This movie is the proof that the world is becoming a sick and dumb place

Memorable, crazy movie

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

This move has a very powerful ending, but unfortunately it is a chore to get there. The script and many of the characters aren't all that interesting. The acting is mixed--Manuela Simon, who plays Jacob's ten-year old (or so) niece, out-acts them all, except for of course Vlastimil Brodský (Jacob) and Erwin Geschonneck (Kowalski) who do give fine performances. There is nothing notable about the other performances. The film moves along at a stagy, slow pace. The deprivations of life in the Ghetto are not fleshed out. Same with the brutality of the Nazis. This makes the film seem at best ungenuine and at worst dishonest. But the powerful ending makes up for it all. However, I wish there had been more interesting drama along the way. There's no tension in the film at all. It reminded me a bit of Gus Van Sant's "Elephant," where we see the mundane, somewhat boring day in the life of some high school students--it moves at a snail's pace, but that's what makes the ending especially shocking and disturbing. Also in Jacob the Liar there are some (in my opinion unsuccessful) attempts at humor. But the subject of the film is no laughing matter. So I have a lot of nits to pick with this film, but I'll be haunted by the ending forever. forever.

This movie is a story full of lies that brought more hope to the Jews living in the Ghetto. Jakob was the one being outside after curfew and he had to report to the Police, and after walking into the station he heard some news on the Radio. He thought that it was good news that the Russians were coming closer. He could not m=keep that to himself so he went and told this to one of his friends who was not supposed to say anything. After a short while the whole Ghetto was talking about those news. Jakob saw that everybody was feeling much better so he continued to tell lies about the news. This is a movie that gets better and better as it moves along. It also gives hope to the Jewish people in the Ghetto and Jakob was having good intentions but it just complicated itself more and more.

The role of Jacob is that he is a Jewish man who lives in Poland at the time of the Nazi-rule. He falsely tells a coworker about a radio he owns and he tells him good news about the Russian Army getting closer and closer everyday. This lie spreads quickly thru the Jewish ghetto and immediately all coworkers ask Jacob daily about news. In desperation Jacob makes up good news and spreads them around the ghetto. As the movie moves along it shows violence and prosecution of the Jewish people. At the end of the movie the ghetto including Jacob leave their home town and head in unknown direction. Jacob lied about the radio and spread good news to keep hope and live in his community. He did not reach his goal because his predictions of freedom of Jews never occurred.Bernandin Mali

This was the first and only East German film ever to be nominated for the Best Foreign Language film Oscar. It won many other awards, and features three actors, who are still very much active today. It has been re released in video throughout the world. I saw it after ordering it recently from Amazon.com. For all the accolades the film received, I must say that I enjoyed the recent American remake, directed by a Hungarian Holocaust Survivor, much more. I know the critics panned this version, but curiously the same things critics hated about the remake are taken right out of this, the original. In any case, the original is also good, though disappointing if you enjoyed the recent JACOB... The film does offer us the opportunity to see the famous Czech actor, V. Brodsky, still very active in Czech film and TV. We also see a young (late 30s) Armin Mueller-Stahl, prior to his defection from Communist East Germany. Interestingly, he also starred in the recent remake as the sixtyish doctor in the film. The young romantic (played by L. Schreiber in the remake) is played by the still active Henry Hubchen, recently featured in the German hit SONNENALLEE. In my opinion, the film is mostly worthwhile for these hindsight curiosity values. However, many will feel it is indeed a landmark film, on its own. Watch it and decide what you think.