Surprisingly incoherent and boring

Overrated and overhyped

A Masterpiece!

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

The first direct to video low budget horror sequel that picks up the plot point furniture inside the infamous house will absorb the evil presence and unleash it within any house it resides. To bad they didn't keep it going for five instead of confusing the time line making this set after three.The story isn't very original having business man Jacob Sterling return home to deal with his unruly son and try to reconnect with him. Starting to become a staple in this series with dysfunctional or ulterior families. I like the grandfather clock prop becoming a haunting, emotionless face.Another bonus point over the last sequel is the effects are better equipped, real like and used to efficiency. The atmosphere feels dreadful, spooky and has contempt for the audience. Stephen Macht gives a stalker performance raising the stakes for the children as he terrorized them before they can destroy the cursed object.Not The best in the series, but a decent follow up after the last lackluster video. Check out its about time for chills, thrills and shills.

This was best sequel by miles There was a gr8 opening theme And Ammytiville house lighting up Then the time itself, which by the film means,can wind all to quick for us all.The original film is usually the best but the last film in series usually gives it a run for its money.Lots of violence in film,which is good ,the clock itselft is so much more controlling than a lamp. i love horror films and compared to some recently this measures up very well, underrated film The brilliant thing about this is, is not a lamp, but time controls all.... If only time could be wound back like the clock does, but for our benefit. we could play the game again

'It's About Time' rehashes a concept last seen in 'Amityville IV: The Evil Escapes', in that an artifact from the infamous Long Island house is relocated into the home of another family, where it soon begins to take over their lives with its demonic intentions. Hardly surprising, given that John G. Jones was the scribe for both installments. This, I have to say, is the better attempt, and it goes a long way towards rebuilding the damage done by the painful and indeed execrable 5th film, 'The Amityville Curse'. This time around, the artifact is a clock, and its hellish influence not only possesses both the house and its occupants (naturally), but plays around with time itself, breathing at long last some new ideas into the franchise. The tension is reasonably well-paced, allowing for a gradual build until all hell breaks loose.At the same time however, 'Amityville 1992' still suffers from a fairly silly and uneven storyline, aggravated by sloppy editing choices that prevent the overall effort from meshing together seamlessly. Add to this some rather hammy acting from veteran performers Steven Macht and Nita Talbot, along with some just plain bloody awful acting from Jonathan Penner, and it becomes difficult to take the film seriously. Thankfully the principal lead is Shawn Weatherly, who avoids the obvious temptation the script offers to go over-the-top and gives a creditable performance under the circumstances, as does Damon Martin, in what looks to be his final film.Nonetheless, 'It's About Time' makes a far better effort to remember its roots than its two predecessors. With minimal rewrites, IV and V could very easily just be standalone horror flicks, but the plot of VI rests upon the apparently again-destroyed Amityville house's past history. On the one hand, it has no conscious ties to the DeFeo murders, but in the universe of the film franchise, these were supposed to be influenced by the house's long-present demonic incumbents, and it is here where 'It's About Time' builds its story. In the process, it grafts yet another unnecessary centuries-old European explanation for its dark history which I didn't really buy into, but I can let it slide since new ground is being explored. After all, I also have to put aside the obvious fact that if this clock has been in the house all along, why does it only manifest its powers now? Yet this is the most interesting aspect of the film, and if anything, Jones should have really let fly with the time distortion element and tried harder to pull it together into what could have been an even better and possibly mind-bending tale.At any rate, 'It's About Time' pulls the franchise out of the mire that the previous installment dumped it into. It's still fairly silly, but a great improvement nonetheless.

"Amityville 1992: It's About Time" is a lot better than expected for one of these entries.**SPOILERS**Returning home from work, Jacob Sterling, (Stephen Macht) shows his girlfriend Andrea Livingstone, (Shawn Weatherly) and his family, Lisa, (Megan Ward) and Rusty, (Damon Martin) a new clock that he picked up from his work. As they continue on with their lives, they start to notice that there's something wrong with the house, and when he is attacked by a local dog, he is bed-ridden and forces her to bring her friend Dr. Leonard Stafford, (Jonathan Penner) to come out to help her. As the weird events surrounding the family continue, and soon start to branch out to others in the community, they realize that the incidents are caused by the clock, which was brought along from a house in Amityville, New York that once belonged to a deranged teacher who's soul had possessed everything in the house. Realizing the danger, they try to leave the house before they all succumb to the house's evil powers.The Good News: This one here is a lot better than expected. One of the good things about it is the film has a couple really great cheesy scenes that work wonderfully. The trick with the light-switch in the living room at the beginning is pretty cool, mainly due to what the room switches over into, a call-out to the original with goo that appears in people's bed one minute and not the next, a really tense moment where a game of sibling roughhousing turns violent and much more. There's also a fantastic sequence where, as one character waits for a microwave to finish, it stops and another character appears suddenly in front of them, going off on a rant about the effectiveness of a particular firearm before turning it on them to question whether or not anything sexual happened between a former couple, then is revealed to all have been a subconscious hallucination. It's big one, though, is when the changed daughter lures the boyfriend down into the basement to sleep with him, only to have the tables turned in a sequence so glorious that the end result has to be seen. It also decides to give way to the sleaze when desired, with the simply superb sequence where, dressed in a night-gown, she proceeds to check herself out in a full-length mirror, and after a couple seconds, the mirror-image begins doing other activities, and soon after pleasuring herself, reaches out of the mirror and repeats it on her in person. It's sleazy and certainly leaves a wonderful impression on it. There's even a pretty nifty, sweat-filled sex-scene that keeps the sleaze moniker intact through most of the film. Aside from the cheese, it has some good stuff in it, most notably the realistic and brutal dog-mauling. This one is incredibly realistic, due to the dog continually going after the same wound time and time again, the absolute refusal to let go and bring the target back closer to it when it tries to escape and ends with it showing a lot of brutality. It's a really great, fantastic scene that really has a lot going it. The last big part in the film that works is the cheesy deaths, which are pretty bloody. There's a fire-poker through the leg, a radio's power cord shoved into the mouth and electrocutes, leaving a dark, festering wound around the point of insertion, impaled in the chest and a rope-hanging, among others to get some nice blood and gore in here. All these here make the film more than enjoyable.The Bad News: This one here doesn't have a whole lot of flaws, but they are there. The fact that this one is still a really big cheese-fest is one of the main concerns with this one. It's not completely serious, at least in tone, despite what is offered as being definitely cheesy in appearance, or at least in execution. The conclusion to the basement sequence is quite a perfect example, and is one of the main reasons as to why this one will score lower than most of the other flaws. The ending is another small factor, using a time-honored trick to end it that can be seen coming from a mile away and doesn't have any differences away from the usual. The slow, more methodical pace is something that could've been fixed, mainly since it would've shortened it a bit since there's no reason why this goes on for as long as it does, but otherwise, these here are the film's flaws.The Final Verdict: A lot better than expected, this one here has a lot more going on for it than the others and is one of the better entries. Give this one a shot if the series is entertaining or if there's something in it that appeals to you, otherwise then stick away from this one as there's a lot better ones out there.Rated R: Violence, Language, animal violence, Nudity and a mild sex scene