The first must-see film of the year.

One of the most extraordinary films you will see this year. Take that as you want.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

"Triad Election" takes viewers deep into a ritualized world of the Triad Society crime organization which is full of betrayal, backstabbing, and power-grabbing moves for power. The movie contains complex characters, scheming political machinations, and explosive action sequences that creates balance against Jonnie To's unique directorial style and subversive plot twists. "Triad" is the sequel to the wildly successful "Election" (2005), which earned a number of awards and nominations including Best Film, Best Director, and Best Screenplay at the Hong Kong Film Awards in 2006. The "Triad" storyline expounds from its predecessor with a political subtext: the candidates here, elegantly played by Koo and Yam, are not only trapped by their own lust of power or wealth, but also by the mainland Chinese government's omniscient influence. To merges an intelligent screenplay with the hardball tactics of the Hong Kong underworld which contains political undertones and transcends an otherwise conventional crime drama storyline.The slow burn caper maintains a business-like atmosphere, while its general sense of tranquility is interrupted with sudden bursts of intense violence. Noticeably absent is the trademark two-fisted gun play, sunglasses, and highly stylized action sequences so prevalent in Woo's films. To underplays the spectacle of violence -- he's more interested in the how the escalation reveals the character of the candidates. The majority of "Triad Election" is about the political maneuvering of organized crime, but when the conversations end, make no mistake, the blood flows mightily. "Triad Election" strongly resembles "The Godfather Part II" (1974), but it's resolutely a Chinese story, reaching back to the origins of Hong Kong crime syndicates, and showing how they struggle to keep a foothold in a modernized world. There are great modern crime movies out there -- Michael Mann's "Heat" (1995), Martin Scorsese's "Goodfellas" (1990), and Andrew Lau and Alan Mak's "Infernal Affairs" trilogy. "Triad Election" unquestionably belongs with such illustrious company.

The Triads have once more reached the election year, were a new person would take up the role of leader, however the current boss has no intention of giving up his position, while his protégé is being forced to become a candidate by the government.I am a genuine HK cinema fan and love the 'Triad Genre', so I was naturally attracted to a film that delved into the politics of criminality, however I was disappointed. The plot was slow and dull, the characters did not seem to add anything to the story and the end was a let down.The concept of Gangster and Politics did not seem to gel together very well, which ruined a perfectly good idea.

It may seem odd for the selective New York Film Festival to include what in many ways is a fairly standard Hong Kong crime movie, working in the familiar genre of Triad gang stories. What is new here, perhaps, if it is really new, is that not only does the main character make his choices in order to create new relationships with the Chinese mainland, but he also dreams of becoming a pure businessman, and wants his son not to be a successful gang leader like him but an attorney. If we didn't see the original film of which this is the follow-up, we soon learn that the Wo Shing Society undergoes leadership changes every two years by a vote of its key members, and current leader Lok (Simon Yam) is about to finish his term. As the time comes though, Lok wants to hold onto his power, which leads to a personality change. He turns very nasty. But Jimmy turns even nastier.Lok has to select a potential candidate amongst his 5 godsons, and Jimmy (Louis Koo) already rich from pirated porn sales, seems the best qualified to bring in new business for the Society. However, his interest is only in making money, initially that is, until he's seduced by the fact that with power, the mainland Chinese will give him more respect, and with that, the potential for more business. In fact a key mainland player tells him he cannot come back to deal with them unless he is president of the society. It is only in the hopes of becoming more a businessman that Jimmy accepts the idea of a two-year term as Wo Shing leader. But he must fight for that, because of Lok's change of heart.The irony is that after Jimmy succeeds, he finds he has fallen into a trap.To what extent this has anything to do with actual events, or is a reference to the new relationships since 1997's changeover to mainland control of Hong Kong, is uncertain. But the kernel idea of the film according to To was a police commissioner's remark to him that the criminal class would be important to the stability of the new Hong Kong. To feels that the Triad system is dying, perhaps also as some Italians feel the Mafia's glory days are over. But as an old Arab proverb says, "Evil is ancient." And in keeping with this notion is director To's notion of the role played by destiny in life, which relates to Jimmy. Jimmy's destiny comes from his birth. His father was a criminal, and he is a criminal. His plan of eventually becoming merely a successful businessman is therefore doomed, because it is not his destiny, nor will it, most likely, be his son's.This film was entitled Triad Election as presented, but the international title Election II is more accurate, given that this is a sequel, with the same main characters, to Election. Apparently this newer film was issued in a "sanitized version" which dwelt more on the political machinations than on the usual violence. In the version shown at the NYFF the violence was restored, and it is some of the most horrific imaginable, including as it does men chained to mad dogs (was Abu Ghraib an inspiration?) and a man who is beaten to a pulp with mallets and then dismembered with knives, his severed limbs run through a meat grinder and fed to the dogs. There is a scene in the new Scorsese The Departed where Jack Nicholson smashes Leonardo DiCapro's already broken hand, and another when he appears with his shirt disheveled and covered with splattered blood. But that's nothing compared to these Hong Kong Triad tortures, which are shown in vivid detail. Unlike the showy acting in The Departed the characters in Triad Election tend to speak in quick monosyllables. Then of course, Chinese is a monosyllabic language. But there are no caressing poetic effusions, no love scenes, only politics, a few hugs, and the nihilistic isolation of ultra-cruelty. Even the gang lords' wealth is shown only by their riding in big dark expensive cars.The film begins boringly, as such films often do, with a meeting outdoors between syndicate members and officials. It is only as time goes on that the violence begins and we get the juice and momentum of a real crime movie. That also includes throwing an old man down many flights of stairs to kill him. All this is elegantly filmed; the often chiaroscuro wide-screen cinematography is impeccable, and Louis Ko as Jimmy is as handsome as the young Alain Delon. The acting is of uniformly high quality, as are the other aspects. But despite that the experience the film provides is rather routine. Godfather-esquire moments notwithstanding, there is here none of the powerful characterization, the moral content, and the fierce forward momentum of John Woo. What we have here is an homage to the peak performance of a genre artist – except that by reports Election, the first film, is superior. It's not likely that this film will make many new converts to the genre or the director.

