In a tributary of the Amazon, a monster – half-man, half-fish – is captured and placed in a reservoir in a Florida national park to be observed by scientists.
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This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
One of the most extraordinary films you will see this year. Take that as you want.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
This seems like it was one of the least awful films ever shown on "Mystery Science Theater 3000". It helps that it's a direct sequel to a pretty well known movie. The first part of this when them catching the creature is actually pretty good. It does a nice job of setting up the rest of the story. It's even a pretty realistic approach as to what we would see a creature like this do. It is still a pretty pointless sequel with not much going on. The last part is where it really falls apart.It's mostly because it makes little sense within its own context. The creature goes out into the ocean and then attacks people for no reason. It was said that it wanted to go back to the Amazon, so why is it still attacking people? Is the poor guy just confused? It's at least nice to see all those sea animals. Not a PETA guy, but everyone keeps complaining about how they're being tortured. I'm glad I was able to recognize Clint Eastwood. In fact, I was glad he was the focus in at least one scene. It's not much, but it's worth looking into. The makeup effects are pretty good for its day. **
Having been captured in his in his Amazonian home, the Gill Man is placed on display at a Florida water-park and tries to escape with the female scientist attempting to study him as a new love interest.On the whole this one was a highly enjoyable and even superior sequel effort. One of the better elements here is the improved action on display, as this one has some overall impressive and exciting scenes here, among the best starting immediately with the capture in the Amazon. From the diving suit encounter which is a fun, savage underwater brawl to the eventual escape, this goes along nicely with the capture method that gets really fun. Likewise, further enjoyable action scenes come from the transport into the observatory tank where it goes after the carriers which requires all sorts of outside help to put an end to the situation as well as the lengthy scenes of the two attempting to train it underwater which comes off very nicely with the creatures' best interests at heart. Still, the best scenes here are from the final half with its escape from the facility and rampage across the park and the large-scale chase for the finale as he manages to capture her forcing a rather enjoyable manhunt by the police along the swampy marshlands in a series of thrilling encounters that really get this one ending on a high note. These high-quality action scenes carrying this along so well that there's a relentless pace here that keeps this going along quite nicely even with the clichéd elements here of the scientist romance burgeoning alongside the creature's romance with her, so even these breeze by quite nicely here. Sa well, the carry-overs from the previous effort of having absolutely gorgeous underwater scenes of the creature both in his native habitat and at the institute that captures it's regal beauty quite well and a fantastic costume for the creature are featured, all of these more than enough to hold this off from its small flaws. While the romance angles here come off rather nicely, there's little reason why the creature here falls for the girl beyond the fact that she's there. She doesn't display a lot of kindness that would warrant that kind of affection back and seems to be there merely as an obstacle to overcome. Lastly, the 3D gags here are atrocious and stick out quite obviously for the hokey-nature they appear in here. Otherwise, this one was quite fun and even better than the original.Today's Rating/PG: Mild Violence.
The lovable monster is back and only this time it is like the other half of the underwater KING KONG story. The monster gets captured from his comfort zone, gets sent to Florida and escapes and wrecks havoc. Speaking of KING KONG, Chris Mueller Jr., who designed the Gillman costume (read my review on CREATURE FROM THE BLACK LAGOON), was assigned to make the costume for Universal's unmade epic, THE LEGEND OF KING KONG, but it never got made. REVENGE OF THE CREATURE was released in 3D, this was interesting to see that creature back in action. The music is great and the cinematography is awesome. Once again, SVENGOOLIE was the one that sent me here. I said it before and I said it again, this movie has no right to be remade. I highly recommend it, but like the first film, it is best for children over the age of seven and accompanied by an adult since it has no rating. Strange, the first film was rated G when it was released in 1972. Oh what the hey, this movie is rated G by my standards.
Creature from the Black Lagoon isn't a perfect film but it is a lot of fun and one of the better monster movies of the 50s. Revenge of the Creature misses the mark in comparison, but there are definitely worse sequels out there, it is better than its reputation and while The Creature Walks Among Us(the other sequel) needs to be re-watched I do remember Revenge being better than that. The story is not as good or as suspenseful this time round, it takes too long to set up, while the romance is very half-baked and the monster is used a little too much which dissipates the impact. The dialogue wasn't a strong point in the original, but it still wasn't anyway near as corny and awkward as the dialogue here. John Ager also gives a very wooden lead performance. It is however well photographed- as with the original the underwater sequences do look wonderful- and solidly directed with extravagant locations, and the monster still looks good(one of the better man-in-a-monster-suit monsters of any 50s monster movie) and manages to be menacing and sympathetic even in surroundings that are not quite as effective this time around. The score succeeds in exuding haunting atmosphere and jaunty energy, and there are some good set pieces with the monster, especially with the overturned car and aquarium. Also the shower motel sequence with it watching, not quite as scary as it lurking beneath the sea watching Julie Adams swimming on her own in the original, but it's the closest it gets to anything as effective as that. Like Creature from the Black Lagoon the characters are not particularly well-developed, the leads in fact are very underdeveloped, but they don't annoy either. Lori Nelson does acquit herself quite well, filling in big shoes and doing so quite admirably, while Clint Eastwood in his first screen role makes a brief but interesting appearance. Overall, has a lot wrong with it but not a bad sequel. 5.5/10 Bethany Cox