The Worst Film Ever

the audience applauded

Fresh and Exciting

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

A woman follows her husband to his ancestral home in China to bury his recently-deceased father, and comes face to face with a deadly curse that is hell-bent on making her and her family suffer for their crimes in the past.This was an awesome and enjoyable ghost film. One of the better aspects to the film is the incredible story, which is perfect for hanging a creepy and suspenseful ghost story around. The way it manages to make the situation with the ghosts' return for vengeance into a wonderfully atmospheric film in the first half. These early scenes, from him wandering into the basement based on noises at the beginning or them walking across the streets with all the stuff set-up regarding the decorations and the intentions behind them allows for some good moments. There's a couple of fantastic ones centered around the drug-store scene, which is so sudden, so unexpected and come sat the perfect beat with the perfect set-up that the scene works gloriously, the rising bear at the fireplace is also classic since it leads into the spectacular factory scene, and the opening attack is great with the woodland setting being used to absolutely perfect effect here, the fog-covered area looks absolutely creepy and foreboding, while the gag with the trees, the growling and jarring camera-work all signify an attack that is absolutely perfect and opens on a high-note. Once it goes into the possession angle, it deals with the physical acts that demonstrate what's happening to him, and there's some really great moments to come from this. The Mandarin encounter works from the dialog and the dyed arms works on pure shock value, which when combined with these other really great moments make it just as good as what came before. The back- story as well works on the revelations later on with a really marvelous twist which is fitting for a ghost's revenge and appearing as time- period appropriate, and as if talking about it isn't enough it plays out in an absolutely fantastic flashback. The ghost's revenge here is also perfect as there's an erupting, endless flow of bones from the room, the arms shooting out from the pile to drag the two away and the later sequence with the one victim vomiting up skeleton bones in an extended, graphic and brutal set-piece really works well. The last plus is the gore, which isn't bad and kept to a minimum but makes it work when it counts as the film's best qualities against the only thing wrong with this one. By doing the possession so late in the film, it makes the ghost look a little weak since they had plenty of contact before, with plenty of opportunities to do so before then, and to then do so at the end is a little suspicious. Also, the manner of possession, by saying it's been done but not explaining how or why, takes a little of the sting out of it. It could've been written in another way, as they don't really play it up later as one, making the proclamation even stranger. Still, beyond this there's more to love here which makes this one so good.Rated R: Violence, Language and children-in-jeopardy.

Agree with everyone else on this page - good horror.It combines American values with Asian ghosts: a prosperous family has its world turned upside down as a dark secret crawls toward the light.The acting, music, camera work are solid, and there are some nice Asian touches, particularly when the ghost girl appears with her bells tinkling playfully. The pace is good too as the mystery is gradually revealed.I prefer more creep and menace, but it's not for that kind of audience and the final conflict goes back to American values in a Spielberg style righting of the wrongs.Produced by ... Uwe Boll.

Sarah (Jaime King), her husband, Jason, and their six year old son, Sammy, go to Vancouver for Jason's Uncle Raymond's funeral. During their stay at Aunt Mei's house, Sammy starts seeing ghosts. He ends up in a coma at the hospital after nosing around the basement of Uncle Raymond's warehouse. Soon, Sarah sees them, too. Desperate for answers, she visits a local pharmacist who shows her a sketch of the spirit with Sammy - her skeletal hand reaching for his exposed heart - that he drew a year ago. He tells her the spirit has imprisoned her son's soul and Sarah has until dawn on the last day of Ghost Month to find out what the spirit's motives are or Sammy will be lost forever. The R rating has me baffled. There are some disturbing images but not near as gory as The Grudge and that's rated PG-13. There is no sex or nudity, not even a side boob. I don't even recall a single swear word. This is more mystery & suspense than it is horror, in my opinion. The scares are good but the acting is terrible. Pei-pei Cheng as Aunt Mei and the adorable Henry O as Sammy are very believable but King is a whiny mess and Chen doesn't understand the use of facial expressions. I'm Asian, my husband is Caucasian, and we have two Amerasian daughters. I'm rating this on the low side because the movie was a letdown and only partially entertaining, not because I have an issue with inter-racial couples.

Oh no, they didn't let them rest. And now they have awakened. Or something of the sort. They used all the clichés of the genre: Chinese obscure habits, disturbed bones, demons that take a child hostage while the mother must perform some sort of task while no one is helping except "the old sage". Also the usual scene that begins in a way and ends in blood or scary deformed faces or other things like that. Don't forget the sudden loud violin sounds and sudden movements.Yes, you have seen it before. And as long as you will watch this kind of recycled junk, you will continue seeing it. My advice is to boycott such farces and make way for real movies.