Given local election fever, it's somewhat apt that this movie gets its release during this period. Sort of a tongue-in-cheek tie in with the local political environment. I was filled with a whole lot of skepticism when other local reviewers from the mainstream media started to laud this movie with fantastic ratings. While the original movie had won plenty of awards, the bastardized politically correct version that was shown here, did not do it any honours.However, I was still game to see how this movie panned out, and to my surprise, it met my expectation of a good triad movie. You can actually forget that you've watched the politically correct version, and enjoy this movie as it's meant to be. But for those who have not watched the first movie, fret not, you'll be up to speed within 10 minutes, though you might grapple with certain scenes and characters.Suffice to know that the Wo Shing Society undergoes leadership changes every 2 years in a democratic manner, and current leader Lok (Simon Yam) will have its term completed soon. However, he becomes, as we learn towards the end of the first movie, power hungry, and demonstrates the character change which was missed in the original bastardized version.Lok has to select a potential candidate amongst his 5 godsons, and Jimmy (Louis Koo) presented the best option as the one who has the smarts for raking in new business for the Society. However, his interest is only in making money, initially that is, until he's seduced by the fact that with power, the mainland Chinese will give him more respect, and with that, the potential for more business.The movie becomes similar to the original's scheming and plotting to gain the upper hand, in the run up to the election for the next leader. The focus here is on Jimmy, and his grand scheme to push himself to the forefront of the elections. It's classic "black eats black" plotting for power, title and money.The much touted violence, can rival some of those that Hollywood churns out. Rarely panning away, the camera captures and at times teases with the blood splatters, spurts and stains, what with equipment like sledge hammers, hammers (somehow the weapon of choice), and, get this, a meat grinder. Many in the audience squirmed, and it's a tad uncomfortable watching the dismemberment of a full human body.It may seem a little ordinary given the recycled storyline of triad power struggles, but what lifts this movie is the last 15 minutes, where the revelation sets in. You'll see who's actually playing who, and rings home the thought of being careful what you wish for. Squabbling over scraps and neglecting the bigger picture and threat, will always prove to be fatal, as there are always vultures waiting in the wings. It's ironic that for all the election is worth, it degenerates, not within choice, to the installation of a puppet like figure. To the authorities, corrupt or sly, whichever way you look at it, it's always advantageous to have a known evil, rather than an unknown one.I really recommend this movie, at long last, a decent triad movie with a finale that will really distinguish this amongst others in the genre. One more thing too, I also dig the very powerful theme song with the guitars and drum beats. Really brings out the tension and the mood.