On the eve of World War II, zany heiress Amanda Kelly travels by train to Switzerland. While passing through Germany, she meets a sweet elderly lady, who suddenly vanishes. Distraught, she questions her fellow passengers who claim that the woman was never there. Unsure if it's all in her mind or if there's a more sinister plot afoot, Amanda teams up with photographer Robert Condon to discover the truth.
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Reviews
Pretty Good
A Major Disappointment
This film is so real. It treats its characters with so much care and sensitivity.
Blistering performances.
There's a strong tendency to compare Hitchcock's version of "The Lady Vanishes" with the 1979 version starring Elliot Gould, Cybill Shepherd, and Angela Lansbury. There's no need to do so. Both have the same title but entirely different moods. This doesn't make one "better" or "worse" than the other. They just should be judged on their own merits. Both are thrillers, one more somber and tense, and the latter version more of a melodramatic mystery with comedic touches. What I would suggest is that the viewer simply watch both versions, recognizing the strong and weak points of each. Both are enjoyable, but to interject a personal note, I tend to lean toward this 1979 version for its tone that's more like other mystery films such as "Charade" or "North By Northwest". Enjoy them both as different cinematic expressions and let others worry about comparisons.
I will admit I do prefer the Hitchcock original, however one thing I did prefer about the remake is that it is slicker. You may argue you shouldn't compare it to the Hitchcock original, and by the way Hitchock is my favourite director, but the thing is people do. The remake doesn't quite have the charm of its original, and I do think it is to do with the fact that the screenplay at times is weak, the director is no Hitchcock and the film does meander in the last twenty minutes. On the other hand, it is stylishly done, with stunning cinematography and lavish costumes. The story is an interesting concept, and I did find the film interesting and a pleasant watch overall. The music by the way is outstanding, very richly scored and the main theme sticks in your head for a very long time. The performances are mostly not at all bad. Angela Lansbury is marvellous as Miss Froy, despite her limited screen time. Herbert Lom also impresses as usual, and while Cybill Sheppard has given better performances, she did look absolutely beautiful. In fact the only actor who disappointed was Elliot Gould, he had the handsome screen presence but he didn't quite convince, and just for the record, his dialogue for me was the weakest of the film. All in all, slick, underrated and well done remake, but if I were to compare the two, I would say the original was better. 7/10 Bethany Cox
There was no need for this movie to be made (but that is true for most remakes). The original is a classic and generally considered the best of Hitchcock's early British films. But if you forget about the comparisons and let this remake stand on its own, it's actually pretty decent: good-looking, beautifully scored, and well-cast, even in the secondary roles. The two leads are likably goofy (they do bring a 70's flavor to these 30's characters, which may or may not be to your taste), and male viewers will be glad to know that Cybill Shepherd spends the entire running time wearing a white dress that reveals her sexy back, arms and shoulders. If I can point one flaw in this movie, it's that the script doesn't build enough ambiguity - even people who don't know the story won't think for a moment that it could all be "in Cybill's head". But it's clear that the intention here was to create a light comedy-mystery, not a suspense classic. (**1/2)
I haven't seen the original but I watched this with 1 hour delay on two channels simultaneously, I was at home with a cold at the time and feeling very sorry for myself. Anyway, if you would just put the two leads aside for a moment (although Eliot Gould was SO cute in the movie and Cybil Shepperd did the visual pun of Marilyn Monroe on the air vent very well when she gets out of the train...) The thing I really liked about this film were the characters of Charters and Caldicott - they made me laugh hysterically - there they are drinking tea - understating this understating that - then suddenly.....they are really terrific minor characters. I would love a whole film on those two. Very affectionate look at English manners. ARTHUR LOWE MADE ME FORGET HOW ILL I FELT!