Truly Dreadful Film

Purely Joyful Movie!

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

a portrait of Spain after Franco's regime. portrait of the past as root of the fears and vulnerable peace. portrait of childhood looking the source of justice. a novel. and its splendid adaptation. Black Bread could be defined as thriller, mystery or political film. in fact, it is only analysis of grow up in the circle of a wounded world who has not courage to assume the events who defines it. the truth not gives freedom. only creates a way who has ambition to revenge the errors of adults for a cruel pragmatism. a dark film who is useful trip in heart of a community. nothing new. only bitter, cruel and cold. the lost of innocence and the fruits of many compromises as price of survive.and the final answer of a young man who discovers, step by step, the frame of the truth.

This year I saw "In a glass cage", another movie also written and directed by Agustí Villaronga from 1986 (considered one of the most disturbing films of all time), and the movie was so strong, fast and intense, that is hard not to compare with Black Bread. Black Bread is quite decent, it has a great way to handle mystery, and the characters (and their psychology) are very well developed. The portrait of the Spain that was living under the rules of Franco is also great, specially on the countryside. But knowing what Villaronga can do, I expected way more. The movie is over saturated with dialogs, there are way to many characters to follow the plot, and the ending was quite flat. Villaronga seems very skilled to handle themes that are considered taboo with a great taste but there was a lack of those themes in this movie. By the other hand, the point of view of a Spain post war mainly in children is great, same as the acting. So if you like mystery but you don't like to jump from your sit, then go for it.

The world of Andreu is shattered, as the story begins, when he comes upon a wreckage where a neighbor and his son were involved. The almost unwatchable beginning marks the young boy forever. This was the Catalonia of the post war. The small town, in an impoverished rural area where a drama that began a few years before the initial tragedy, serves as the setting for this tale about the coming of age of Andreu. Farriol, the father of Andreu, has a lot to be afraid. He wants to flee to France, but ends up at his old mother's house where a lot of widows share the space with the bitterness of their lives. Andreu is sent by his mother, Florencia, to stay with his relatives. It is hard for her to keep working at a small factory and tending her young son without the husband that has gone away.In the new surroundings, Andreu, unravels secrets that are long buried. The defection of his father Farriol weighs heavily on the boy. The atmosphere is oppressive at best. School is not a pleasant place to be either. The only teacher is a man who should not be near children. Andreu discovers his father's role in a horrible act of castration performed on a young man whose only fault was to be a homosexual.The well-to-do family of the Manubens, where one of Andreu's aunts works as a servant, are the key to the well kept secret the whole town knows, but do not dare to speak. Florencia's only alternative is a sacrifice: she will let the rich Manubens take Andreu away so he can be educated. Florencia coming to visit Andreu at the catholic school, is shocked to find a totally changed Andreu as the story ends."Black Bread" was the winner of last year Goya for best film has its merits. Based on a novel by Emili Texidor and adapted for the screen by its director, Agusti Villaronga, it presents the oppressive era of the post civil war era in that part of Spain. The story is complex. Seen through the eyes of the impressionable Andreu, he watches the adult world around him, not being able to absorb the bizarre story behind it. Loving his father, Andreu feels betrayed as he finds out about an ugly episode in which his old man was involved, as well as his mother being sexually abused by a cruel mayor of the town. It is Asuncion who makes the ultimate sacrifice in order to see Andreu get an education, only to be met with his scorn.Young Francesc Colomer is Andreu. We have never seen the actor, so our impression is that his experience is mainly from working in television, not a guarantee to make a good performer in another medium. The best thing in the film is the Asuncion of Nora Navas who gives an excellent performance as the mother of Andreu. Sergi Lopez and Eduard Fernandez have done much better before. They are seen basically in supporting roles.

This film swept the board at this year's Goyas (Spanish cinema awards), but after last years Cell 211 ( an enjoyable but unremarkable prison drama) did the same, I wasn't expecting too much. I'd enjoyed Villaronga's disturbing Aro Tolbukhin, but I wasn't expecting this. One of the best opening sequences you'll see all year leads to a mystery, experienced through the eyes of one boy, that reveals lies, conspiracy and the dark secrets in the heart of a rural Catalan village a few years after the end of the Civil War. It's magnificently done, and the performances of the children match those of actors such as Sergi Lopez (whose role echoes that in Pan's Labyrinth),Eduard Fernández and Marina Comas.Scenes such as the boy's father instructing him to uphold his ideals and walk tall, or a powerless mother pleading her husband's innocence, are familiar from more commercial films. Here they are brutally undermined until nothing is left but pitiless self interest. A chilling study of how war and poverty create monsters.