The Worst Film Ever

Simply Perfect

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

On the road, driving aimless westward, New York housewife Natalie Ravenna (Knight) finds out her unexpected pregnancy and needs some alone time, so she leaves her asleep husband a note and a breakfast, then starts her peregrination all by herself.Coppola's fourth feature and he was 29 when the movie is shot, THE RAIN PEOPLE is an unsung gem prior to THE GODFATHER (1972), using extreme close-ups, mood-reflecting camera-work, Coppola retains a sober and intuitive acumen to guide Natalie on a liberation trip where she battles between her maternal instinct to a former college footballer Jimmy (Caan) and her flirtation with a macho highway patrolman Gordon (Duvall), to an end where an impending crime of passion arrives as a fatalist blow to a woman who is brave enough to go out on a limb, flout social conventions and abides by her true feelings, no matter how fickle they are.Caan's Jimmy, whose nickname Killer turns out to be rather ironic, first appears as an ingenuous hitchhiker, a suitable object for some uncomplicated dalliance, but in a tantalising segment of playing Simon Says in the motel room, the libidinous foreplay of dominance and obedience hits a sudden swerve when Natalie realises Killer is a simpleton suffering from brain damage during a match, and now is discharged from the college with a compensation of a thousand dollars. Since then, Killer becomes a sweet burden to her, his sweetheart refuses to take him in, he botches the job she finds for him, what can she do with him? She has her own issues to deal with, especially when Gordon comes into her life, she cannot hold the responsibility to take care of Killer anymore, his affection for her can never be reciprocal and the world is too cruel a place for him, he will be eaten alive. The upshot is a bit rash to plunge Killer to the locale of the trailer park, but it strikes home with an emotional upheaval mirrors our own lament of the departed innocence and a pure soul.The cast is extraordinary, two-times Oscar nominee Shirley Knight imprints an indelible mark with her pyrotechnic rendering and James Caan is never so unassumingly moving, whereas Robert Duvall is virile and menacing, yet, Gordon's own tale-of-woe implies the duplicity of his character, a worldly-wise kind but fatally flawed.In the form of a frivolous road movie, THE RAIN PEOPLE is an in-depth examination of a woman balking at a life-altering moment, how she has to come to term with the responsibility of bringing up a new life in this world (will she keep the baby? it is an open question, but the ending suggests yes), through her chance-meeting with a child-like Killer and also sharply chastises a morally downgrading society, male-chauvinistic, avaricious and wanting of sympathy. It is a wonderful movie which is criminally underestimated by its time but has no difficulty to pick up new audience, not just as a footnote of Coppola's massively hallowed THE GODFATHER and its sequel.

Quirky drama with three people with severe emotional problems are drawn together with tragedy occurring at film's end.Shirley Knight, much thinner, turns in a wonderful performance as the unbalanced Long Island housewife who leaves her husband when she finds out that she is pregnant. A totally unfulfilled, distraught woman, she tries to search out life's meaning when she picks up James Caan, an injured football college student, left as a mental vegetable by the accident, and summarily dismissed by the college. The film has a lot to say about how mentally challenged people are treated by society. Robert Duvall is the cop with much more on his mind than just giving the Knight character a speeding ticket.The performances are excellent by the repressed Knight, the slow Caan and the miserably unhappy widowed Duvall with a problem child daughter.

After discovering she is pregnant, Long Island housewife Shirley Knight (as Natalie Ravenna) leaves home, in an effort to find herself. Her road trip takes on additional meaning after she picks up brain-damaged football player James Caan (as Jimmy "Killer" Kilgannon), and gets herself picked up by tough cop Robert Duvall (as Gordon); self-admittedly, Ms. Knight is wondering what sex would be like with a man other than her husband. The story does not take full advantage of Knight's obviously fine lead performance... While riding, Mr. Caan explains, "The rain people are people made of rain, and when they cry they disappear altogether because they cry themselves away." He is referring to himself and Knight. On another level, Caan and Mr. Duval are likely what Knight is running away from - a needy baby and an overbearing husband; well, wherever you go, there you are... Francis Ford Coppola's next directorial effort, co-starring Caan and Duval, was much more successful... a little something called "The Godfather".***** The Rain People (8/27/69) Francis Ford Coppola ~ Shirley Knight, James Caan, Robert Duvall, Marya Zimmet

Newly-pregnant Knight bolts from husband for non-specific reasons which are apparently self-related. On the road, she becomes entangled with Caan, brain-damaged former football star, and Duvall, wacky but abusive cop. The type of movie that could only have been spawned in the 60's. Worth a look for its non-formula plot and for early performances by future stars.Disappointing resolution does not take away too much from rest of flick, which shows an interesting slice of life.