Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Elliott (Michael Showalter, who also wrote and directed this nice film) is at the altar when suddenly chaos erupts. His bride, Caroline (Elizabeth Banks) has turned away from him to meet a gentleman, Bradley (Justin Theroux) who has "not held his peace". How has this happened? Well, Elliott gives us a backwards peak into the years leading up to this catastrophe. First, E has had the unfortunate luck to always be a "Baxter". This is a pejorative term describing a man or woman who is always a boyfriend/girlfriend's second choice. When you can't be with the one you love, you settle for a Baxter. Poor Elliot. However, in his life story, the viewer can clearly see that there has been one lady of his acquaintance who probably likes him very much. That would be Cecil Mills (Michelle Williams) who temped for E one day when his secretary was ill. As these two were just beginning a conversation about mutual interests, in waltzed the more flashy Caroline, needing accounting advice. So, Elliot gave Cecil short shrift and placed his more eager attention on Caro. Alas, Carrie is interested in E more in the abstract, having had her heart broken by Bradley. In the year before the wedding, Elliott and Cecil would meet again, but it seems E can never see the good thing in front of him and favors the more snooty and financially successful C. But, wait, as E is ultimately jilted, will Cecil still be around when E comes to his senses? This is a very fine film that will please fans of comedy and romance. Showalter is not star-handsome but as the writer-director-leading man of this small gem, one has to hold him in admiration. Banks, Theroux, Peter Dinklage, Zak Orth, Paul Rudd and, most especially, Williams back him up him very well. In fact, Williams steals the show once again as the sweet but non-assertive Cecil. She sings, too! One will also enjoy the Manhattan setting, the great costumes and the other film amenities. Therefore, if your are in search of a new film to give you a bit of rest and relaxation, The Baxter fits the bill.

Showalter does Stella all over again. If you don't know what Stella is, then you needn't concern yourself with this film. It's wasted on you. If you DO love Stella, then this is EXACTLY what you're hoping it is: awkward, wasp-ish and and well... awkward.If the idea of middle-class losers is inherently funny, then The Baxter will be a laugh extravaganza riot with pyrotechnics and flaming strippers. If you have discerning tastes about storytelling, humor, acting or plot, then this "film" will make you wish you had opted for an evening of anything mediocre on CBS instead.Interestingly Showalter gets Michelle Williams, Paul Rudd and Elizabeth Banks to completely waste themselves in this drudgery of white-collar ...well... how often can the word awkward be used in a review? But it's the only thing that applies to the entire ouvre of Showalter's career.Awkward and nebbish account manager Showalter woos Banks and for no reason whatsoever wins her heart, though she's obviously wrong for him as HE (get this!) has too much class for her. So he refuses to see the love in front of him that is in fact the (here it comes again) awkward dork played (rather well, thank you, since she's actually a capable actress) by Michelle Williams.One saving grace of the film is a bit of underwear clad Williams. If SKIN is the best this film has to offer, you might think twice, knowhumsayn? So, let's say obvious, strained, predictable and pointless. Thank you Showtime for rerunning this every 48 hours until I finally watched it in the (vain) hope that you'd eventually STOP! And yes. I know. I'm just TOO uncool to grasp the subtle comic genius of Michael Ian Black in a Speedo. Right. Look. He's funny as hell on VH-1. He has no business doing improv, let alone sketch comedy-cum-feature film experiment.If not for the fact that Showalter is a good drinking buddy to ACTUALLY talented people such as Rudd et.al., this film would never have even been picked up on bargain-bin for Showtime. Let's hope Showalter gets a gig writing for Conan O'Brien or someone so that he can be diluted in future by writers of actual vision, capability and perhaps talent.Ugh.

The Baxter This is probably one of the most underrated films I've seen yet, considering that it's style is basically generic romantic comedy (meaning the makers underrated it themselves), it's gotten little to no viewership... I never even heard of it before I picked it up off the wall (it was next in line).Anyway, you know all those movies about how the man and the woman love each other but can't figure it out, so the woman almost marries the wrong person before the man crashes the wedding and sweeps her away? Well this is the story of the guy left at the altar, and his search for the "right woman" as well when his character is defined as the safe, content "nice guy" that women are supposed to erroneously try to marry when their lively romantic relationships go awry. Basically that's the long way of saying that this guy is an accountant who spends his time reading the dictionary as a private pleasure, and now he realizes that he'd like to actually get the girl too.What's absolutely wonderful about this film is that Elliot knows that his problem is that he's such a harmless nice guy, but he knows that being a harmless nice guy is a really great thing to be if you don't take into account that that means losing a lot of relationships because women are more interested in romance risk-takers. So he has to battle his own personality with his own personality while his friends give him TERRIBLE advice that sounds good (we've been there, now haven't we?), he surrounds himself with completely superficial people because superficiality is the only way he knows to fit in, and he totally doesn't notice the direct and not-so-subtle advances from the "right girl" who is, also, way too nice to take risks as well.In short, it's an absolutely delightful sort of aside in the whole romantic comedy industry, but still uses a lot of the tropes and techniques usual to the form to keep it simple and enjoyable for everyone.--PolarisDiB

Is it just me, or was this an homage to The Apartment (Best Picture – 1960)? Baxter, was played by Jack Lemon in the Billy Wilder classic. I got a feel for it here, but it was a tad shy of a full load for my tastes, but the subtly in places and the "everyone is a Baxter" message were warm and sincere. Recently I have been spoiled by faster and smother paced silly, love stories by the likes of the Friends' cast, Sandler, and Stiller. Even the classics from the 50's through the 70's often found a more stable pace to encourage us to follow along. The glacially slow development of the main characters' true desires takes something away from this movie for me. But perhaps that was just the point. Sometimes it takes us to be pushed to the edge to face what we want to do with our love. A little better pacing, a better mixing of the silly and the subtle would have made this an exceptional movie. I will wait hopefully for Michael Showalter's (director/writer ) next effort.