charlie is free as if nothing has happened, and there is no further reference to the incident.Even so, this is a bright start to Aussie movies for 2009, and the kerfuffle over it being withdrawn from some cinemas will have given it some much-needed publicity. Compared with "Underbelly", for example, this is a very honest piece of work.