Thanks for the memories!

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The film never slows down or bores, plunging from one harrowing sequence to the next.

The acting in this movie is really good.

PRETTY POISON is one of those movies that I'd heard of but never had the opportunity to see. For some reason it never appears on various movie channels or if it does it's on at such a late hour that I've missed it. And I check for movies that I've missed to DVR on these channels! So I was glad to finally get the chance to see this film.The movie stars Anthony Perkins as Dennis Pitt, a young man who's spent most of his life in an institution because while a youngster he was responsible for a fire that killed his aunt. Having gone through rehabilitation and psychiatric care he is about to finally be released. His probation officer Morton Azenauer (John Randolph) tells him it is best to avoid the creative fantasies that Dennis tends to place himself in and stick with reality, working the job he's found for him and getting on with his life.Dennis begins work at a lumber yard where he does his job well enough but still has moments where he is distracted. Dennis' boss Bud (Dick O'Neill) is a jerk of a boss who looks for reasons to give Dennis a hard time. Of course this will lead to Dennis resentment of both Bud and the job he now works at.On lunch break one day Dennis sees a beautiful young girl (Tuesday Weld), a cheerleader he spies marching with the band. He bumps into her, passing her a small vial and tells her to be quiet, they're watching and he'll meet her at a theater that night. Once there he takes the vial and thanks her, leaving. She follows and he concocts a story that he's a secret agent on a mission. Her name is Sue Ann Stepanek and she's not intrigued by this supposed spy.The two begin to spend time with one another going so far as Dennis meeting her mother and taking her out on a date. The make a stop by a local make out area where the cops harass them and take them back to Sue Ann's house. It is there that we get our first glimpse of what Sue Ann is capable off as we see her slap her mother when they argue after the police leave. Dennis is shocked and leaves the house.Sue Ann contacts Dennis again and at just the right time. It seems that his Azenauer has let Bud know about Dennis' past and Bud then fires Dennis. When Dennis lets him know Azenauer is upset since Bud promised not to fire Dennis. Once more Dennis makes up a story about a new job and has Sue Ann play the part of a secretary confirming the job.Angry at Bud, Dennis convinces Sue Ann that they have to perform an act of sabotage on the lumber mill, weakening the supports of a run off. In the middle of doing so the night watchman catches Dennis but Sue Ann knocks him unconscious with the wrench she's carrying. She takes his gun and shoots him, then pushes him into the river. Dennis is shocked but Sue Ann convinces him that when the run off falls it will look like it collapsed on the watchman and killed him.The two love birds move forward from here into more potential threatening incidents before deciding to run off together. All the while we watch as Dennis, the man who is supposed to be the one with mental issues, is matched with this young all American girl who seems to be much more disturbed than he ever was. Where they will end up is anyone's guess.The film moves along at a slow pace, at times distracting because of this, but never quite enough to make it boring. It has a made for TV look from that time rather than a feature feel and I'm not sure if that helps or hinders. This is not to say it looks bad, just mediocre. The performances by both leads are well done, more so for Weld than Perkins. Watching you can't help but recall all of the other times he's played mentally unstable characters, especially Norman Bates in PSYCHO. Perkins would go on to play other characters with questionable mental issues in several more films. While he hoped to put Bates behind him he somehow always found himself in these roles.What makes this movie so interesting is the role that Weld plays here. Far too often you can tell just who the bad guy, who the person is most likely to commit a crime is in film. Here we're presented with a wholesome young girl who's held in high regard but who underneath is the pretty poison the film's title speaks of. It makes for an interesting character and performance.The movie is being released by Twilight Time so you know up front that the image on screen will be the best possible to be found for this release. Extras include the isolated music and effects track, audio commentary with executive producer Lawrence Turman and film historians Lem Dobbs and Nick Redman, audio commentary with director Noel Black and film historian Robert Fischer, deleted scene script and commentary and the original factory trailer. I say this all the time but once more, Twilight Time has released this with only 3,000 copies available so if you want one make sure you order before they sell out.

