Best movie of this year hands down!

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

period courtroom drama that attempts to humanize former slaves by endowing them with the extraordinary kindness of saints and/or morons, thus maintaining a fiercely racist viewpoint. the apaches are, naturally, beasts. and no, it is not "fine because it was 1960." for the rest, while the subject matter is sharp, the execution is filled with stereotypes, reversed stereotypes, and sentimentalism of all sorts.

Unlike most of Director John Ford's Westerns that feature much action, "Sergeant Rutledge" is mainly a courtroom drama told mainly in flashback. The time is 1881. The gist of the story is a black Ninth US Cavalry sergeant accused in the rape and murder of a teen-aged white girl Lucy Dabney (Toby Michaels) and also the murder of her father. Woody Strode ably plays the role of the sergeant, Braxton Rutledge. When he tells his enlisted men about "white woman's business" we know he is talking about serious trouble. Rutledge's capable courtroom defender is Lt. Tom Cantrell (Jeffrey Hunter), whose job is to piece together the facts, despite constant badgering by the prosecutor, Captain Shattuck. In a highly emotional setting, Shattuck likes to make racial innuendos although he is dealing with a military court of savvy men. Complicating matters is an Apache Mescalero outbreak of hostilities. Later in the film there are two interesting engagements between the Buffalo soldiers and the Apaches. The movie is fine enough despite two drawbacks: (1) It is too long and (2) the weak trial resolution. The confession by the real murderer is over-dramatic and contrived. It is doubtful that anyone in US court has made such a strange confession, especially when the evidence was hardly circumstantial ("I had to have her!"). Perhaps the real killer had a change of conscience. But, despite its drawbacks, the film was groundbreaking in its day and still is enjoyable today. On-location shooting in Monument Valley (and Mexican Hat: note the hat rock formation in the background shots) is always spectacular. A nice shot is that of the troopers standing firm in line of battle with the Indians. "Captain Buffalo" is a moving western song about the soldiers. Lt. Cantrell explains to Mary Beecher (Constance Towers) the origin of the name "Buffalo soldiers." To stay warm in winter the black troops wore coats and hats made of Buffalo hides. As they thus appeared like buffaloes the Indians dubbed them "Buffalo soldiers." There is another origin (not mentioned in the movie): The name relates to African hair that looked to the Indians like the shaggy buffalo coat in winter. In the feature, quite a few Buffalo soldiers have speaking parts, and future Olympic gold medal winner Rafer Johnson plays an army corporal. Sgt. Skidmore (Juano Hernandez) has a funny line, "Trouble come double, sir." Rutledge has the best line in the movie when he tells Mary Beecher: "Lady, you don't know how hard I'm trying to stay alive."Billie Burke (Glenda the good witch, 1939) was at 76 years, as usual too old for her part as Cornelia, the wife of Col. Otis Wingate (53 year-old Willis Bouchey). Here she shows her real age as she is fluttered and genuinely shocked when a teen-aged girl rides her horse astride and not side-saddle (with legs close together), as some ladies did back in olden times. She is also none too pleased when white women speak to black men. She certainly played the giddy one. Postscript: Obviously after the period of the movie 65 years had to pass before four major events of the civil rights movement occurred: (1) integration of interstate commerce in 1946, (2) desegregation of the armed forces by Pres. Truman, 1948, (3) Brown vs. Topeka Board of education in 1954, and (4) the Montgomery bus strike (1955).

When this movie was made, its argument against racism was timely and still enough of a novelty to be interesting. The idea of a troop of black soldiers fighting as well as white ones would no doubt have been satisfying to many well-intentioned people, as would Woody Strode's portrayal of a noble warrior with a strong sense of integrity. It was a far cry from the demeaning stereotypes of black people that one found in the movies only a few years earlier--including Ford's own "The Sun Shines Bright." Today it's a different story. The movie seems obsessed with miscegenation--the sheer horror of a black man having intimate contact with a white woman! Good thing Sergeant Rutledge was an honorable man who would never do such a thing.Then there is the portrayal of Sergeant Rutledge as something larger than life. Instead of Stepin Fetchit, we have The Noble Black Hero. We see Woody Strode in several poses designed to portray him as an almost mythic character.The movie alternates between courtroom scenes that are not very exciting and outdoor sequences that, in true John Ford fashion, are beautiful. The early sequence in the railroad station is dreamlike and scary. The views of Monument Valley are majestic.

This is a marvelous Western starring Jeffery Hunter and Woodie Strode--thanks in large part to the always wonderful direction of John Ford and the fact that this film dared to take a big risk. In the 1950s and 60s, American was still struggling desperately with racism and it was still widely acceptable to demean or mistreat Black people. However, this film deliberately tries to debunk this myth that Black people are in some way inferior. The film attacks racism without being preachy or ridiculous (something that makes me hate GENTLEMEN'S AGREEMENT due to its very heavy-handed way of dealing with antisemitism).Woody Strode, as usual, plays a very dignified and wonderful role as a soldier on trial for rape and murder. He was a very fine actor and you wonder how much further he could have gone in life had he been White. Hunter plays the man defending him and shows more than he could in most of his other pretty forgettable films. The actual story of what occurred unfolds in flashbacks told during the course of the trial and the style is very reminiscent of Akira Kurosawa's film Rashômon. This is VERY ironic, as for years, Kurosawa had been a huge fan of Ford and tried to emulate the master director! In this case, it is the other way around! The film is near-perfect in the acting, story and execution. Watch this film and see that Westerns CAN be more than just the typical horse and Indian flick.