Sorry, this movie sucks

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

This film is so real. It treats its characters with so much care and sensitivity.

From Brit director Shane Meadows, probably one of the most exciting directors working right now. His two previous films Dead Man's Shoes and This is England have showcased his progression from solid director to where he is now, knocking on the door to world class. He hasn't yet had the script or the budget to send him into the mainstream and only time will tell whether he chooses to go in that direction or not. He might instead continue to put out his own auteured projects which are fast attracting a cult all of their own. Somers Town arrived via Film Movement, a cool little label that only puts out one film per month. Quite quickly the reason Somers Town has arrived with so little fanfare becomes clear. It's the opposite of epic, a tiny but totally charming little film with the budget of a picnic, but that doesn't detract in any way. It's the story of teenagers Tomo and Marek and their unlikely friendship in London. Both away from home, their friendship grows as does their infatuation with a local French waitress. The plot wanders and cul-de-sacs all over the map, revealing more about the perspectives of the kids themselves. The film has a fierce stench of nostalgia to it and captures the naivety and awkwardness of the teen years. It's not of a pace or film language accepted by the popcorn crowd, but for those with an open mind it's a pretty simple pleasure.

Shane Meadows is an under-acknowledged genius, and in this short film about the friendship between two boys, lippy Tomo and drippy Marek, all of his strengths are on view (in spite of its brevity): the ability to coach brilliant performances out of largely unproven casts, hilarious yet real dialogue, simple but atmospheric cinematography and an excellent soundtrack provided by his long-term friend and collaborator Gavin Clark. It's true, that not a lot happens, but it's an utterly moving paean to the virtues of simple companionship in a lonely world. The setting near Kings Cross reminded me of Mike Leigh's 'High Hopes', another film whose strength is its affection for its characters; 'Somers Town' is a slighter film, but a perfectly realised one.

Shane Meadows' beautiful snapshot of life for two teenagers in North London, "Somers Town", is a million miles away from "This is England" in tone, but has no less class or brilliance about it. Filmed in wonderful black and white, this is a delightful, entertaining and involving piece about youth, culture and friendship.The power of Meadows's film-making is in his characters. Something rings fundamentally true about the people that he brings to the screen, and the writing of Paul Fraser (a long time Meadows-collaborator) is a great help to this film. The dialogue is humorous, moving and insightful, which gets the audience utterly involved in this film. Added to this, the acting is wonderful. Thomas Turgoose, who was spectacular in "This is England", continues to be an impressive and interesting screen presence. He is ably supported, not just by Piotr Jagiello, who plays the Polish teenager Marek, but by the rest of the small, but perfectly formed, ensemble.This film is not just an entertaining and moving piece, but is also a beautiful film with a dash of severity. There is a particularly emotive and thought-provoking scene where the immigrant father and son talk to each other. Britain's debates on immigration often ignore the individuals involved in the issues, and that scene cuts right to an unexplored area of the matter.The beauty of the film is not just in its emotions and characters, but also in its photography. Monochrome is a form of cinematography which lends itself to beauty, but Meadows exploits this magnificently. There is a change to colour during the film which could have been crass but is in fact wonderful. The images are also accompanied by a beautiful series of songs which give the film real character. All of these elements come to fore in a number of dialogue-less sequences.Meadows has created a lovely piece of cinema. Short though it is, that is part of its charm. It is not extraneous or self-indulgent. It is what it is: a simple joy to be delighted in by many.

Much as I love Shane Meadows, and much as I enjoyed the the naivety of Tommy Turgoose in last year's excellent "This Is England", I'm afraid TT cannot carry a film alone. This was a slight, easily forgotten film. Which is a pity, because I'm sure it was full of good intentions and superb craftsmanship, well beyond the contractual obligations of Eurostar's funding.I'm sorry if the above comment does not contain enough lines - the minimum length for comments is 10 lines of text, but I refuse to pad the comment with junk words which might result in my account being blocked from future submissions. What's Next?Ron (Viewed 25Feb08)