Simply A Masterpiece

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The film never slows down or bores, plunging from one harrowing sequence to the next.

"Better Than Sex" is yet another mostly bedroom two-hander on a relationship, like "About Last Night" and "Breaking Up," but is quite charmingly done in a frank and funny tone.With a gimmick of a time-bound, three-day relationship setting the limits, the talking to the camera by the two lovers and their friends works as a way to show what's going through their heads. This technique is especially useful when dealing with the visual problem foreign movies have grappled with but American movies have avoided since "Klute" (especially "Pretty Woman"): how to show when sex changes with feelings.There is a touch of magic realism with a bemused cab driver, but she also could be their whimsical thoughts.The Australian actors are not of the pencil-thin/gym worked-out American variety, but are lustily and cheerily robust as we see quite a bit of them.What was confusing was the order their days together are presented -- did my projectionist mix up the reels or was the print I saw mixed up? At one point one character says "We've already had our first fight," which hadn't happened yet, and he leaves with a bag he hadn't brought over. But then later both the fight and the bag appear. I also got confused as to what was which with an indication of "The Third Day" vs. "The Last Day." There's a possibility it was shown out of order for emotional effect, but then I think the changed red sheets didn't appear at the end.The Aussie pop songs are nice, but incidental and hardly noticeable.(originally written 11/17/2001)

There would be many people in the world that believe there many experiences that are better than sex. I am one person that has to agree, as I believe the world has a lot more to offer than just sex. This film, while being very sexually liberating for the characters that appear in it, is also very touching and funny for the audience that watches it. Although this movie deals with controversial issues involving sex, it is a film I believe any adult can enjoy. This is one classy Australian romantic comedy.When Josh and Cin meet at a party and decide to spend the night together, it seems to them like the perfect solution. With Josh leaving in three days to go back overseas, what can possibly go wrong? It is one night of sex and the will never see each other again. What is there to get complicated? It will be fun without all the usual expectations. It is just sex. They both know that. But as their night stretches into another night, what seemed so safe and easy starts to get out of control. They both find themselves faced with the possibility that what they want is… better than sex. But will either of them be able to admit it?Taking on the roles of both the writer and director of ‘BTS' was Jonathon Teplitzky. Jon wrote a very original and very witty script, getting help from script editor, comedy actress Genevieve Mooy. I am sure he did his homework on the issues relating to casual sex and what such an experience can be like. Then the way that he wrote these very unique ‘to the camera' personalities into the screenplay was great, because I felt they were very well crafted characters. Also the use of voiceovers, as tool for us too hear what the two main characters are thinking while they are engaged in a very heavy sexual encounter were hilarious. I could not help but laugh when Josh is thinking of a ‘cake recipe' to delay a climax, and when Cin says ‘I love you' as she comes.When in the director's chair Jonathon shows even more class. I feel the camera shots that Teplitzky gives only enhance the way we experience the movie, like the many different angles we see Josh and Cin in when they are in bed. The cinematographer, Garry Phillips does a great job in bringing off the shots Teplitzky wanted. Teplitzky also made this film a very fun experience to watch, and I believe it is through his direction that we are allowed to feel that way. The main stars in this film were Josh (Aussie heartthrob David Wenham) and Cin (Susie Porter). Both are very good in their roles. They were very professional, considering that they had to share many sexually moments in the film. Both of these actors shared a chemistry that made you believe they could ever end in this sort of situation. It is my opinion that Wenham was born to play his role. These roles were extremely important in the success of the film, and I have to say both Wenham and Porter pulled them off. There were other roles that I liked in the film. Sam (Catherine McClements) is an iffy friend of Cin. McClements is very good in her cameo performance in the movie, as her flirtatious ways would be concerning for any girlfriend to take, in front a prospective boyfriend. What happens when Sam officially meets Josh for the first time was very funny. There is also the character of the Taxi Driver (Kris McQuade). She was very observant when it came to Cin, as she knew what she was like. McQuade had a very deep husky voice, but for some reason I liked her role. There was also the great role taken on by people simply known as ‘girls' or ‘guys' in BTS. The Girls included B (Dina Gillespie), C (Emily Saunders), D (Laura Kennelly), E (Leah Vandenberg) and F (Tammy McIntosh), while Guys included A (Mark Priestly) B (Tamblyn Lord) C (Jason Clarke) D (Jason Chong) and E (Tim Richards). All these people, while not having major roles in the film, made this aspect of the movie very memorable for me. The music of BTS was also a highlight of the film. Composer David Hirschfelder and his musical crew did a great job in giving this movie a really good feel. It is another movie that has had a very subtle by very effective score. I love the way Hirschfelder used such instruments as violins, guitars drums and pianos. The way Hirschfelder has the piano twinkling half way through the film was terrific. The good songs of the soundtrack include Gets me up by Sneak and Stay the same by Kylie Minogue. This movie does not have many locations or characters, but that did not distract from how good a film it was. I think it only enhanced the film all the more, and made what was shown to seem all the greater. It would be safe to assume that many people have been in such a situation as the one presented in this film. If this is true, than what the movie showed would have only been more entertaining for that group of individuals/couples. This is a very good piece of Australian cinema, one that I highly recommend to you, if you are yet to see it. CMRS gives ‘Better than Sex': 4.5 (Very Good – Brilliant Film)

This film is simple in plot line---the growth from a one-night stand of a relationship that is expected to end as one party has to leave in a few days---but manages to build the characters with a mixture of soliloquy, quick comment from friends, reaction to fast sexual progression, and so on. It gives the feeling that it was once a stage play, but does not suffer for this. It has a few amusing weird bits, like the taxi driver. It is no blockbuster, but it is well-acted, well photographed, well scripted, has an interesting ending, and is generally warming, while succeeding admirably in making you see the characters without seeing their appearance.

**Possible Spoilers**I picked this up not expecting too much and must say I wasn't disappointed. David Wenham and Susie Porter, Josh and Cynthia respectively, are two twenty something Australians who meet at a party and decide to get together for a night of 'no strings attached' sex. After a few days, they've become quite inseperable, which leads to much angst for the pair. For a film with a short running time (85 minutes), it feels much too long, despite the energy of the leads. One of my problems with it is the theatrical delivery of some scenes - many asides with non-characters giving their opinions and providing gossip. The majority of these deliveries become tiresome and repetitive. (This is only emphasised by the fact that there is only three characters given names and the rest are marginalised.) Not particularly funny, this is just another stab at the 'quirky comedy' that Australian cinema has mastered. A tedious 85 minutes.