A Himalayan legend of a love struggling against the inevitability of death, an astonishing tale spanning from the early 19th century mountain existence, to hectic, bustling modern day Tokyo.
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Thanks for the memories!
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
The best films of this genre always show a path and provide a takeaway for being a better person.
Forty plus years ago, when I sat in a third run theater on Hollywood Blvd watching Lawrence of Arabia, I knew that my life must change and that I had to get out there, into the world, and enjoy what it had to offer. Fortunately I was able to do so to a significant degree. Since that time, I have never had a cinematic experience that not only equaled it but exceeded it, in that way. The film opens in the Himilayas at 16,000' altitude and proceeds to take you higher and higher. After 2 1/2 hours you wish it would not end. Not only the landscape of the mountain passes but the real people who live there made my eyes want to be able to see more, deeper, faster with greater ability to never forget what I saw. I'm really confident that this film will stand the test of time on that issue. It is a story that I would not believe could be told on film being down and dirty exotic real life and at the same time an uplifting spiritual experience. I'll see it again as soon as they get a distributor.
Being in St. Petersburg, in Russia of today, films like Valley of Flowers are really welcomed. Like some other viewers I did find the film long. It plays beyond two and half hours and apparently theatrical released version is shorter by some 30/40 minutes.I've immensely enjoyed this stunning film. I'm happy to ignore the weaknesses in editing and acting but my full marks goes to its daring originality, innovative theme and unexplored locations.Somehow, the film compelled me to return to the cinema for a second viewing. Second time, to my surprise, I enjoyed the film even more. And I did not even find it longer.Personally, I have not heard about this director or seen any of his earlier films but one thing is certain that his command on the craft of film-making is of top level. His grasp of cinematic styles and sound design shows sensitive and perceptive mind he posses.He truly masters the valley of silence sequence in the film. This scene alone is something one has never seen in films before. No music, no sound effects, no folyes... and the filmmaker carries the scene breathtakingly well. And manages to keep the spectators on the edge of their seat.Another great achievement is "time walk" sequence, creation of the character of Yeti also deserves a special mention.Two Ushnas are Devin and sexy. The ambiance of Tokyo scenes is hauntingly beautiful. The filmmaker does not waste any time by showing us cityscapes and establishing shots - instead he remains focused on Jalan's loneliness & immortality.My favorite part is the end but should not be revealed. The last image of Yeti's feet taking a "time walk" but in the opposite direction -the nature's balance is restored- is one of the most satisfactory and subtle end in recent cinematic history.Like others, I fail to understand why no one is talking about this film? Why is it not shown in some high profile festivals? This films deserves a big release as big as its canvas is.I fail to understand why there is no promotion at all, except the odd and meaningless poster we have seen here in Russia?Are we the few odd users to love this film? or we are just simply nuts.
I happened to see this film in Paris with few friends. The film was subtitled in French and I do not speak or read French. But to my surprise the film grabbed my attention, than slowly my mind mysteriously... as it turned poetic and touching -I was in the VALLEY OF FLOWERS, not wanting to go out and face the French arrogance...It is almost meaningless to try to ascertain any scientific or cultural logic beneath the surface of this allegorical story inspired from Alexandra David Neel's work. Such hairsplitting will only make you lose the merit of this work.The film commences in early 19th Century in the Himalayas, a gang of bandits wait for their attack. We are almost in Sergio Leone feel... After the attack the chief of bandit falls for a mysterious victim. Now begins a great love story as they go on pillaging silk route... Soon comes the "Sherrif" and he is going to get the "outlaws"...Lovers after savoring material wealth leap into super-natural thefts, the chase continues... I will not reveal all but finally two centuries later, ends in Tokyo of today.There are many themes which touches all of us, the film remains universal and will surely strike US audience with its magical spell. After all it is very modern and new age. Somewhat BABEL or THE FOUNTAIN like.Already there is great concept, great style and great photography. This story would make a fantastic American remake. Imagine 2 centuries ago the Grand Canryon, a group of outlaws attack Navajo or Hopi Indians, One of the Outlaw falls in love with a mysterious Indian girl. Together they rob the wild west. Then comes the bounty hunter or sheriff. The chase begins. But soon the mysterious Indian girl leads our hero to supernatural robberies with voodoo and black magic of Indians thrown in -they robe vital energies, luck and ultimately they want to become Immortal. They find in a far far land a Hualapai holy man and steal from him the elixir of immortality. It works on him but she dies. Tragedy. He will live on with his suffering and longing... cut to modern day NYC where our hero is 197 years of age!!!! Isn't that great? Use your imagination and you will see this will make a superb remake about love, longing and death. I agree it is better plot than The Fountain (2006)Sorry, writer in me took off. But that is the proof, there are rare movies in the world today which can inspire you or fire up your imagination. Do not miss Valley of Flowers, mind you it is not a perfect film, it has it weaknesses. But it is indeed a haunting film. Valley is also a philosophical journey through the ideas of life, love, loss, and hope.Valley of Flowers provokes something very human out of its viewers. I can remember being one of the few in the audience (having had a full house in the beginning) and still watching the credits roll, sharing a strange sensation. It wasn't joy. It wasn't sorrow. It was just feeling a part of something that I can't explain, and I think just for that -this movie is something quite remarkable for being able to do that.
A fantastic film to enjoy and inspire. Valley of Flowers has gorgeous male lead and two lovely leading ladies. On their trail is Yeti, played by famous star Naseeruddin Shah. Pan Nalin has a talent for discovering talent; in Valley of Flowers he gives a break to French-Chinese Mylene Jampanoi (watch out Zhang Zyi and Sophie Marceau!!) and Japanese Eri.Vertigenous landscapes and skyscrapers, superb casting, sublime costumes, subtle lighting and mysterious music makes Valley of Flowers an exceptional cinematic experience.The story, warning -stay awake! Nalin does not give you all answers, he tells you his story in riddles. The film is a great long saga running full 2 hours and 35 minutes, from early 19th century to contemporary Japan. Allow your mind to be open to feel this mind blowing film.It successfully encompasses themes of love and sacrifice, mortality and karma. It starts like an "Eastern" (a Western from the East) and towards the end drifts into poetic Asian images.Given the length and the content of the movie, it is likely to suffer distribution problem. Besides Valley of Flowers invents its own "genre" -thus it is non-classifiable.It is not often that such films are made, slightly ahead of its time -Valley of Flowers will neither be commercial enough for Hollywood nor "arty" enough for auteur driven festivals.But Valley of Flowers, personally speaking, will have an important role to play in evolution of Indian and Asian cinema.Don't miss it!