Sadly Over-hyped

It's entirely possible that sending the audience out feeling lousy was intentional

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Hungry Hearts is a phrase play on words. It is a potent combination of words. The film showcases the blurred sense of what is conceived as normal in modern society. Normal as in interpersonal relationships, honesty, frankness, the depth of knowing one another, as well as in self awareness. The personal freedom, freedom of choices, what is considered to be an informed choice. How long can a partner respect the choices of the loved one? What is love and at what point does it start to turn into crippling obsession or mental illness. When the heart is hungry it clouds the senses. "Its a phase mum, it will pass." If you are in it you can't see the full spectrum of it. A spectator can. A wise grandmother whose heart is not hungry anymore, can feel the real responsibility of bringing up a child of a selfless point of you. It is not about you or your partner, it is about that new person that has been brought into this world hungry!

This is not a thriller, it's a drama. And drama's are not really my thing. There are some exceptions but this is not one of them. I had mixed feelings throughout the whole movie. After half an hour I was seriously bored and could not wait for this movie to finish. After the boredom I became angry. Very angry. If it was the point of Hungry Hearts to make you angry then they did their job. Alba Rohrwacher played her role very well, if it was her job to make you want to smack her in the face. So after being bored and angry, two things I really don't like when watching a movie, came finally the end. The end is actually the best part of the movie. A good deserved ending, but too late for me to like the movie.

The movie started out promising with a "meet cute" in a toilet, but the purported "stink" of that opening scene was actually a metaphor for the entire film. Despite valiant efforts by the two leads, the script and direction were so far fetched and over the top that no amount of good acting could save this piece of schlock. Weird camera angles that come and go for no apparent reason, an absurd wedding montage accompanied by the entirety of "Flashdance", again for no apparent reason, a house in Westchester filled with deer heads, again for no apparent reason...and the list could go on for pages. Roberta Maxwell's performance is a hoot for all the wrong reasons...like she has watched too many demonic possession films. And, no, she is not demonically possessed in the movie. The use of horror movie sound effects and strings to underscore the supposed tension actually brought laughs from the audience. And this is not a funny movie. What this film was doing in the Tribeca Film Festival is beyond me; and, yes, I understand that it did well at Venice. But...ugh. I'm guessing we won't see this film released on these shores.

The opening scene is funny and mortifying at the same time, giving a false sense of a under budgeted romantic comedy to the film, but then it gets darker. The awkwardly sweet duo become one, they fall in love and hit off. Step by step, things get serious and these lovebirds turn into an unnerving couple as the movie gets psychological and somber. Originally - in the book - in Italy, the story was transposed to New York City because the Italian director thought that it belonged in there. I don't know if I agree completely but given what is depicted in the film I understand this choice. Saverio Costanzo used tight shots and close ups to bring the intimacy needed for the story. As the story develops each scene gets a shade darker and the intimacy of the shots seem to illustrate Jude (Driver) and Mina (Rohrwacher)'s state of minds. It's subtle and masterfully crafted to bring you a place where you never thought you'd go. The chips fall into place and you realize what you're in for, Mina and Jude start to make sense and a chill crawls up your spine. The slight sense of dread takes over just enough to keep captivated, but not fully engaged to make you too uncomfortable and wary. If it was done any other way it would have probably been too hard to watch, instead, like a car crash you find yourself watching these people on their way down the rabbit hole. @wornoutspines