A young woman who is determined to maintain her independence finds herself at odds with her family who wants her to tame her wild side and get married.
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Best movie of this year hands down!
It's no definitive masterpiece but it's damn close.
Excellent, Without a doubt!!
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Drought and a series of poor business decisions reduce her family to subsistence level, her father begins to drink excessively, and Sybylla struggles to deal with the monotony of her life. To her relief, she is sent to live on her grandmother's property, where life is more comfortable. There she meets wealthy young Harry Beecham, who loves her and proposes marriage; convinced of her ugliness and aware of her tomboyish ways, Sybylla is unable to believe that he could really love her. By this time, her father's drinking has got the family into debt, and she is sent to work as governess/housekeeper for the family of an almost illiterate neighbour to whom her father owes money. She finds life there unbearable and eventually suffers a physical breakdown which leads to her return to the family home. so i am very much inspired from this muvie so that i got my career through thishttp://www.pakistanjobs.pk/
I spotted this title in the book 1001 Movies You Must See Before You Die, and then I spotted that it starred the lead actor for Jurassic Park, so I was intrigued to see what it involved, from director Gillian Armstrong (Little Women, Charlotte Gray). Basically, set in 1890's Australia, Sybylla Melvyn (A Passage to India's twice BAFTA winning Judy Davis) is the headstrong free spirited heroine, her family have had some ups and downs with poor business decisions and her father drinking heavily. She is relieved to be sent to live with her grandmother on her property where things become more comfortable, and there she meets young wealthy Harry Beecham (Sam Neill), who at first she finds a little annoying. But he falls in love with her and eventually proposes marriage, but she is convinced she is ugly and too tomboyish, therefore she does not believe that he truly loves her. After dismissing the proposal Sybylla's father's drinking has caused them to become caught up in debt, so she goes to work for an almost illiterate neighbour and family they owe money to as a housekeeper. She becomes accustomed to this job to the point where she doesn't mind doing it, but she is relieved to be sent home and kept away from the son of the family who apparently was falling for her. Then Harry returns to ask her to marry him again, but she once again dismisses him saying that she will make him unhappy, and wants to continue her writing and successful, which of course she did and wasn't afraid to brag about in her text at the beginning of the film. The film ends with her concluding the book she started in the opening, and we see her posting the manuscript, this is the conclusion and seemingly a suggestion that the film is about her brilliant career, or rather how it starts. Also starring Wendy Hughes as Aunt Helen, Robert Grubb as Frank Hawdon, Max Cullen as Mr. McSwatt, Patricia Kennedy as Aunt Gussie, Aileen Britton as Grandma Bossier, Peter Whitford as Uncle Julius, Alan Hopgood as Father and Julia Blake as Mother. Young Davis gives a well assured performance as the leading female character, and Neill is pleasantly cool and relatively charming as the possible love interest for her, I will admit I may not have caught up with everything going, but from what I gathered it is a pretty watchable period drama. It was nominated the Oscar for Best Costume Design, and it was nominated the Golden Globe for Best Foreign Film. Very good!
A lovely, beautifully acted first feature that launched both Judy Davis, who is amazing in this, and director Gillian Armstrong. Its lost a little something revisiting it after all these years. While it's feminist ideals are inspiring and handled with complexity, there's a certain lack of emotion to it. We don't really get the deep bitter-sweetness of choosing loneliness over loss of self. Also, that the film forces that choice seems a bit disingenuous. Nothing about Sam Neil's character that suggests he would repress our heroine – indeed he clearly loves her for the free spirit she is. To really have her need to make an either/or decision 'work' we'd need to go further into the relationship and her psychology. Last, a number of the supporting roles tend towards clichés about both the upper and lower class. And that oversimplifying takes something away from the complex character Davis builds. But all that said, there are beautiful images and magical moments. It just didn't quite hold up to my memories of first seeing it 30 years ago. But if you've never seen it, you still certainly should.
I just bought the Australian DVD release of My Brilliant Career. All I can say it was worth every penny. I don't need to go into the specifics of the plot. There are plenty of comments listed on IMDb already. But the peformances, by then new and upcoming actors Judy Davis and Sam Neill, are beautifully timeless!! It's everything I'd hoped for and more. It just gets better with repeated viewings.Made on a shoestring budget by new director Gillian Armstrong, the commentary provided by her on the recently released Australian DVD in widescreen is a real treat to listen to! You'll chuckle at the stories she tells on how cast and crew achieved what you see on screen when little or no money was left in the budget. And you'll realize how lucky and fortunate Armstrong and producer Margaret Fink were at landing Judy Davis to play Sybylla.My Brilliant Career is currently out-of-print in the USA. Don't know why, but currently a DVD is out in Australia and the UK only. If only the Criterion Collection would select this film for a DVD release in the USA.....