Too much of everything

That was an excellent one.

i must have seen a different film!!

Boring

They say that serial killers are driven to kill and are unable to stop, but Eugene Van Wingerdt (Scott Glenn) did stop. He stopped nearly thirty years ago and moved away to a small town, where he became the local barber and beloved member of the local community. One day, out of the blue, the son of the cop who originally investigated his crimes, tracks him down. The cop, posing as a budding serial killer, wants advice from Eugene, who continuing to claim he's not who the boy thinks he is. Eugene feels sorry for him and forms a bond with the young man, trying to lead him away from a life of crime, but as he does, will those old feelings come back to the surface, or is Eugene really just a misunderstood old man? The premise of the new independent film, The Barber, is certainly unique and to me it seemed as though there were many different directions this film could have gone in, but the path chosen, was the road less traveled, and the result was just a really boring and predictable story. This is one of those film where nothing really happens until the end, and by that point, the viewer is just so bored and sick of the whole thing that they just want it to be over. Scott Glenn stars and is far too old to be believable. I can understand wanting to be active and not simply take on the role of grandpa, but a mentor for a serial killer, it just doesn't fit. Glenn is paired with newcomer Chris Coy, who honestly couldn't act his way into a high school play, much less play a character with duel personalities. By the end of this film, I literally cringed every time the guy opened his mouth. The story here is solid, but the way producers go about telling it and the people they cast to star in it leave a lot to be desired.

First I'd just like to say that the plot-summary on this page is inaccurate, albeit not far from what it is about it's still inaccurate.What is true is that it is a serial killer themed thriller which starts with a wannabe serial killer meeting the real deal.I can't go into any details without starting to spoil stuff but there are many twists and turns throughout the movie.Luckily these twists aren't the typical random twists that sometimes Hollywood scriptwriters tend to throw in in last minute to shock the viewer and think that they are clever but doesn't make sense with what we've just witnessed.They all make a fair amount of sense actually in the end so that's a definite plus.And Scott Glenn is as I said really nice to see in a lead again, a underrated actor, Chris Coy in the other lead-role is also good.It's not a perfect movie, it does feel like they didn't have much budget or time to deal with and some characters aren't fleshed out as they could have been but it does entertains and yeah I'd watch it again.

An alleged veteran is forced to come out of hiding by unforeseeable circumstances, he must employ his skill once more to overcome the problem. No, this is not John Wick or Taken. The Barber is more of a noir detective movie that matches two different characters with hidden identities. The two are embroiled in a quite interesting mind game, however the plot relies too heavily on far-fetched plot devices and coincidences which feels underwhelming and contrived at latter half.The Barber Eugene (Scott Glenn) meets with the young ambitious John (Chris Coy). Right at the introduction, John is very aggressive in his approach, claiming that Eugene is in fact a serial killer. The two try to outsmart each other and the movie is pretty good on creating layers for both of them. Scott Glenn delivers the character with precision, often looking feeble but still charismatically bizarre when needs be.For his counterpart, Chris Coy performs admirable as well. He exhibits the contradicting youth to Glenn's more experienced nature. The chemistry is there as each finds more about each other's secrets. Visually, the movie has fitting noir look, it sets in a small town and some of the scenes are beautifully shot.Unfortunately, it often resorts to cheap plot devices. Characters would need to find or do things just in the right time and right place. The chances of these occurring are astronomically low, especially since they speak in vague manner, yet the movie pushes the scenes as if they are destined to be. Either because the alleged killer is near psychic or the victim is dumb. It is not a clever scheme or even a planned one, at some points the movie even utilizes more subplots and flashbacks, creating inconsistent pacing flow that never feels resolved.This is a shame because it could've been more engaging if the plot was simplified, instead it becomes forced as it tries to set overly elaborate twists. If one can get pass the irregularities, there is a good acting presence that might just entertain more on human drama aspect than its murky mystery thrill.

Greetings again from the darkness. There is a theory that to catch a killer, one must think like a killer. Young John McCormack is in the next room when his detective father, frustrated at being unable to put away a serial killer, commits suicide. Flash forward twenty years, and John is now himself a police officer intent on finishing his father's work … and gaining a bit of revenge in the process.The story picks up as John (Chris Coy) has tracked Francis Visser to a small town, where he is known as Eugene the town barber, a gentle and dignified friend to all. Scott Glenn portrays Eugene as a slow-shuffling elderly gentleman who doesn't much appreciate profanity, rudeness or poor decisions. He is even friends with the local police chief (Stephen Tobolowsky), who accepts Eugene's word on just about any topic.The cat and mouse game between John and Eugene plays a bit like Sleuth (1972) where each participant sees himself as smarter than the other. Only this time, there are 17 previous murders to go along with the developments after Eugene agrees to mentor John on the fine art of stalking, planning and killing without evidence. Beginning with a gypsy proverb: "You have to dig deep to bury your father", the film seems to use that quote figuratively and literally, as being buried alive plays a role alongside the detective father's ruinous obsession. Supporting work is provided by Kristen Heger, as John's co-worker (and more), Olivia Taylor Dudley as the waitress looking to John for fun, and Max Arciniega as Eugene's barber shop employee.More attention to the John vs Eugene piece, and a little less to the various sub-plots, could have tightened up this thriller and elevated it to an even more suspenseful level. Mr. Glenn and Mr. Coy are both excellent, and at their best when sharing a scene. It's a nice first feature from director Basel Owies, who has an eye for nuanced characters with a dark side.