Forty years ago a supernatural force vanquished Brooke and Rhea, a sexy lipstick lesbian couple, after they committed an inconceivable murder. Now, on New Year's Eve, they'll rise from the dead. Still hot and still a couple, they're back as vampires. Enamored with their newfound power, it's no longer a question of whether they will kill again, but of how.
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So much average
Powerful
Good story, Not enough for a whole film
It's a feast for the eyes. But what really makes this dramedy work is the acting.
After dying and coming back to life as vampires, two women try to control their advanced powers in a new world but can't escape their pasts as they threaten their secret life and their friendship and forcing them to choose life or death.Overall, this was a pretty decent and enjoyable if slightly flawed vampire effort. The main thing about this one is the fact that it tends to take an entirely different take on the genre which is not only wholly original but helps this one immensely by allowing this to take a different route through the story. By making the change occur as a result of a cosmic gift rather than a viral infection to be spread through neck-bites or blood-drinking, there's a different ethereal feel to them and how they go about being involved in the different confrontations takes a rather unusual turn here by keeping the remaining qualities of the creatures intact beyond this one simplistic change. That allows for some great moments in the diner where those powers are put into effect as there's the being impervious to bullets which makes for a fine shoot-out against the hapless officer, the superhuman strength which makes for quite an interesting brawl mid-way through where they get slammed through the surroundings to the point of breaking a normal human to pieces but they survive to continue the fight and even the burning of the skin due to the sunlight so there's the suspense of barricading themselves inside and how long that can work. As well with the plentiful and abundant nudity, these make up for some rather good times but it does have a couple problems with this. The most significant is the fact that the entire film is mostly centered around the diner so it feels way too stagnant and doesn't really seem like it actually does anything here which is quite troubling by letting scenes just go on and on just to eat up time. The fighting between the two is hardly all that original or interesting and these scenes are just maddeningly endless where one wants to exploit their powers and the other is trying to get her under control so they can utilize their powers for the better of their lives, and considering the amount of struggle that went into letting the one get imbued with those vampiric powers that really should've been seen coming quite early on so that kinda takes away from the burgeoning need to have to do that the film is clearly building towards. This does lead to a rather anti-climactic finale since it was clearly set-up from the beginning yet there's nothing really surprising about it, and when combined with the other flaws is a little disappointing.Rated R: Graphic Language, Continuous Nudity, Graphic Violence and mild drug use.
Two beautiful lesbian best friends are fleeing down a deserted road (one of them having murdered a Hollywood star) when God arrives (in the persona of another hot lesbian), does away with the murdering one and appoints the other one - the one who has been snivelling "I don't understand!" since the film started - to be an angel. After reconstituting the bad lesbian in response to requests from the good lesbian, God sets them off 40 years later, at which point they are now vampires, and the bad one kills lots of people and they end up holed up in a store in the desert with a tubby shop assistant while a midget deputy pursues them.I think you will agree from the synopsis that this dog's breakfast of a movie could never be anything other than utterly dreadful, and so it proves to be. The female leads - hotties both - remain resolutely clothed throughout, thus doing away with any conceivable reason for watching this twaddle.
This review contains spoilers.I saw ZOMBIE STRIPPERS for the first time late at night near Halloween time and it seemed impossible that it could ever be topped. After seeing LIFE BLOOD under the mid day sun it became obvious that I was wrong.LIFE BLOOD introduces to the universe the "Chicks Chasing Chickens" TV show. Speaking of poultry, what other horror movie would ever be so confident to play the "Turkey in the Straw" song? More eatin' bird? OK, add the MIGHTY DUCKS kid and have him act fairly straight, and mix in an on-duty midget cop who waddles like a penguin. What a movie!A mixed up (India) Indian family almost buys curry powder. Super sexy lead actresses kiss each other o'plenty. And last, there is a visit by the almighty creator who happens to be a lesbian.LIFE BLOOD contains a sensuality that ZOMBIE STRIPPERS never achieved.The only weakness I see here is that the almighty creator is far less hot looking than the other characters. Kim Kardasian or some other perfect .7 hip ratio female should have been cast here. Other than that, this movie is completely fun.
Wow! Brooke (Sophie Monk) just killed a man and is drenched in blood. It's New Year's Eve 1960. After Brooke is whisked to Heaven or Hell, her girlfriend (Anya Lahiri) is visited by God (Angela Lindvall), who appears in a gauzy dress that shows all. This isn't any God I learned about in Sunday School! God has a mission for Rhea, and she reappears 40 years later as a vampire to rid the World of evil. She asks for Brooke to help her, and God relents even thought She thinks it's a bad idea.Interesting premise.Brooke is evil, as expected, and things do not go well for Rhea.It's not difficult to watch and listen to Sophie Monk' husky voice for 85 minutes, but things really didn't make a whole lot of sense.