Memorable, crazy movie

Lack of good storyline.

Clever, believable, and super fun to watch. It totally has replay value.

Exactly the movie you think it is, but not the movie you want it to be.

Well, sort of. Actually, the actors (Penner for Cruise and Orange for POTUS) look very much alike and it was my best idea to get your attention. In all cases, it stars the real Sandra Bullock even if her part is a bit small. Thus, she doesn't worth to be at full on the cover! it's a con for idiots (like me!).It's a very strange flick than this one. It's original because it tackles the two great driving forces of the third millennium (Capitalism and Religion) but the outcomes is rather unusual: a comedy sure but also a criticism of sharks and bigots with a touch of fantastic (God talking in TV while playing tennis). Unfortunately, except the 80s-90s feel, the script fails to grasp such big and explosive thematic.As ever, we are in need of those movies about faith, wild globalization but a better cast and story would be welcomed. With this movie, it's a golden opportunity missed so everything is still to tell.

I obtained this as part of a batch of early Bullock and they were a lot easier for me to find than a couple of years ago. This has the qualities of many of Sandra Bullock's other very earliest features, so it will not appeal to everyone. With this there is poor visual quality. It is a 4x3 screen image likely trimmed from wider. Sandy is only in a few parts. I still find it to be okay, just not for watching too often. Liable to appear to gradually improve if not watched all that often. More approachable than Hangmen. Very okay Bullock. It is also looking at questions of good practice, doing that in a fairly simple and open way. Those who like later Sandy because of the 'good guy' element could find that most of these early Sandy have something too, but expressed in a way that is easier in some ways but more difficult because of the low budget factor. * Is this about religious or political or business beliefs? It is very post seventies. Sandy manages to keep to her good girl beliefs, typical early Sandy, but gets badly mauled because of that. There is a happy ending, which is fitting and makes for a nicer sort of entertainment. That a less than happy ending might appear to be more reasonable is not the issue as entertainment value has a priority, here. This is obviously not a low budget documentary about post seventies beliefs, though it does have a lot of the qualities that such a documentary might have.

This was just about one of the worst movies I have seen! It is about a guy who is fired from his job and while very drunk is supposedly visited and told by God to start a new religion. He decides to start a self-satisfaction religion causing a huge uproar. It was, in my opinion, 81 minutes of pure torture. Sandra Bullock is advertised blatantly on the cover but she has only a very small role. She does well in her role, but it is too small to help the movie any. The movie honestly has no plot, and pretty bad acting. The end is quite bad, showing Sandra Bullock's character getting back with her lazy, jerky boyfriend. In reality, he deserved to be dumped- considering his made-up religion gets her beat-up and hospitalized. I would not recommend watching, renting, or buying this movie unless you are into movies with bad acting and no plot. If you do happen to watch this movie, I suggest you get into a vegetative state as this is the only way you will get through the entire movie.

This was a brilliant film, not necessarily understood by everyone. The premise of a religion being marketed like a bar of soap has limitless metaphoric possibilities, and this film takes advantage. The occasional spotty acting and low budget appearance is more than made up by the wonderful writing. George Plimpton was a pleasant surprise as "God" (or at least the main character's idea of Him). I believe this was Sandra Bullock's first film, and I can see why she became a huge star. She is attention-grabbing when on screen. Jerzy Kosinski, the Pulitzer Prize-winning author gives a startling performance as a beggar, and Jonathan Penner as "Morris" is definitely believable.