Load of rubbish!!

It is a performances centric movie

Good start, but then it gets ruined

This film is so real. It treats its characters with so much care and sensitivity.

I watched it with English sub-titles some of which were badly worded. I really liked the movie as it built slowly to a (pardon the pun) climax. You get to watch the three of them go about their lives and join in a train wreck. Some clever filming at the art exhibition which I liked. Some interesting thoughts on life and death. Some interesting hints from Simon that he is bi before he gets with Adam. I wondered how the would get to the end however they managed it quite nicely.A lovely unusual story of love and loss and reconciliation. If you like a soppy love story give it a go - you do need to get through the rather arty start and a couple of arty scenes in the middle - skip past them or persevere - I did both the first set of subtitles got out of sync and I had to find another and watch the beginning a second time.

Writer/director Tom Twyker (Run Lola Run, Perfume, Heaven, The International. Paris, je t'aime) is proving to be one of the most fearless and creative talents in film today. He knows how to create strange stories that take us by surprise, present them with excellent actors, selects and composes musical scores that are as perfect as any being created, introduces just enough philosophy and scientific investigation into timely topics to challenge our brains, and tops it off with inventive photography - superimposing split screens that enhance not only the progress of the story but also allow the presentation of brief glimpses of 'dangerous' ideas that stirs the cauldron to boiling.3 is a fascinating tale. Simon (Sebastian Schipper) is an artistic architect who works with sculptors to bring their art into being. He is in a longterm relationship with Hanna (Sophie Rois) who is a television journalist cum scientist who is widely popular in their hometown of Berlin. Simon and Hanna are in their forties and deeply in love. Simon is informed that his mother has advanced pancreatic carcinoma and when his mother attempts suicide with an overdose and fails, she is brain dead, supported on machines. Simon stays at her bedside while Hanna continues her line of investigation about new stem cell theories, attending lectures by the handsome Adam (Devid Striesow) - a married man with children who leads a separate life of clandestine but short-lived gay affairs. Simon's mother dies and Simon is diagnosed with testicular carcinoma, undergoes an orchiectomy and begins chemotherapy, losing his hair in the process. All of this he shares with Hanna: the two decide they probably should marry and Hanna wants children while Simon thinks world timing is poor for starting a family (he is also aware of the fact that his operation and chemotherapy may represent the end of his sexuality and fertility).Though devoted to Simon, Hanna is attracted to Adam and finds ways to be near him. Soon they are in a physical love affair. Simon recovers his disease by swimming in a beautiful Berlin gym where he quite incidentally meets Adam, shares his operation with the stranger in the locker room, and Adam proceeds to demonstrate that Simon is indeed not impotent! Simon has new feelings aroused, and he and Adam begin a love affair. Hanna and Simon get married but still each of them has feelings for Adam. When Hanna discovers she is pregnant the story spins to its conclusion and the triptych of the title is established.This film is subtle but frank, explores sexuality in an open and honest way exploring themes relevant to our time: the biological and the ethical side of human life, the determinist way of viewing our sexuality and gender, the ways in which we define our selves in a time with shifting mores, the chance of love in a society with few if any boundaries. Love affairs as demonstrated between Hanna and Simon, Hanna and Adam, and Simon and Adam are treated equally and sensitively.The three primary actors are excellent as is the entire cast. The cinematography and film manipulation by Frank Griebe (with Twyker) and the musical score Reinhold Heil, Johnny Klimek, Gabriel Isaac Mounsey, and Tom Tykwer (with a little help form Debussy and others!) is splendid. This is a first class film and deserves the attention of a very wide audience. It is likely to be one of those films that grows in stature with the passage of time. Grady Harp

Unusual and, at the same time, uplifting story. Great acting and a well-directed movie. I am not sure if everyone who watched it will be touched in the same way I was, but -if people can overcome their stereotypes and simply enjoy the film- it will leave them with positive feelings and make them reflect on it long after the ending credits have rolled up. The story is not about your typical next door married couple that enters their middle-age era with all its fears, frustrations, joys, sorrows and life-changing truths. It is that same story but with an unexpected twist and a touching end. I am a happy gay man in a stable civil partnership. After a long period of a loving, monogamous and joyful 'marriage' we stepped into the same twilight zone of middle age, which evoked many questions, doubts and ridiculous thoughts. At the same time, and by some strange twist of fate, we met our Adam in real life and both developed feelings for him. Ever since we live in our own ménage à trios, which gives us many happy moments, pleasures and helps us to re-discovered ourselves.One reviewer described it as painfully slow and full of empty self importance. I would say that Tom Tykwer cleverly combined some scenes without dialogue -but with much deeper meaning- with other elements that are very dynamic, colorful, erotically-charged or simply entertaining. The soundtrack gives it a perfect final touch. Brilliant photography.If people think that they will miraculously skip their middle age in life, they should avoid this movie. Since that is biologically impossible -- watch the movie and you may learn something about the most fundamental issues that life brings half way down the road. Highly recommended!

An extremely playful and sensitive, a very funny and very political movie. The story of a couple falling in love with the same man serves as a surface to discuss fundamental themes of our time: the biological and the ethical side of human life, the determinist way we still see our sexuality and gender, the ways in which we define our selves in a time with shifting foundations, the chance of love in a society with almost no boundaries. The extraordinary performance of the three main characters meet a style of directing that is not afraid of unconventional ideas, like for example a metaphorical dance scene in a white space by Sasha Walz in the beginning or a short scene of a sundown with funny music, which seams completely out of context, but is instantly commented with a laughter in the audience. But aside from being entertaining and intelligent, it also invokes a kind of sexual utopia: it encourages us, to see our sexuality, our love, our gender and ourselves in a more tolerant, open and free way.This is, without a doubt, the best German movie i have seen in years.