A quirky little picture based on a quirky little novel—Stephen Geller's 'She Let Him Continue' (E.P. Dutton, 1966)—'Pretty Poison' delves, Hitchcock-like, into realms of psychotic violence that sometimes lie just beneath the facade of tidy American normalcy. Already firmly typecast as a perpetual deviant, Anthony Perkins ('Fear Strikes Out'; 'Psycho') plays Dennis Pitt, a mentally disturbed young man who is out on parole after serving a long stretch behind bars for setting a house fire that killed his aunt when he was fifteen years old. Temporarily evading his parole officer (John Randolph) by relocating to "Winslow" (actually Great Barrington) Massachusetts, Dennis takes a job at a small chemical factory but indulges his overactive fantasy life by pretending to be a CIA agent. His self-imposed "secret mission": to sabotage the discharge pipe that dumps the mill's polluting effluent into the river. At a nearby lunch wagon Dennis meets Sue Ann Stepanek (Tuesday Weld), a pretty, blonde 17-year-old high school student and drum majorette who seems to personify the all-American girl-next-door. Dennis enlists Sue Ann in his sabotage mission but Sue Ann turns out to be much more than Dennis bargained for; she bludgeons the night watchman who interrupts their caper then proceeds to shoot her own mother (Beverly Garland) to death—and blames both murders on Dennis, whose track record leaves him highly vulnerable to such charges. With Dennis back behind bars, Sue Ann is last seen seducing another gullible young man, though under the watchful eye of Dennis's suspicious parole officer: a scene tacked on after preview audiences reacted negatively to the film's evident cynicism toward wanton killing (Sirhan Sirhan had just assassinated Senator Robert Kennedy). A modest hit when it first appeared, 'Pretty Poison' has achieved enduring cult status, thanks no doubt to Lorenzo Semple Jr.'s savvy script, David Quaid's picturesque cinematography, and the disarmingly witty acting of Tony Perkins. (Tuesday Weld blamed an uncharacteristically dull performance on director Noel Black, a shy, socially awkward man who was not able to bring out the best in her). Lawence Kasdan's 1981 noir thriller, 'Body Heat', utilizes a similar plot. DVD (2006).

Plot-- An outpatient uses his fantasy skills to entice a blonde cutie into his dream world, but gets more than he bargained for, to say the least.One of the squirrliest pairings in movie history. Weld and Perkins are darn near perfect as the young couple from heck. And to think that the sweet-faced little Sue Ann (Weld) turned up at random out of a highschool drill team. No wonder Pitt (Perkins) wants back into the safety of an asylum. If she's the outside world, we'd all better hide. He may be a James Bond fantasist, but at least he doesn't straddle corpses in ecstatic delight. In fact, he's got a social conscience when it comes to what his employer is doing. And that's the problem. He's got a sense of limits, but she doesn't.So why does he go along with her betrayal of him. I can understand why he wants back into confinement, but why turn seductive Sue Ann back loose on society. After all, he's trying to keep mill gunk out of the stream. Maybe it's because, unlike the ugly river poison, she's a pretty poison.Really original premise, expertly played out. No doubt the screenplay couldn't have been produced ten years earlier. The sixties lifted the lid on the exotic, and this one goes about as far as any. I like the working class locations that lend both realism and flavor. And get a load of the stream that's used as everyone's dumping ground. No wonder the two kids are weird. Stodgy old Hollywood would never give awards to a movie like this. But in my little book, I'd give one-eyed Oscars to both Perkins and Weld, and a real one to screenwriter Semple. Meanwhile, I'll never look at a girls drill team the same way again, and you may not, either.

Pretty Poison is interesting to watch just for the cast. Beverly Garland, Anthony Perkins and Tuesday Weld. How did anyone get all of these people together? Doesn't Anthony Perkins seem strange outside of Psycho?Anyway, Pretty Poison isn't a bad film it just suffers from a 'made-for-TV-feel' at times. The acting isn't bad but it seems kind of soapy or lurid whenever Sue Anne's mother comes onto the screen. She almost seems like a mother from a daytime soap.The dialogue in the film is not deep. It almost could have been written by a bunch of high schoolers. I think the interesting thing here is watching Tuesday Weld's character responding to Anthony Perkins fantasies of the CIA and undercover work. Does she let on that she believes him to use him later? Or does she really believe his wild stories in the beginning?This is the part that keeps a person interested in the story and it's up to you to decide. Nothing earth shattering here but I've seen much worse.