To me, this movie is perfection.

Excellent but underrated film

Admirable film.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

*may contain spoilers* An insight into well known famous film. A short film going behind the scenes as cast and crew get ready to film. The film is made by Stanley Kubrick's daughter. See as members of main and supporting cast like Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Philip Stone get ready to film. See some tension, arguments such as between Stanley Kubrick and Shelley Duvall. Also, you see some members of the crew, interviews with stars of film, all the sets from film, stars learning lines and rehearsing scenes. It shows Stanley Kubrick and how he organises everything, prepares to direct scenes and his suggestions to get everything as planned. There are some technical things like use of the record player for the gold room sequence, using the snow machine for snow.

In maybe one of a few rare glimpses on screen (or even off), Stanley Kubrick is on film, behind the scenes, making a movie. It is one of the shames of cinema that there isn't more footage of him, or even in this half hour documentary he isn't interviewed. But his presence is fascinating all the same, and when he is shown directing he is what has been perceived as for decades- creative, different, controlling, authoritative, and somehow generous as a director. There's one scene that's rather interesting where Kubrick's mother is sitting with his son and Jack Nicholson having a small conversation; it's admitted that there isn't a finished script, that new pages come every day for the actors. The interaction between the people in this scene, and others, makes this worthwhile. I've yet to see the DVD version so I can't comment on Vivian Kubrick's commentary track (the director's daughter, who was perfectly 'cute as Heywood Floyd's daughter in 2001). But what she presents for us is candid, and usually very insightful. An interview with Nicholson, who's sound-bites are choice, and wise as well when he says, "I want to be out of control as an actor...otherwise it will predictably be MY work, and that's no fun." But there is also a heartfelt interview with Scatman Crothers, who came out of filming in the arduous conditions of Kubrick's perfectionism (there were dozens and dozens of takes that Crothers had to give, according to trivia). There is a not too shabby interview with Danny Lloyd, who played the boy in the film. And Shelly Duvall, who does lay it as straight as possible about what it was like to work with the director; the scene that is captured over Kubrick's shoulder (of an argument between actor and director) is a little uncomfortable, but in the end one can see why Kubrick wanted it the way he did for the finished film. Usually 'making-of' documentaries are hit or miss, depending on the films of course; one would prefer an audio commentary, or a long interview with the filmmaker about the making of the film. But as the Shining has neither of these - and is the only place to fins unadulterated footage of the iconoclast and his cast at work on screen and off (if you discount the Criterion DVD release of Spartacus and a recent release of Dr. Strangelove) - it's well worth the half hour; the added music by Carlos is a nice touch.

This is probably the most fun little behind-the-scenes glimpse i've ever been given. I think its exactly BECAUSE its so rough, exactly because it consists of Kubrick's daughter being let loose with a camcorder on his film set for The Shining (1980) that its so compelling. As Vivian herself says on a commentary she recorded for the recent DVD re-release of The Shining, its because she was so young and everyone took her for a kid messing around that they ended up being so honest with her and allowing her to take such liberties as walking in on them in their bedrooms or asking to-the-point questions about the way they've been treated on the production (Shelley Duvall in particular, who Kubrick virtually tormented in order to create the perfect feeling for her part).Most precious of all, obviously, are the glimpses of Kubrick behind the scenes. On the ground with a camera underneath Jack getting the perfect posture and feeling for the famous scene where he's locked in the kitchen and banging on the door. His directorial rage at Shelley Duvall when she missed her queue and spoiled the perfect set-up of the snow-machine and other elements Kubrick had arranged for the shot. First thing in the morning, looking slovenly (like all great artists - caring nothing for how he looked and everything for how his film would look), greeting Jack and staring right into the camera looking less-than-impressed.As impossible as it is to choose one Kubrick production over another, The Shining is particularly great. And this little documentary, the only special feature you'll ever find on a Kubrick DVD, becomes all the more valuable for the scarcity of behind-the-scenes glimpses of Kubrick at work. Enjoy!

I can't seem to stop watching or thinking about this little documentary and it really makes me want to view the rest of the footage. How can one be so obsessed with a Making of film? I often find them more interesting than the films themselves. Jack Nicholson's camera charm antics, "beautiful! finish the assignment!" Vivien's ultra-cute sounding voice "Thats not true it's 8 o'clock." I was a bit disappointed in the new "A Life in Pictures" documentary from Jan Harlan, mostly banal interviews and film clips, where's all the behind the scenes footage from his various films? That's what I want to see, more footage of Stanley having a fit and getting frustrated. Thank god for Vivian's Making the Shining, she is a prodigy. To think she photographed that at age 17, with a large heavy Aaton 16mm (I'm assuming) and did a magnificent job of filming. A truly amazing job, absolutely astounding, incredible, precocious. I often wonder what line of work she went into later in life, she probably could have been an amazing cinematographer, which is a field somewhat lacking the female gender. Vivien, if your out there, contact me, I'd like to hire you to shoot my next film!